| Song | Brother (Watching) |
| Artist | Shad |
| Album | Old Prince |
| Download | Image LRC TXT |
| 作曲 : Koiter | |
| I try to hold some hope in my heart | |
| For these African youths | |
| Coming up where I'm from | |
| Many traps to elude | |
| Surrounded by | |
| Mostly white and affluent dudes | |
| And somehow, you expected to have | |
| Mastered this smooth | |
| Swagger and move | |
| With the right walk, the right talk | |
| Fashion and crews | |
| Souls subtly attacked and abused | |
| And what's funny's being black wasn't cool | |
| Where I'm from til suddenly | |
| You started hearing rap in the school | |
| Hallways | |
| Admist this madness I grew | |
| With knack for amusing through this little skill | |
| For rappin at dudes | |
| An' we all like to laugh at the truth | |
| But when you young and same facts | |
| Pertain to who you rappin em to | |
| Well, I opted not to bring | |
| That to the booth | |
| But after a while, it sort of starts naggin at you | |
| The crazed infatuation with blackness | |
| That trash that gets viewed | |
| And the fact that the tube only showed blacks | |
| Actin the fool and I was watching... | |
| (saturated with negative images and a limited range of | |
| Possibilities is strange...) | |
| And it's sad cause that naturally do | |
| Sort of condition your mind and over time | |
| That's what's attractive to you | |
| So young blacks don't see themselves in | |
| Scholastic pursuits | |
| Or the more practical routes | |
| It's makin tracks or it's hoops | |
| Or God-forbid movin packs for the loot | |
| Even with this music we so limited - it's rap or produce | |
| And that narrow conception of what's black isn't true | |
| Of course, still we feel forced to adapt to this view | |
| Like there's something that you're havin to prove | |
| Now add that to the slew | |
| Of justification the capitalists use | |
| For the new blaxploitation | |
| Many actions excused | |
| In the name of getting cash | |
| That's adversely impactin our youth | |
| With mental slavery, the shackles is loose | |
| And it's hard to cut chains when they attached at the roots | |
| So what the new black activists do | |
| For our freedom is just being them | |
| Do what you're passionate to | |
| Not confined by a sense that you have to disprove | |
| Any stereotypes, so-called facts to refute | |
| Or match any image of blackness | |
| They've established as true | |
| Perhaps we'll break thru the glass ceilings | |
| Shatter the roof and emerge | |
| From these boxes that they have us in cooped | |
| And grow to smash the bold that they casted of you | |
| I'll keep watching... |
| zuo qu : Koiter | |
| I try to hold some hope in my heart | |
| For these African youths | |
| Coming up where I' m from | |
| Many traps to elude | |
| Surrounded by | |
| Mostly white and affluent dudes | |
| And somehow, you expected to have | |
| Mastered this smooth | |
| Swagger and move | |
| With the right walk, the right talk | |
| Fashion and crews | |
| Souls subtly attacked and abused | |
| And what' s funny' s being black wasn' t cool | |
| Where I' m from til suddenly | |
| You started hearing rap in the school | |
| Hallways | |
| Admist this madness I grew | |
| With knack for amusing through this little skill | |
| For rappin at dudes | |
| An' we all like to laugh at the truth | |
| But when you young and same facts | |
| Pertain to who you rappin em to | |
| Well, I opted not to bring | |
| That to the booth | |
| But after a while, it sort of starts naggin at you | |
| The crazed infatuation with blackness | |
| That trash that gets viewed | |
| And the fact that the tube only showed blacks | |
| Actin the fool and I was watching... | |
| saturated with negative images and a limited range of | |
| Possibilities is strange... | |
| And it' s sad cause that naturally do | |
| Sort of condition your mind and over time | |
| That' s what' s attractive to you | |
| So young blacks don' t see themselves in | |
| Scholastic pursuits | |
| Or the more practical routes | |
| It' s makin tracks or it' s hoops | |
| Or Godforbid movin packs for the loot | |
| Even with this music we so limited it' s rap or produce | |
| And that narrow conception of what' s black isn' t true | |
| Of course, still we feel forced to adapt to this view | |
| Like there' s something that you' re havin to prove | |
| Now add that to the slew | |
| Of justification the capitalists use | |
| For the new blaxploitation | |
| Many actions excused | |
| In the name of getting cash | |
| That' s adversely impactin our youth | |
| With mental slavery, the shackles is loose | |
| And it' s hard to cut chains when they attached at the roots | |
| So what the new black activists do | |
| For our freedom is just being them | |
| Do what you' re passionate to | |
| Not confined by a sense that you have to disprove | |
| Any stereotypes, socalled facts to refute | |
| Or match any image of blackness | |
| They' ve established as true | |
| Perhaps we' ll break thru the glass ceilings | |
| Shatter the roof and emerge | |
| From these boxes that they have us in cooped | |
| And grow to smash the bold that they casted of you | |
| I' ll keep watching... |
| zuò qǔ : Koiter | |
| I try to hold some hope in my heart | |
| For these African youths | |
| Coming up where I' m from | |
| Many traps to elude | |
| Surrounded by | |
| Mostly white and affluent dudes | |
| And somehow, you expected to have | |
| Mastered this smooth | |
| Swagger and move | |
| With the right walk, the right talk | |
| Fashion and crews | |
| Souls subtly attacked and abused | |
| And what' s funny' s being black wasn' t cool | |
| Where I' m from til suddenly | |
| You started hearing rap in the school | |
| Hallways | |
| Admist this madness I grew | |
| With knack for amusing through this little skill | |
| For rappin at dudes | |
| An' we all like to laugh at the truth | |
| But when you young and same facts | |
| Pertain to who you rappin em to | |
| Well, I opted not to bring | |
| That to the booth | |
| But after a while, it sort of starts naggin at you | |
| The crazed infatuation with blackness | |
| That trash that gets viewed | |
| And the fact that the tube only showed blacks | |
| Actin the fool and I was watching... | |
| saturated with negative images and a limited range of | |
| Possibilities is strange... | |
| And it' s sad cause that naturally do | |
| Sort of condition your mind and over time | |
| That' s what' s attractive to you | |
| So young blacks don' t see themselves in | |
| Scholastic pursuits | |
| Or the more practical routes | |
| It' s makin tracks or it' s hoops | |
| Or Godforbid movin packs for the loot | |
| Even with this music we so limited it' s rap or produce | |
| And that narrow conception of what' s black isn' t true | |
| Of course, still we feel forced to adapt to this view | |
| Like there' s something that you' re havin to prove | |
| Now add that to the slew | |
| Of justification the capitalists use | |
| For the new blaxploitation | |
| Many actions excused | |
| In the name of getting cash | |
| That' s adversely impactin our youth | |
| With mental slavery, the shackles is loose | |
| And it' s hard to cut chains when they attached at the roots | |
| So what the new black activists do | |
| For our freedom is just being them | |
| Do what you' re passionate to | |
| Not confined by a sense that you have to disprove | |
| Any stereotypes, socalled facts to refute | |
| Or match any image of blackness | |
| They' ve established as true | |
| Perhaps we' ll break thru the glass ceilings | |
| Shatter the roof and emerge | |
| From these boxes that they have us in cooped | |
| And grow to smash the bold that they casted of you | |
| I' ll keep watching... |