| Song | Hanging with the Clowns |
| Artist | Racoon |
| Album | Another Day |
| Download | Image LRC TXT |
| 作曲 : Racoon | |
| Strangers are talking. | |
| Bullshit is walking tonight. | |
| Young lovers are breaking, | |
| pretending there's sweat in their eyes. | |
| The tears leave no trace in the lights | |
| 'cause it's warming her face so she looks all right. | |
| You keep on escaping, the X is your alibi. | |
| Guilty as charged and you know that you ought to be, | |
| so drop the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here's a great opportunity. | |
| You shoot the sheriff, and then shoot the deputy. | |
| Young women are dancing, | |
| showing their moves in the light. | |
| She's sticky and chewing, | |
| sweaty, I bet she’s all right. | |
| The strangest hand has been dealt by the man on the roof. | |
| He was born and held down by choices that I’ll never choose. | |
| You're guilty as charged and you know that you ought to be, | |
| so drop the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here's a great opportunity. | |
| You shoot the sheriff, | |
| and then shoot the deputy. | |
| Shoot the deputy, | |
| let's shoot the deputy. | |
| He's hanging with the clowns. | |
| You’re guilty as charged and you know that you ought to be. | |
| Soak up the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here's a great opportunity. | |
| You shoot the sheriff, | |
| and then shoot the deputy. | |
| No I'll shoot the sheriff and you do the deput's wife while | |
| you're at it. | |
| A great opportunity. | |
| I know you well and you want it as bad as me. | |
| Guilty as charged, | |
| and you know that we ought to be. | |
| Yeah we ought to be. | |
| Let's shoot the deputy |
| zuo qu : Racoon | |
| Strangers are talking. | |
| Bullshit is walking tonight. | |
| Young lovers are breaking, | |
| pretending there' s sweat in their eyes. | |
| The tears leave no trace in the lights | |
| ' cause it' s warming her face so she looks all right. | |
| You keep on escaping, the X is your alibi. | |
| Guilty as charged and you know that you ought to be, | |
| so drop the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here' s a great opportunity. | |
| You shoot the sheriff, and then shoot the deputy. | |
| Young women are dancing, | |
| showing their moves in the light. | |
| She' s sticky and chewing, | |
| sweaty, I bet she s all right. | |
| The strangest hand has been dealt by the man on the roof. | |
| He was born and held down by choices that I ll never choose. | |
| You' re guilty as charged and you know that you ought to be, | |
| so drop the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here' s a great opportunity. | |
| You shoot the sheriff, | |
| and then shoot the deputy. | |
| Shoot the deputy, | |
| let' s shoot the deputy. | |
| He' s hanging with the clowns. | |
| You re guilty as charged and you know that you ought to be. | |
| Soak up the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here' s a great opportunity. | |
| You shoot the sheriff, | |
| and then shoot the deputy. | |
| No I' ll shoot the sheriff and you do the deput' s wife while | |
| you' re at it. | |
| A great opportunity. | |
| I know you well and you want it as bad as me. | |
| Guilty as charged, | |
| and you know that we ought to be. | |
| Yeah we ought to be. | |
| Let' s shoot the deputy |
| zuò qǔ : Racoon | |
| Strangers are talking. | |
| Bullshit is walking tonight. | |
| Young lovers are breaking, | |
| pretending there' s sweat in their eyes. | |
| The tears leave no trace in the lights | |
| ' cause it' s warming her face so she looks all right. | |
| You keep on escaping, the X is your alibi. | |
| Guilty as charged and you know that you ought to be, | |
| so drop the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here' s a great opportunity. | |
| You shoot the sheriff, and then shoot the deputy. | |
| Young women are dancing, | |
| showing their moves in the light. | |
| She' s sticky and chewing, | |
| sweaty, I bet she s all right. | |
| The strangest hand has been dealt by the man on the roof. | |
| He was born and held down by choices that I ll never choose. | |
| You' re guilty as charged and you know that you ought to be, | |
| so drop the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here' s a great opportunity. | |
| You shoot the sheriff, | |
| and then shoot the deputy. | |
| Shoot the deputy, | |
| let' s shoot the deputy. | |
| He' s hanging with the clowns. | |
| You re guilty as charged and you know that you ought to be. | |
| Soak up the act and the bullshit and keep it real. | |
| Take what you like. | |
| Here' s a great opportunity. | |
| You shoot the sheriff, | |
| and then shoot the deputy. | |
| No I' ll shoot the sheriff and you do the deput' s wife while | |
| you' re at it. | |
| A great opportunity. | |
| I know you well and you want it as bad as me. | |
| Guilty as charged, | |
| and you know that we ought to be. | |
| Yeah we ought to be. | |
| Let' s shoot the deputy |