| Song | The Charm of Innocence |
| Artist | Momus |
| Album | Tender Pervert |
| Download | Image LRC TXT |
| 作词 : Momus | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit's claw | |
| Sometimes an albatross | |
| It began at a school that turned boys into gentlemen | |
| Then turned them on to debauchery | |
| I was forced to my knees in front of these gentlemen | |
| If I refused they would torture me | |
| On Sundays I'd stalk the Botanical Garden | |
| And under my uniform something would harden | |
| Whenever I passed a girl of my own age | |
| Or did it begin with au pair girls from Germany | |
| Paid by the hour to look after us? | |
| Did it begin with that first opportunity | |
| To corner a stranger with nakedness? | |
| Maybe the clinical way they undressed me | |
| Stayed with me and deeply distressed me | |
| I think, at heart, I'm something of a prude | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit's claw | |
| Sometimes an albatross | |
| Then at 18 I decided I wanted | |
| To be a commercial photographer | |
| I rented a studio down by the docks | |
| Which I shared with a friendly pornographer | |
| I photographed models in fluorescent light | |
| Whose veins were so blue and whose breasts were so white | |
| I assumed, like the moon, women were blue cheese | |
| When I left home I already had five years | |
| Of self abuse under my belt | |
| I found certain women who'd let me try anything | |
| Just to find out how it felt | |
| In some garish hotel room with vile decoration | |
| The wallpaper witnessed my first pollination | |
| The paisley patterns witnessed an abortion | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit's claw | |
| Sometimes an albatross | |
| In the army they taught me to share the abuse | |
| That I'd kept up 'til then to myself | |
| There's nothing like killing | |
| For coaxing a shy boy of twenty-one out of his shell | |
| In the dark continent with a peace-keeping force | |
| I fell in with a bunch of Algerian whores | |
| And promised them I'd try and keep in touch | |
| We met up again in the 18th arrondisement | |
| I remember them well | |
| Their lank stringy hair and their big bulbous noses | |
| Their unmistakable smell | |
| I'd approach all the ugliest, seediest jerks | |
| And ask them to keep a young model in work | |
| Some men, thank Christ, don't discriminate at all | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit's claw | |
| Sometimes an albatross | |
| I will pass my old age by a pale two-bar fire | |
| Patiently waiting to die | |
| Twitching the lace as the schoolgirls go past | |
| Tracing a page of Bataille | |
| And if you catch sight of my secondhand coat | |
| Leaving behind it a faint whiff of goat | |
| Remember both of us are naked underneath | |
| I thought it would end with the first obscene phone call | |
| The second professional kill | |
| But somehow detached from my actual behaviour | |
| This innocence burdens me still | |
| Up in the attic I pick up the brush | |
| Paint in the crow's feet, paint out the blush | |
| The face this portrait is of is still capable of | |
| The face this portrait is supposed to be of is still capable of | |
| The face this portrait is of is still capable of (Paint out the blush of shame) | |
| The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) | |
| The face this portrait is of is still capable of (Paint out the blush of shame) | |
| The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) | |
| The face this portrait is of is still capable of (Paint out the blush of shame) | |
| The face this portrait is supposed to be of is still capable of (Paint out the blush of shame) | |
| (Paint out the blush of shame) | |
| (Paint out the blush of shame) | |
| (Paint out the blush of shame) |
| zuo ci : Momus | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| It began at a school that turned boys into gentlemen | |
| Then turned them on to debauchery | |
| I was forced to my knees in front of these gentlemen | |
| If I refused they would torture me | |
| On Sundays I' d stalk the Botanical Garden | |
| And under my uniform something would harden | |
| Whenever I passed a girl of my own age | |
| Or did it begin with au pair girls from Germany | |
| Paid by the hour to look after us? | |
| Did it begin with that first opportunity | |
| To corner a stranger with nakedness? | |
| Maybe the clinical way they undressed me | |
| Stayed with me and deeply distressed me | |
| I think, at heart, I' m something of a prude | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| Then at 18 I decided I wanted | |
| To be a commercial photographer | |
| I rented a studio down by the docks | |
| Which I shared with a friendly pornographer | |
| I photographed models in fluorescent light | |
| Whose veins were so blue and whose breasts were so white | |
| I assumed, like the moon, women were blue cheese | |
| When I left home I already had five years | |
| Of self abuse under my belt | |
| I found certain women who' d let me try anything | |
| Just to find out how it felt | |
| In some garish hotel room with vile decoration | |
| The wallpaper witnessed my first pollination | |
| The paisley patterns witnessed an abortion | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| In the army they taught me to share the abuse | |
| That I' d kept up ' til then to myself | |
| There' s nothing like killing | |
| For coaxing a shy boy of twentyone out of his shell | |
| In the dark continent with a peacekeeping force | |
| I fell in with a bunch of Algerian whores | |
| And promised them I' d try and keep in touch | |
| We met up again in the 18th arrondisement | |
| I remember them well | |
| Their lank stringy hair and their big bulbous noses | |
| Their unmistakable smell | |
| I' d approach all the ugliest, seediest jerks | |
| And ask them to keep a young model in work | |
| Some men, thank Christ, don' t discriminate at all | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| I will pass my old age by a pale twobar fire | |
| Patiently waiting to die | |
| Twitching the lace as the schoolgirls go past | |
| Tracing a page of Bataille | |
| And if you catch sight of my secondhand coat | |
| Leaving behind it a faint whiff of goat | |
| Remember both of us are naked underneath | |
| I thought it would end with the first obscene phone call | |
| The second professional kill | |
| But somehow detached from my actual behaviour | |
| This innocence burdens me still | |
| Up in the attic I pick up the brush | |
| Paint in the crow' s feet, paint out the blush | |
| The face this portrait is of is still capable of | |
| The face this portrait is supposed to be of is still capable of | |
| The face this portrait is of is still capable of Paint out the blush of shame | |
| The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
| The face this portrait is of is still capable of Paint out the blush of shame | |
| The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
| The face this portrait is of is still capable of Paint out the blush of shame | |
| The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
| Paint out the blush of shame | |
| Paint out the blush of shame | |
| Paint out the blush of shame |
| zuò cí : Momus | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| It began at a school that turned boys into gentlemen | |
| Then turned them on to debauchery | |
| I was forced to my knees in front of these gentlemen | |
| If I refused they would torture me | |
| On Sundays I' d stalk the Botanical Garden | |
| And under my uniform something would harden | |
| Whenever I passed a girl of my own age | |
| Or did it begin with au pair girls from Germany | |
| Paid by the hour to look after us? | |
| Did it begin with that first opportunity | |
| To corner a stranger with nakedness? | |
| Maybe the clinical way they undressed me | |
| Stayed with me and deeply distressed me | |
| I think, at heart, I' m something of a prude | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| Then at 18 I decided I wanted | |
| To be a commercial photographer | |
| I rented a studio down by the docks | |
| Which I shared with a friendly pornographer | |
| I photographed models in fluorescent light | |
| Whose veins were so blue and whose breasts were so white | |
| I assumed, like the moon, women were blue cheese | |
| When I left home I already had five years | |
| Of self abuse under my belt | |
| I found certain women who' d let me try anything | |
| Just to find out how it felt | |
| In some garish hotel room with vile decoration | |
| The wallpaper witnessed my first pollination | |
| The paisley patterns witnessed an abortion | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| In the army they taught me to share the abuse | |
| That I' d kept up ' til then to myself | |
| There' s nothing like killing | |
| For coaxing a shy boy of twentyone out of his shell | |
| In the dark continent with a peacekeeping force | |
| I fell in with a bunch of Algerian whores | |
| And promised them I' d try and keep in touch | |
| We met up again in the 18th arrondisement | |
| I remember them well | |
| Their lank stringy hair and their big bulbous noses | |
| Their unmistakable smell | |
| I' d approach all the ugliest, seediest jerks | |
| And ask them to keep a young model in work | |
| Some men, thank Christ, don' t discriminate at all | |
| I was born with the charm of innocence | |
| On my back like a cross | |
| Thorns upon my forehead | |
| Round my neck I wore it | |
| Sometimes a rabbit' s claw | |
| Sometimes an albatross | |
| I will pass my old age by a pale twobar fire | |
| Patiently waiting to die | |
| Twitching the lace as the schoolgirls go past | |
| Tracing a page of Bataille | |
| And if you catch sight of my secondhand coat | |
| Leaving behind it a faint whiff of goat | |
| Remember both of us are naked underneath | |
| I thought it would end with the first obscene phone call | |
| The second professional kill | |
| But somehow detached from my actual behaviour | |
| This innocence burdens me still | |
| Up in the attic I pick up the brush | |
| Paint in the crow' s feet, paint out the blush | |
| The face this portrait is of is still capable of | |
| The face this portrait is supposed to be of is still capable of | |
| The face this portrait is of is still capable of Paint out the blush of shame | |
| The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
| The face this portrait is of is still capable of Paint out the blush of shame | |
| The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
| The face this portrait is of is still capable of Paint out the blush of shame | |
| The face this portrait is supposed to be of is still capable of Paint out the blush of shame | |
| Paint out the blush of shame | |
| Paint out the blush of shame | |
| Paint out the blush of shame |