| Song | The Soul of Carmen Miranda |
| Artist | John Cale |
| Album | Words for the Dying |
| Download | Image LRC TXT |
| 作词 : Cale, Eno | |
| Since the soul of | |
| Carmen Miranda had captured the mind of man | |
| Dismissed with her generation for the price of a can-can | |
| Consigned to the sideshows of history, with the patronized orphans of film | |
| She seeded the bait and offered the faint hope of chance to innocent men | |
| In love with the trance of her dances | |
| And abandoned by them | |
| And abandoned by them | |
| She called in the boys | |
| She remembered their names, and the sorry condition they came in | |
| The dances were soiled, they spun and recoiled | |
| From the master tapdancer inside them, beside them | |
| The soul of | |
| Carmen Miranda had captured the mind of man | |
| Dismissed with her generation for the price of a can-can | |
| The soul of | |
| Carmen Miranda for the price of a can-can | |
| The soul of | |
| Carmen Miranda for the price of a can-can |
| zuo ci : Cale, Eno | |
| Since the soul of | |
| Carmen Miranda had captured the mind of man | |
| Dismissed with her generation for the price of a cancan | |
| Consigned to the sideshows of history, with the patronized orphans of film | |
| She seeded the bait and offered the faint hope of chance to innocent men | |
| In love with the trance of her dances | |
| And abandoned by them | |
| And abandoned by them | |
| She called in the boys | |
| She remembered their names, and the sorry condition they came in | |
| The dances were soiled, they spun and recoiled | |
| From the master tapdancer inside them, beside them | |
| The soul of | |
| Carmen Miranda had captured the mind of man | |
| Dismissed with her generation for the price of a cancan | |
| The soul of | |
| Carmen Miranda for the price of a cancan | |
| The soul of | |
| Carmen Miranda for the price of a cancan |
| zuò cí : Cale, Eno | |
| Since the soul of | |
| Carmen Miranda had captured the mind of man | |
| Dismissed with her generation for the price of a cancan | |
| Consigned to the sideshows of history, with the patronized orphans of film | |
| She seeded the bait and offered the faint hope of chance to innocent men | |
| In love with the trance of her dances | |
| And abandoned by them | |
| And abandoned by them | |
| She called in the boys | |
| She remembered their names, and the sorry condition they came in | |
| The dances were soiled, they spun and recoiled | |
| From the master tapdancer inside them, beside them | |
| The soul of | |
| Carmen Miranda had captured the mind of man | |
| Dismissed with her generation for the price of a cancan | |
| The soul of | |
| Carmen Miranda for the price of a cancan | |
| The soul of | |
| Carmen Miranda for the price of a cancan |