| [00:15.32] |
She's got a moulding |
| [00:16.95] |
|
| [00:18.78] |
Of her left hand |
| [00:20.13] |
|
| [00:22.69] |
And she holds it to her chest |
| [00:25.38] |
|
| [00:29.12] |
Trying to feel |
| [00:30.66] |
|
| [00:32.54] |
The pulsations |
| [00:33.91] |
|
| [00:36.33] |
Trying to quiet the unrest |
| [00:39.56] |
|
| [00:42.34] |
That's taking place |
| [00:44.56] |
|
| [00:45.94] |
It's taking place |
| [00:48.63] |
|
| [00:51.01] |
Behind the armour of |
| [00:53.19] |
|
| [00:54.31] |
Her smiling face |
| [00:56.98] |
|
| [01:13.36] |
She wants a moulding |
| [01:15.32] |
|
| [01:16.97] |
Of her features |
| [01:18.44] |
|
| [01:20.88] |
Of her face and of her feet |
| [01:23.67] |
|
| [01:27.11] |
Sometimes she says |
| [01:28.58] |
|
| [01:30.52] |
She wants a double |
| [01:32.45] |
|
| [01:34.22] |
Made of stone or of concrete |
| [01:38.20] |
|
| [01:40.81] |
To take her place |
| [01:43.24] |
|
| [01:44.40] |
To take her place |
| [01:47.11] |
|
| [01:49.67] |
Then she could disappear |
| [01:52.94] |
Without a trace |
| [01:55.19] |
|
| [01:56.52] |
To take her place |
| [01:58.22] |
|
| [02:00.01] |
To take her place |
| [02:02.39] |
|
| [02:05.28] |
Then she could disappear |
| [02:08.28] |
|
| [02:08.84] |
Without a trace |
