| [00:11.066][Frankie] |
|
| [00:14.490] |
Okay, this is the picture |
| [00:15.597] |
Johnny's been hurt |
| [00:16.622] |
He's been hurt bad |
| [00:17.356][Woman] |
|
| [00:17.544] |
Look, we can't leave him here, we can't |
| [00:18.543] |
Look, he's in a pool of blood |
| [00:19.850] |
He's gonna die, I know it |
| [00:21.847][Frankie] |
|
| [00:22.037] |
We've gotta leave him here, honey |
| [00:22.444] |
We gotta. He won't talk, I promise you that! |
| [00:22.841] |
Will you Johnny? |
| [00:24.178][Woman] |
|
| [00:24.511] |
Frankie, I don't care whether he talks or not |
| [00:24.735] |
I just can't leave him like this |
| [00:26.623][Johnny] |
|
| [00:27.833] |
Listen. Leave me here |
| [00:28.112] |
I... I... I can ... I can ... handle it |
| [00:30.098][Woman] |
|
| [00:30.520] |
Oh, no, Johnny, no... |
| [00:32.001][Frankie] |
|
| [00:34.327] |
The cops are outside |
| [00:35.079] |
Luke's in the car |
| [00:36.251] |
Come on, let's get the hell outta this joint |
| [00:37.724][Woman] |
|
| [00:37.958] |
Frankie, when they get here we're gonna be dead |
| [00:39.169] |
I know we are! |
| [00:39.597] |
We don't have a gun! |
| [00:40.868][Frankie] |
|
| [00:41.233] |
Listen. We got three million... Listen Spud |
| [00:42.601] |
We got three million in the car, here |
| [00:42.978] |
We can't look after him, I'll send the bird to his mother |
| [00:45.433] |
Come on, let's just get out of this place, we can do it! |
| [00:45.934][Woman] |
|
| [00:48.016] |
Oh no, Johnny, no... |
| [00:50.007] |
She came, as in the book, Mickey Spillane |
| [00:56.399] |
That Saturday night dark masquerade |
| [01:00.599] |
Had filled his friend with lead, the same, sweetheart |
| [01:05.930] |
But then, as nothing happens quite the same |
| [01:12.842] |
Investigation is the game |
| [01:17.182] |
He had to check her story right away |
| [01:22.424] |
He dead |
| [01:23.786] |
Sam Space his buddy Archer first to go he got it |
| [01:26.203] |
(He dead) |
| [01:27.692] |
She spelt it out, how could they know the "Fatman" got it |
| [01:30.184] |
(He dead) |
| [01:31.894] |
Her sister didn't really live at all-confusion |
| [01:35.037] |
(He dead) |
| [01:35.827] |
His chase led to the "Fatman", to face the friends of Mr. Cairo |
| [01:39.868][Woman] |
|
| [01:41.786] |
Hey, there's a really terrific dress shop |
| [01:43.128] |
Can we stop this raid while I buy a new gown? |
| [01:45.198][Frankie] |
|
| [01:46.000] |
I'll buy you the whole factory, sweetheart |
| [01:47.517] |
Don't worry |
| [01:56.226] |
That night, the double crosser got it right |
| [02:02.902] |
Pretending he was really dim |
| [02:07.288] |
He slipped to Sam a double gin "Mickey Finn" |
| [02:12.630] |
He woke, the boys had gone but not his gun |
| [02:19.633] |
They'd left a note to lead him on |
| [02:23.131] |
The chase to find the Maltese Falcon |
| [02:29.125] |
You bet |
| [02:34.404] |
Early thirties gangster movies |
| [02:35.937] |
Set to spellbind population |
| [02:37.990] |
From Chicago to Hong Kong |
| [02:39.757] |
Via Istanbul the Talking Tong |
| [02:42.199] |
Dirty rats thru' prohibition |
| [02:44.234] |
Money flowed thru gangsterism |
| [02:46.291] |
Acting out his fantasy |
| [02:48.198] |
In Hollywoods vicinity |
| [02:50.528] |
Best part for the best rendition |
| [02:52.362] |
Al Capone he sent to prison |
| [02:54.607] |
Citizen Kane came fast and quickly |
| [02:56.686] |
Conquerin' old New York City |
| [02:58.744] |
Poking fun at superstition |
| [03:00.855] |
Media became television |
| [03:02.952] |
Give me Cagney any day |
| [03:05.050] |
Or Jimmy Stewart for President |
| [03:07.076] |
Or Edward G. and all those guys |
| [03:09.184] |
Who always shoot between the eyes |
| [03:13.575] |
Between the eyes |
| [03:17.540] |
Between the eyes |
| [03:20.970][Kasper] |
|
| [03:32.811] |
Ha ha ha ha! |
| [03:34.880] |
Well done Mr. Cairo |
| [03:36.549] |
And what do you have to say about that my friend? |
| [03:38.836][Spade] |
|
| [03:40.280] |
All right. So you've got me in it |
| [03:41.886] |
What about her? |
| [03:42.913][Brigid] |
|
| [03:43.480] |
Don't worry about me, I'm okay |
| [03:45.367][Kasper] |
|
| [03:45.966] |
Very magnanimous Sir |
| [03:47.149] |
Very magnanimous indeed |
| [03:48.639] |
Ha ha ha ha ha |
| [03:49.865][Mr. Cairo] |
|
| [03:50.519] |
You mean... |
| [03:51.409] |
You won't make us an offer we... |
| [03:53.297] |
We can't refuse? |
| [03:54.700] |
Father, love, do you work, do you work for Mother |
| [03:59.080] |
Chances could call, and accept that, be no other |
| [04:03.227] |
Science as it might, disappear correspond with color |
| [04:07.410] |
Chance is the fruit, will outlive, what is now the brother |
| [04:11.373] |
Call for total wealth to distribute like a picture |
| [04:15.009] |
In black and white, give it joy, give it, let it hit you |
| [04:19.544] |
Spoil our existence by extreme gift to population |
| [04:23.570] |
Father, love, do you work, do you work for Mother |
| [04:28.256] |
Tell me straight be the Godfather be no other |
| [04:32.369] |
Media Kings give us now give us total movie |
| [04:36.281] |
Straight right now, give it clear, give us total movie |
| [04:40.305] |
Now being here, being now, being here believing |
| [05:13.338][Man] |
|
| [05:17.389] |
I don't know which words to put in there sweetheart |
| [05:19.344] |
You know, I can't do it |
| [05:21.402] |
Pretty kind of useless, though, don't you think so Mary? |
| [05:32.757][Man] |
|
| [05:54.481] |
Come with me to the far lands of Baghdad |
| [05:56.651][Woman] |
|
| [05:57.156] |
Oh, if only I could |
| [05:58.574] |
That's what I want more than anything in the world but... |
| [06:00.944] |
It could never be |
| [06:03.199][Man] |
|
| [06:03.868] |
Of course it can |
| [06:04.878][Woman] |
|
| [06:05.258] |
But my father would find us wherever we went |
| [06:07.991] |
Yes, he has forbidden me to... to even speak to you |
| [06:11.277] |
If he finds me now... |
| [06:12.535] |
I don't know what he'd do |
| [06:14.598][Man] |
|
| [06:15.546] |
But he doesn't know that I'm... I'm a prince |
| [06:18.481] |
Before, I was the thief of Baghdad, now... |
| [06:21.702][Woman] |
|
| [06:21.885] |
It doesn't matter |
| [06:23.001][Man] |
|
| [06:23.632] |
Then follow me, darling |
| [06:26.341] |
Follow me now to the ends of the Earth |
| [06:50.048] |
One on one to talk to you |
| [06:53.484] |
Like film stars they get close to you |
| [06:56.575] |
You've mirrored his appeal |
| [06:59.263] |
He wants you so, he wants to be beside you |
| [07:05.710] |
Then you pass by |
| [07:11.064] |
Giving him the other side of you |
| [07:17.185] |
Like the mystics do |
| [07:20.007] |
So that every time he moves |
| [07:24.561] |
He moves for you |
| [07:38.062] |
Soul and light can always see |
| [07:41.473] |
The meeting of true love and she |
| [07:44.406] |
This silent night and I |
| [07:48.441] |
I guess a lonely mind might see |
| [07:53.044] |
I've seen love on the screen |
| [07:58.192] |
I've seen a screen goddess and me |
| [08:04.295] |
Ooooooooh |
| [08:08.339] |
How often this, how often this |
| [08:14.167] |
The power of you |
| [08:18.157] |
And so, I must confess |
| [08:23.327] |
Whatever I see |
| [08:25.746] |
I'm meant to be there with you |
| [08:34.036] |
With you |
| [09:55.755] |
Silent golden movies, talkies, technicolor, long ago |
| [10:02.125] |
My younger ways stand clearer |
| [10:05.496] |
Clearer than my footprints |
| [10:08.639] |
Stardom greats I've followed closely |
| [10:11.848] |
Closer than the nearest heartbeat |
| [10:15.003] |
Longer that expected, there were great |
| [10:20.613] |
Oh love oh love, just to see them |
| [10:27.468] |
Acting on the silver screen, oh my |
| [10:32.422] |
Clark Gable, Fairbanks, Maureen O'Sullivan |
| [10:38.792] |
Fantasy would fill my life and I |
| [10:43.019] |
Love fantasy so much |
| [10:46.268] |
Did you see in the morning light |
| [10:49.912] |
I really talked, yes I did, to Gods early dawning light |
| [10:55.825] |
And I was privileged to be |
| [10:58.447] |
As I am to this day, to be with you |
| [11:03.020] |
To be with you, to be with you |
| [11:08.733] |
To be with you, to be with you |
| [11:15.970][Mr. Cairo] |
|
| [11:22.777] |
Listen. I have arranged this display for... |
| [11:25.727] |
For all of you people to... |
| [11:26.987] |
To come here this evening and I... |
| [11:28.815] |
I know you have been searched, but, what you... |
| [11:32.121] |
You don't realize is... |
| [11:33.625] |
Is that in the back of the Maltese Falcon, I have it... |
| [11:39.705] |
|
