| And welcome back from that commercial break | |
| Um I found out some please ladies and gentlemen | |
| Hold your applause please can you hold your applause | |
| I found out something very interesting | |
| The mad producer, he's not really that mad | |
| Uh he well Mr. Producer can you please tell us | |
| Why you're not really that mad? | |
| Eh eh eh yo would I be tellin you *******t though? | |
| You can't be you know what I'm sayin | |
| Eh eh eh Yo word up TV you know what I'm sayin what's up for real | |
| Gentlemen please | |
| Yo I gotta tell you something for real | |
| What up? What up? | |
| The ******z got chedda dog and I did a track on Mase's album | |
| And I ain't gonna lie | |
| Naw naw you can't be talkin like that for real | |
| The ******z don't you know what I'm say they be raisin.. | |
| Naw son naw | |
| I'm sorry dog for real yo but | |
| Man dog! | |
| That kid Mase be doin his thing yo | |
| What you mean he be doin his thing | |
| I know they be doin their..what | |
| What I don't be doin my thing | |
| Millie Vanilli did they thing | |
| New Kid's on the Block, RuPaul | |
| All them ******es and everybody else did they thing | |
| And you ain't do no tracks on them | |
| What happened to my track? You give 'em my *******t? | |
| You gave 'em my *******t? | |
| You gave em send 'em to the ******' projects | |
| You give how could you do that I'm the jolliest ****** you know son | |
| How could you do that to me son? Damn!! |
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