| Song | Sabbath |
| Artist | Jenny Hval |
| Album | Apocalypse, Girl |
| Download | Image LRC TXT |
| I'm six or seven and dreaming that I'm a boy. | |
| I emerged out of the water and went into the garden | |
| with a small silver hand between my thighs | |
| Later, in the shower, I see a boy naked. | |
| He is contagious, and I can feel mine. | |
| I was told not to stare then, but my eyes have never been larger, | |
| in and out of my body, my stare kept growing | |
| I guess that's what's called flesh memory. | |
| Oh, how I wanted to tell him that we had switched places! | |
| In my dream I'd had him on me, but I didn't that day | |
| when I told her the dog was a wolf and the rock was a cliff, | |
| and you're a horse! I said, if the dog was a wolf and I a boy | |
| she could be a horse, sure thing, she had no excuse | |
| And we were running then, horse and wolf and girl, | |
| braces on her teeth like a bridle, a bride, a bridle. | |
| I felt tight against supple, cool against hot, wires and skin. | |
| I've always been like this | |
| Somedays I feel like my body is straightened, held up by thin braces, metal spires embrace my spine, my face, my cunt. I can feel myself from above, but I can’t see who’s holding them. It would be easy to think about submission, but I don’t think it’s about submission, it’s about holding and being held. | |
| We ran willingly, horse-like, girl-like, boy-like. | |
| Her voice neighing in the back of her throat, | |
| and when I came closer we collided and kissed | |
| in the passing, on the mouth, like horses do. | |
| I said, her thin lips over enamel and steel. | |
| I felt the outline of her braces against my own, | |
| little silver arms reaching for each other |
| I' m six or seven and dreaming that I' m a boy. | |
| I emerged out of the water and went into the garden | |
| with a small silver hand between my thighs | |
| Later, in the shower, I see a boy naked. | |
| He is contagious, and I can feel mine. | |
| I was told not to stare then, but my eyes have never been larger, | |
| in and out of my body, my stare kept growing | |
| I guess that' s what' s called flesh memory. | |
| Oh, how I wanted to tell him that we had switched places! | |
| In my dream I' d had him on me, but I didn' t that day | |
| when I told her the dog was a wolf and the rock was a cliff, | |
| and you' re a horse! I said, if the dog was a wolf and I a boy | |
| she could be a horse, sure thing, she had no excuse | |
| And we were running then, horse and wolf and girl, | |
| braces on her teeth like a bridle, a bride, a bridle. | |
| I felt tight against supple, cool against hot, wires and skin. | |
| I' ve always been like this | |
| Somedays I feel like my body is straightened, held up by thin braces, metal spires embrace my spine, my face, my cunt. I can feel myself from above, but I can' t see who' s holding them. It would be easy to think about submission, but I don' t think it' s about submission, it' s about holding and being held. | |
| We ran willingly, horselike, girllike, boylike. | |
| Her voice neighing in the back of her throat, | |
| and when I came closer we collided and kissed | |
| in the passing, on the mouth, like horses do. | |
| I said, her thin lips over enamel and steel. | |
| I felt the outline of her braces against my own, | |
| little silver arms reaching for each other |
| I' m six or seven and dreaming that I' m a boy. | |
| I emerged out of the water and went into the garden | |
| with a small silver hand between my thighs | |
| Later, in the shower, I see a boy naked. | |
| He is contagious, and I can feel mine. | |
| I was told not to stare then, but my eyes have never been larger, | |
| in and out of my body, my stare kept growing | |
| I guess that' s what' s called flesh memory. | |
| Oh, how I wanted to tell him that we had switched places! | |
| In my dream I' d had him on me, but I didn' t that day | |
| when I told her the dog was a wolf and the rock was a cliff, | |
| and you' re a horse! I said, if the dog was a wolf and I a boy | |
| she could be a horse, sure thing, she had no excuse | |
| And we were running then, horse and wolf and girl, | |
| braces on her teeth like a bridle, a bride, a bridle. | |
| I felt tight against supple, cool against hot, wires and skin. | |
| I' ve always been like this | |
| Somedays I feel like my body is straightened, held up by thin braces, metal spires embrace my spine, my face, my cunt. I can feel myself from above, but I can' t see who' s holding them. It would be easy to think about submission, but I don' t think it' s about submission, it' s about holding and being held. | |
| We ran willingly, horselike, girllike, boylike. | |
| Her voice neighing in the back of her throat, | |
| and when I came closer we collided and kissed | |
| in the passing, on the mouth, like horses do. | |
| I said, her thin lips over enamel and steel. | |
| I felt the outline of her braces against my own, | |
| little silver arms reaching for each other |