| Song | This Tension |
| Artist | Johnny Marr |
| Album | Playland |
| Download | Image LRC TXT |
| [00:00.000] | 作词 : Johnny Marr/James Doviak |
| [00:01.000] | 作曲 : Johnny Marr/James Doviak |
| [00:39.888] | Look to me |
| [00:42.630] | Look through me |
| [00:45.131] | I'm a conceptual son |
| [00:48.384] | With an intellectual gun |
| [00:51.142] | Protection |
| [00:53.015] | |
| [00:58.772] | Acting up |
| [01:01.768] | I'm after the shock |
| [01:04.526] | Like the pure obsessional one |
| [01:08.715] | Resolute representation |
| [01:11.680] | Our own production |
| [01:14.430] | Big scene |
| [01:15.425] | Act one |
| [01:16.931] | This tension |
| [01:31.171] | |
| [02:04.921] | Look to me |
| [02:08.172] | Look through me |
| [02:10.427] | Overawed with all the feelings |
| [02:13.931] | No supernatural things |
| [02:17.171] | Existensual healing |
| [02:20.931] | My scene |
| [02:21.675] | Walk on |
| [02:23.171] | This tension |
| [02:36.118] | |
| [03:12.628] | Ahead of your time |
| [03:15.628] | A private enterprise |
| [03:19.631] | Minute by minute |
| [03:23.118] | Disquiet |
| [03:25.622] | Waiting for a ride |
| [03:28.117] | And the next lifeline |
| [03:31.375] | And the next lifeline |
| [03:35.062] | Possessed of desires |
| [03:37.266] | Every day that dawns |
| [03:39.760] | Gotta get on |
| [03:42.444] | Got to get on |
| [03:45.384] | Gotta get on |
| [03:47.884] | To the future |
| [00:00.000] | zuo ci : Johnny Marr James Doviak |
| [00:01.000] | zuo qu : Johnny Marr James Doviak |
| [00:39.888] | Look to me |
| [00:42.630] | Look through me |
| [00:45.131] | I' m a conceptual son |
| [00:48.384] | With an intellectual gun |
| [00:51.142] | Protection |
| [00:53.015] | |
| [00:58.772] | Acting up |
| [01:01.768] | I' m after the shock |
| [01:04.526] | Like the pure obsessional one |
| [01:08.715] | Resolute representation |
| [01:11.680] | Our own production |
| [01:14.430] | Big scene |
| [01:15.425] | Act one |
| [01:16.931] | This tension |
| [01:31.171] | |
| [02:04.921] | Look to me |
| [02:08.172] | Look through me |
| [02:10.427] | Overawed with all the feelings |
| [02:13.931] | No supernatural things |
| [02:17.171] | Existensual healing |
| [02:20.931] | My scene |
| [02:21.675] | Walk on |
| [02:23.171] | This tension |
| [02:36.118] | |
| [03:12.628] | Ahead of your time |
| [03:15.628] | A private enterprise |
| [03:19.631] | Minute by minute |
| [03:23.118] | Disquiet |
| [03:25.622] | Waiting for a ride |
| [03:28.117] | And the next lifeline |
| [03:31.375] | And the next lifeline |
| [03:35.062] | Possessed of desires |
| [03:37.266] | Every day that dawns |
| [03:39.760] | Gotta get on |
| [03:42.444] | Got to get on |
| [03:45.384] | Gotta get on |
| [03:47.884] | To the future |
| [00:00.000] | zuò cí : Johnny Marr James Doviak |
| [00:01.000] | zuò qǔ : Johnny Marr James Doviak |
| [00:39.888] | Look to me |
| [00:42.630] | Look through me |
| [00:45.131] | I' m a conceptual son |
| [00:48.384] | With an intellectual gun |
| [00:51.142] | Protection |
| [00:53.015] | |
| [00:58.772] | Acting up |
| [01:01.768] | I' m after the shock |
| [01:04.526] | Like the pure obsessional one |
| [01:08.715] | Resolute representation |
| [01:11.680] | Our own production |
| [01:14.430] | Big scene |
| [01:15.425] | Act one |
| [01:16.931] | This tension |
| [01:31.171] | |
| [02:04.921] | Look to me |
| [02:08.172] | Look through me |
| [02:10.427] | Overawed with all the feelings |
| [02:13.931] | No supernatural things |
| [02:17.171] | Existensual healing |
| [02:20.931] | My scene |
| [02:21.675] | Walk on |
| [02:23.171] | This tension |
| [02:36.118] | |
| [03:12.628] | Ahead of your time |
| [03:15.628] | A private enterprise |
| [03:19.631] | Minute by minute |
| [03:23.118] | Disquiet |
| [03:25.622] | Waiting for a ride |
| [03:28.117] | And the next lifeline |
| [03:31.375] | And the next lifeline |
| [03:35.062] | Possessed of desires |
| [03:37.266] | Every day that dawns |
| [03:39.760] | Gotta get on |
| [03:42.444] | Got to get on |
| [03:45.384] | Gotta get on |
| [03:47.884] | To the future |