| One of the most unforgettable details in the entire Bayeux Tapestry is this seemingly incidental detail of a mother and child turned refugee, fleeing from their burning house, maybe even Hastings, resigned to their fate, not looking back. This is the first of the images that will echo through European art, through Rubens, Goya and Picasso's Guernica, of the victims of war, of civilians, of innocence. But William soon discovered there was no easy route to get from Pevensey to London. The country behind the town was waterlogged, crossed by little river valleys that fed into the sea. But there was one old Anglo-Saxon trail that could take him to the Roman road going north through Kent, and it was for mastery of this ancient, muddy, rutted track, for the most gruelling battle in early British history would be fought. | |
| 贝叶挂毯中最令人难忘的一个细节就是，这看似偶然的情景，一对母子变成了难民从他们着火的家中逃出，有可能是黑斯廷斯战役的幸存者，低头任命，从此背井离乡。这是第一幅影响了整个欧洲艺术界的作品，影响了鲁宾斯·戈雅，毕加索的格尔尼加，战争中那些无辜百姓的悲惨命运。但是很快威廉就发现，从佩文西打回伦敦没有捷径，镇子后面的村庄已经被水淹没，横穿村庄的山涧直注入大海。但是有一条古老的盎格鲁撒克逊小路，能够向北穿过肯特，到达罗马驿道，为争夺占领这条古老而泥泞的小路。早期不列颠史上最惨烈的鏖战，即将在此打响。 |
| One of the most unforgettable details in the entire Bayeux Tapestry is this seemingly incidental detail of a mother and child turned refugee, fleeing from their burning house, maybe even Hastings, resigned to their fate, not looking back. This is the first of the images that will echo through European art, through Rubens, Goya and Picasso' s Guernica, of the victims of war, of civilians, of innocence. But William soon discovered there was no easy route to get from Pevensey to London. The country behind the town was waterlogged, crossed by little river valleys that fed into the sea. But there was one old AngloSaxon trail that could take him to the Roman road going north through Kent, and it was for mastery of this ancient, muddy, rutted track, for the most gruelling battle in early British history would be fought. | |
| bei ye gua tan zhong zui ling ren nan wang de yi ge xi jie jiu shi, zhe kan si ou ran de qing jing, yi dui mu zi bian cheng le nan min cong ta men zhao huo de jia zhong tao chu, you ke neng shi hei si ting si zhan yi de xing cun zhe, di tou ren ming, cong ci bei jing li xiang. zhe shi di yi fu ying xiang le zheng ge ou zhou yi shu jie de zuo pin, ying xiang le lu bin si ge ya, bi jia suo de ge er ni jia, zhan zheng zhong nei xie wu gu bai xing de bei can ming yun. dan shi hen kuai wei lian jiu fa xian, cong pei wen xi da hui lun dun mei you jie jing, zhen zi hou mian di cun zhuang yi jing bei shui yan mo, heng chuan cun zhuang de shan jian zhi zhu ru da hai. dan shi you yi tiao gu lao de ang ge lu sa ke xun xiao lu, neng gou xiang bei chuan guo ken te, dao da luo ma yi dao, wei zheng duo zhan ling zhe tiao gu lao er ni ning de xiao lu. zao qi bu lie dian shi shang zui can lie de ao zhan, ji jiang zai ci da xiang. |
| One of the most unforgettable details in the entire Bayeux Tapestry is this seemingly incidental detail of a mother and child turned refugee, fleeing from their burning house, maybe even Hastings, resigned to their fate, not looking back. This is the first of the images that will echo through European art, through Rubens, Goya and Picasso' s Guernica, of the victims of war, of civilians, of innocence. But William soon discovered there was no easy route to get from Pevensey to London. The country behind the town was waterlogged, crossed by little river valleys that fed into the sea. But there was one old AngloSaxon trail that could take him to the Roman road going north through Kent, and it was for mastery of this ancient, muddy, rutted track, for the most gruelling battle in early British history would be fought. | |
| bèi yè guà tǎn zhōng zuì lìng rén nán wàng de yí gè xì jié jiù shì, zhè kàn sì ǒu rán de qíng jǐng, yī duì mǔ zǐ biàn chéng le nàn mín cóng tā men zháo huǒ de jiā zhōng táo chū, yǒu kě néng shì hēi sī tíng sī zhàn yì de xìng cún zhě, dī tóu rèn mìng, cóng cǐ bèi jǐng lí xiāng. zhè shì dì yī fú yǐng xiǎng le zhěng gè ōu zhōu yì shù jiè de zuò pǐn, yǐng xiǎng le lǔ bīn sī gē yǎ, bì jiā suǒ de gé ěr ní jiā, zhàn zhēng zhōng nèi xiē wú gū bǎi xìng de bēi cǎn mìng yùn. dàn shì hěn kuài wēi lián jiù fā xiàn, cóng pèi wén xī dá huí lún dūn méi yǒu jié jìng, zhèn zi hòu miàn dí cūn zhuāng yǐ jīng bèi shuǐ yān mò, héng chuān cūn zhuāng de shān jiàn zhí zhù rù dà hǎi. dàn shì yǒu yī tiáo gǔ lǎo de àng gé lǔ sā kè xùn xiǎo lù, néng gòu xiàng běi chuān guò kěn tè, dào dá luó mǎ yì dào, wèi zhēng duó zhàn lǐng zhè tiáo gǔ lǎo ér ní nìng de xiǎo lù. zǎo qī bù liè diān shǐ shàng zuì cǎn liè de áo zhàn, jí jiāng zài cǐ dǎ xiǎng. |
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