|
Slip around some universal corner |
|
(Like a woman) |
|
Slip around some corner, pick up the phone |
|
(Like a woman) |
|
She must build a fire next to the pay phone |
|
Heat is the point, smoke on the receiver |
|
Light up to its universal ringing |
|
(Like a woman) |
|
Picking it up, her heat blinds the night and rises |
|
And rises |
|
She lets you in on her biggest secret |
|
(Like a woman) |
|
She wants a man who knows all the right places |
|
(Like a woman) |
|
Washing his feet with her tears she'd dry them with her hair |
|
Among the [Incomprehensible], she's gone wild |
|
Her sins will sin from behind her |
|
(Like a woman) |
|
Dropping the phone she leaves it dead to the dead men |
|
The dead men |
|
Screaming Magdalene |
|
So alone, she picks up the phone |
|
Screaming Magdalene |
|
I'm so waiting, is there anyone so waiting? |
|
Screaming Magdalene |
|
She is running |
|
Slip around some universal corner |
|
(Like a woman) |
|
Slip around some corner, pick up the phone |
|
(Like a woman) |
|
She must build a fire next to the pay phone |
|
Heat is the point, smoke on the receiver |
|
Light up to its universal ringing |
|
(Like a woman) |
|
Picking it up, her heat blinds the night and rises |
|
And rises |
|
Light up to its universal ringing |
|
(Like a woman) |
|
Picking it up, her heat blinds the night and rises |
|
And rises |
|
Screaming Magdalene |
|
So alone, she picks up the phone |
|
Screaming Magdalene |
|
I'm so waiting, is there anyone so waiting? |
|
Screaming Magdalene |
|
She is running |
