| Song | Kill The Music |
| Artist | Every Time I Die |
| Album | Kerrang! Best Of 2005 |
| Download | Image LRC TXT |
| Stutter step to the beat of a disparaged lover. | |
| Dumb and pulsing we've become. | |
| The bedroom door is an old black lung. | |
| It's arrhythmic. | |
| Uninviting and pliable. | |
| With the noble irreverence of shrapnel she came for us. | |
| Bore into our heads and found thoughtlessness. | |
| Never minded the faithless courage of shame or the bravery of oblivion. | |
| I'm on her mind, I'm never coming back. | |
| If two timing is what it takes, then we both know one take is all we need | |
| We're not equipped to stay, unloved, | |
| But its all we've got and we're not at all alright. | |
| Come on baby and give me the creeps. | |
| Either you and I or both must go. | |
| Either you and I or both must go. | |
| I'm on her mind I'm never coming back. | |
| If two timing is what it takes then we both know one take is all we need | |
| We're not equipped to stay, unloved, | |
| But its all we've got and we're not at all alright. | |
| Theres no difference between being holy and alone. | |
| That's why I'm eagerly fleeing the scene. | |
| Lead footed. | |
| Baby return the favor and leave somebody you love. | |
| If they come back they're drunk and they're lonely. | |
| We all get lonely. | |
| God forbid we indulge when at sea. | |
| Just the tempest, the temptress and me. | |
| Naturally bored thriller. | |
| Nobody knows the trouble I've been or the exacting improvement of sin. | |
| I'm handling myself over. | |
| I’m turning myself in. | |
| War has no glory like a woman ignored. | |
| So here's to the empires polluted with dead. | |
| And the truckers wives who erected them. | |
| I know the strippers real name. | |
| Stop me if I'm wrong. |
| Stutter step to the beat of a disparaged lover. | |
| Dumb and pulsing we' ve become. | |
| The bedroom door is an old black lung. | |
| It' s arrhythmic. | |
| Uninviting and pliable. | |
| With the noble irreverence of shrapnel she came for us. | |
| Bore into our heads and found thoughtlessness. | |
| Never minded the faithless courage of shame or the bravery of oblivion. | |
| I' m on her mind, I' m never coming back. | |
| If two timing is what it takes, then we both know one take is all we need | |
| We' re not equipped to stay, unloved, | |
| But its all we' ve got and we' re not at all alright. | |
| Come on baby and give me the creeps. | |
| Either you and I or both must go. | |
| Either you and I or both must go. | |
| I' m on her mind I' m never coming back. | |
| If two timing is what it takes then we both know one take is all we need | |
| We' re not equipped to stay, unloved, | |
| But its all we' ve got and we' re not at all alright. | |
| Theres no difference between being holy and alone. | |
| That' s why I' m eagerly fleeing the scene. | |
| Lead footed. | |
| Baby return the favor and leave somebody you love. | |
| If they come back they' re drunk and they' re lonely. | |
| We all get lonely. | |
| God forbid we indulge when at sea. | |
| Just the tempest, the temptress and me. | |
| Naturally bored thriller. | |
| Nobody knows the trouble I' ve been or the exacting improvement of sin. | |
| I' m handling myself over. | |
| I' m turning myself in. | |
| War has no glory like a woman ignored. | |
| So here' s to the empires polluted with dead. | |
| And the truckers wives who erected them. | |
| I know the strippers real name. | |
| Stop me if I' m wrong. |
| Stutter step to the beat of a disparaged lover. | |
| Dumb and pulsing we' ve become. | |
| The bedroom door is an old black lung. | |
| It' s arrhythmic. | |
| Uninviting and pliable. | |
| With the noble irreverence of shrapnel she came for us. | |
| Bore into our heads and found thoughtlessness. | |
| Never minded the faithless courage of shame or the bravery of oblivion. | |
| I' m on her mind, I' m never coming back. | |
| If two timing is what it takes, then we both know one take is all we need | |
| We' re not equipped to stay, unloved, | |
| But its all we' ve got and we' re not at all alright. | |
| Come on baby and give me the creeps. | |
| Either you and I or both must go. | |
| Either you and I or both must go. | |
| I' m on her mind I' m never coming back. | |
| If two timing is what it takes then we both know one take is all we need | |
| We' re not equipped to stay, unloved, | |
| But its all we' ve got and we' re not at all alright. | |
| Theres no difference between being holy and alone. | |
| That' s why I' m eagerly fleeing the scene. | |
| Lead footed. | |
| Baby return the favor and leave somebody you love. | |
| If they come back they' re drunk and they' re lonely. | |
| We all get lonely. | |
| God forbid we indulge when at sea. | |
| Just the tempest, the temptress and me. | |
| Naturally bored thriller. | |
| Nobody knows the trouble I' ve been or the exacting improvement of sin. | |
| I' m handling myself over. | |
| I' m turning myself in. | |
| War has no glory like a woman ignored. | |
| So here' s to the empires polluted with dead. | |
| And the truckers wives who erected them. | |
| I know the strippers real name. | |
| Stop me if I' m wrong. |