| [00:12.04] |
She walks alone down a sleazy backstreet |
| [00:15.52] |
Around a corner, up an alley to a dead end |
| [00:19.31] |
There under a small blue light |
| [00:21.98] |
She enters an unmarked doorway |
| [00:25.71] |
(A low heartbeat, a low pounding escapes into the night) |
| [00:33.26] |
This is a place she goes to fulfill a very basic need |
| [00:37.53] |
Something people have been doing since the dawn of man |
| [00:41.06] |
To communicate without talking |
| [00:44.98] |
If she needs something |
| [00:46.55] |
She makes a gesture with her hand |
| [00:49.16] |
And mouths what she wants |
| [00:53.38] |
She wants to make a connection |
| [00:56.97] |
A certain kind of connection |
| [01:00.48] |
No this is not about something from the black market |
| [01:04.44] |
This is about no questions |
| [01:07.81] |
This is about smoke and sweat and beats |
| [01:13.44] |
This is about no message |
| [01:14.84] |
|
| [01:17.96] |
Take your partner by the hand |
| [01:23.45] |
He's a woman, she's a man |
| [01:28.85] |
What's so hard to understand |
| [01:34.13] |
Take your partner by the hand |
| [01:39.82] |
Mona in the promised land |
| [01:45.21] |
Take your partner by the hand |
| [01:50.79] |
Keep it simple if you can |
| [01:56.22] |
Take your partner by the hand |
| [01:58.69] |
|
| [02:38.17] |
Wait a minute,just listen |
| [03:03.92] |
At the club they circle around some sex goddess like vultures |
| [03:08.73] |
Flashbulbs popping |
| [03:10.43] |
Like bees around their queen |
| [03:13.39] |
She is completely indifferent to all the commotion |
| [03:17.03] |
And orders some mango tango ice cream by sign language |
| [03:23.17] |
She's approached by some wild-eyed poet drunk with love |
| [03:28.56] |
I like her easy refusal, the way she shakes her head |
| [03:35.20] |
She lives these days in the attic of an old dance hall |
| [03:38.92] |
That's been shut down for years |
| [03:41.15] |
And swears there's times when she can hear feet shuffling below |
| [03:46.35] |
And can see the shadows swaying, moving to the music |
| [03:50.98] |
|
| [03:52.70] |
Take your partner by the hand |
| [03:58.09] |
He's a woman, she's a man |
| [04:03.43] |
What's so hard to understand |
| [04:08.97] |
Take your partner by the hand |
| [04:15.30] |
|
| [04:15.70] |
Elevator going up |
| [04:17.56] |
Fifth floor |
| [04:19.84] |
Lady's handbags, shoes, leather accessories, and electronics |
| [04:27.12] |
Wait a minute, where am I, on this elevator to nowhere |
| [04:33.37] |
Going up, going down |
| [04:38.46] |
Then like a hallucination |
| [04:41.12] |
I saw her out of the corner of my eye |
| [04:43.75] |
Studying some shoes very carefully |
| [04:48.02] |
She definitely had a particular purpose for these shoes in mind |
| [04:52.65] |
Then as quickly as she appeared, she disappeared |
| [04:56.44] |
Back into the slash and burn of New York |
| [05:00.56] |
Ah, stuck in traffic |
| [05:03.33] |
Crosstown, the stress of not moving |
| [05:09.96] |
She described it as like being locked in a car |
| [05:14.03] |
With a madman behind the wheel |
| [05:16.70] |
And the radio tuned to static |
| [05:18.72] |
|
| [05:20.98] |
Take your partner by the hand |
| [05:25.65] |
He's a woman, she's a man |
| [05:31.78] |
What's so hard to understand |
| [05:37.14] |
Take your partner by the hand |
| [05:42.90] |
Mona in the promised land |
| [05:48.28] |
Take your partner by the hand |
| [05:53.75] |
Keep it simple if you can |
| [05:59.29] |
Take your partner by the hand |
| [06:05.00] |
Take your partner by the hand |
| [06:10.19] |
Take your partner by the hand |
