| Song | Ballad Of Tindersticks |
| Artist | Tindersticks |
| Album | Curtains |
| Download | Image LRC TXT |
| 作曲 : David Boulter & Mark Colwill & Neil Fraser & Dickon Hinchliffe & Alistair McAuley &a | |
| 作词 : Tindersticks | |
| The first time we flew it | |
| It was cheap and cramped | |
| The vodka running out half-way across the | |
| Atlantic Even the steward screamed and joined in it | |
| We didn't think we were going to make it | |
| Now we're stretched out in wide, furry seats | |
| Flicking through menus | |
| A walk to the bar and there's as much screw-top champagne as we can drink | |
| We're so easy | |
| Taking turns having our photos taken | |
| Sitting in front of smoked windows | |
| Decanters of cheap whiskey in our hands | |
| Drive into | |
| Manhattan on a date with a starlet who's just talent | |
| That's what people pay the money to see | |
| Who are we to argue? | |
| Five hours now it's been going on | |
| And still we're watching all of it | |
| Can you really believe all this? | |
| Can he really lie in bed at night and marvel at his own genius? | |
| When do you lose the ability to step back | |
| And get a sense of your own ridiculousness? | |
| They're only songs | |
| Midnight, and it's all over | |
| Now it can really make us laugh | |
| We're standing on our heads drinking sours of | |
| Crystel Schnapps | |
| Now we're unable to step back or step forward | |
| Swallowing a swallow | |
| Tasting it again, it's not so unpleasant | |
| Perhaps it's an acquired taste | |
| The first time, it makes you sick | |
| Then, bit by bit, it becomes delicious | |
| Showbiz people | |
| Always there to be interested in what you say | |
| We are artists; we are sensitive and important | |
| We nod our heads earnestly | |
| Already half-way down the champagne | |
| On our way to leaving the place dry | |
| A $2,000 bar bill | |
| Showbiz picks up the tab | |
| And we're on our way laughing | |
| Laughing at what? | |
| Los Angeles, eight days in | |
| And our sense of irony's running pretty thin | |
| All the friends we've made piano interlude not transcribed this time, sorry...just improvise | |
| It's 2 am, it's closing time at the | |
| Dresden Marty and | |
| Layton play one last sleepy "Strangers in the Night" | |
| And the last of the martinis dribble down our chins | |
| We're sitting, chasing the conservation around the table | |
| Jesus, how long have | |
| I been in this state? | |
| The limousine's still waiting outside | |
| Anything you want to do? | |
| Anywhere you want to go? | |
| We're on our way to the airport and a plane to | |
| Vegas So many nights lying in bed shaking | |
| Dreaming of pushing my daughter around the supermarket | |
| The joy of seeing all those colours and shapes reflect in her wide eyes | |
| My head leaning on the window | |
| And we're driving through the empty | |
| L.A. streets | |
| And everything seems silent and beautiful | |
| A guy's face hits the floor | |
| Police revolvers glistening in the streetlight | |
| Onto Melrose and lurching through a sea of | |
| Halloweeen transvestites | |
| The flight's cancelled, but it doesn't matter | |
| We turn this corner to a way that takes us wherever | |
| Up to Sunset | |
| We creep up the drive to the | |
| Shattuck The suite | |
| Belushi died in | |
| Or the one | |
| Morrison hung out the window | |
| Oh, I'll go for | |
| Jim's I would fancy a hotel window-hanging, myself, tonight, man | |
| Straight over to the mini-bar | |
| Open the champagne -- one sip and it's left to wake up to | |
| Anyone hungry? | |
| A team of uniformed waiters lay out an elaborate table for all us to ignore | |
| Oh, the irony | |
| How we're used to living | |
| Back in London on a cold | |
| Friday night | |
| Do you want another drink? | |
| Well, I could try | |
| Perhaps we could make it to the | |
| Atlantic 600 yeards, twenty minutes later | |
| We're pushing through the waiting crowd, all fish eyes | |
| An exclusive door policy | |
| Exclusively for arseholes | |
| And tonight? | |
| Well, a nod of our heads, and we're inside | |
| Falling down the red, velvety stairs | |
| Limbs flaying, hands searching for something to steady | |
| Pick ourselves up, nothing broken | |
| Just aches in the morning | |
| No one seems to notice | |
| I find a table, champagne arrives | |
| I've been so drunk, | |
| I sit and look at you | |
| We try and talk for the first time in a long time | |
| Drunken confession | |
| You shiver, it made you feel sick | |
| We use the rent money to pay the bill | |
| Bumping shoulders, we stumble out into | |
| Soho Slipping over the sleeping bags | |
| Shouting for taxis |
| zuo qu : David Boulter Mark Colwill Neil Fraser Dickon Hinchliffe Alistair McAuley a | |
| zuo ci : Tindersticks | |
| The first time we flew it | |
| It was cheap and cramped | |
| The vodka running out halfway across the | |
| Atlantic Even the steward screamed and joined in it | |
| We didn' t think we were going to make it | |
| Now we' re stretched out in wide, furry seats | |
| Flicking through menus | |
| A walk to the bar and there' s as much screwtop champagne as we can drink | |
| We' re so easy | |
| Taking turns having our photos taken | |
| Sitting in front of smoked windows | |
| Decanters of cheap whiskey in our hands | |
| Drive into | |
| Manhattan on a date with a starlet who' s just talent | |
| That' s what people pay the money to see | |
| Who are we to argue? | |
| Five hours now it' s been going on | |
| And still we' re watching all of it | |
| Can you really believe all this? | |
| Can he really lie in bed at night and marvel at his own genius? | |
| When do you lose the ability to step back | |
| And get a sense of your own ridiculousness? | |
| They' re only songs | |
| Midnight, and it' s all over | |
| Now it can really make us laugh | |
| We' re standing on our heads drinking sours of | |
| Crystel Schnapps | |
| Now we' re unable to step back or step forward | |
| Swallowing a swallow | |
| Tasting it again, it' s not so unpleasant | |
| Perhaps it' s an acquired taste | |
| The first time, it makes you sick | |
| Then, bit by bit, it becomes delicious | |
| Showbiz people | |
| Always there to be interested in what you say | |
| We are artists we are sensitive and important | |
| We nod our heads earnestly | |
| Already halfway down the champagne | |
| On our way to leaving the place dry | |
| A 2, 000 bar bill | |
| Showbiz picks up the tab | |
| And we' re on our way laughing | |
| Laughing at what? | |
| Los Angeles, eight days in | |
| And our sense of irony' s running pretty thin | |
| All the friends we' ve made piano interlude not transcribed this time, sorry... just improvise | |
| It' s 2 am, it' s closing time at the | |
| Dresden Marty and | |
| Layton play one last sleepy " Strangers in the Night" | |
| And the last of the martinis dribble down our chins | |
| We' re sitting, chasing the conservation around the table | |
| Jesus, how long have | |
| I been in this state? | |
| The limousine' s still waiting outside | |
| Anything you want to do? | |
| Anywhere you want to go? | |
| We' re on our way to the airport and a plane to | |
| Vegas So many nights lying in bed shaking | |
| Dreaming of pushing my daughter around the supermarket | |
| The joy of seeing all those colours and shapes reflect in her wide eyes | |
| My head leaning on the window | |
| And we' re driving through the empty | |
| L. A. streets | |
| And everything seems silent and beautiful | |
| A guy' s face hits the floor | |
| Police revolvers glistening in the streetlight | |
| Onto Melrose and lurching through a sea of | |
| Halloweeen transvestites | |
| The flight' s cancelled, but it doesn' t matter | |
| We turn this corner to a way that takes us wherever | |
| Up to Sunset | |
| We creep up the drive to the | |
| Shattuck The suite | |
| Belushi died in | |
| Or the one | |
| Morrison hung out the window | |
| Oh, I' ll go for | |
| Jim' s I would fancy a hotel windowhanging, myself, tonight, man | |
| Straight over to the minibar | |
| Open the champagne one sip and it' s left to wake up to | |
| Anyone hungry? | |
| A team of uniformed waiters lay out an elaborate table for all us to ignore | |
| Oh, the irony | |
| How we' re used to living | |
| Back in London on a cold | |
| Friday night | |
| Do you want another drink? | |
| Well, I could try | |
| Perhaps we could make it to the | |
| Atlantic 600 yeards, twenty minutes later | |
| We' re pushing through the waiting crowd, all fish eyes | |
| An exclusive door policy | |
| Exclusively for arseholes | |
| And tonight? | |
| Well, a nod of our heads, and we' re inside | |
| Falling down the red, velvety stairs | |
| Limbs flaying, hands searching for something to steady | |
| Pick ourselves up, nothing broken | |
| Just aches in the morning | |
| No one seems to notice | |
| I find a table, champagne arrives | |
| I' ve been so drunk, | |
| I sit and look at you | |
| We try and talk for the first time in a long time | |
| Drunken confession | |
| You shiver, it made you feel sick | |
| We use the rent money to pay the bill | |
| Bumping shoulders, we stumble out into | |
| Soho Slipping over the sleeping bags | |
| Shouting for taxis |
| zuò qǔ : David Boulter Mark Colwill Neil Fraser Dickon Hinchliffe Alistair McAuley a | |
| zuò cí : Tindersticks | |
| The first time we flew it | |
| It was cheap and cramped | |
| The vodka running out halfway across the | |
| Atlantic Even the steward screamed and joined in it | |
| We didn' t think we were going to make it | |
| Now we' re stretched out in wide, furry seats | |
| Flicking through menus | |
| A walk to the bar and there' s as much screwtop champagne as we can drink | |
| We' re so easy | |
| Taking turns having our photos taken | |
| Sitting in front of smoked windows | |
| Decanters of cheap whiskey in our hands | |
| Drive into | |
| Manhattan on a date with a starlet who' s just talent | |
| That' s what people pay the money to see | |
| Who are we to argue? | |
| Five hours now it' s been going on | |
| And still we' re watching all of it | |
| Can you really believe all this? | |
| Can he really lie in bed at night and marvel at his own genius? | |
| When do you lose the ability to step back | |
| And get a sense of your own ridiculousness? | |
| They' re only songs | |
| Midnight, and it' s all over | |
| Now it can really make us laugh | |
| We' re standing on our heads drinking sours of | |
| Crystel Schnapps | |
| Now we' re unable to step back or step forward | |
| Swallowing a swallow | |
| Tasting it again, it' s not so unpleasant | |
| Perhaps it' s an acquired taste | |
| The first time, it makes you sick | |
| Then, bit by bit, it becomes delicious | |
| Showbiz people | |
| Always there to be interested in what you say | |
| We are artists we are sensitive and important | |
| We nod our heads earnestly | |
| Already halfway down the champagne | |
| On our way to leaving the place dry | |
| A 2, 000 bar bill | |
| Showbiz picks up the tab | |
| And we' re on our way laughing | |
| Laughing at what? | |
| Los Angeles, eight days in | |
| And our sense of irony' s running pretty thin | |
| All the friends we' ve made piano interlude not transcribed this time, sorry... just improvise | |
| It' s 2 am, it' s closing time at the | |
| Dresden Marty and | |
| Layton play one last sleepy " Strangers in the Night" | |
| And the last of the martinis dribble down our chins | |
| We' re sitting, chasing the conservation around the table | |
| Jesus, how long have | |
| I been in this state? | |
| The limousine' s still waiting outside | |
| Anything you want to do? | |
| Anywhere you want to go? | |
| We' re on our way to the airport and a plane to | |
| Vegas So many nights lying in bed shaking | |
| Dreaming of pushing my daughter around the supermarket | |
| The joy of seeing all those colours and shapes reflect in her wide eyes | |
| My head leaning on the window | |
| And we' re driving through the empty | |
| L. A. streets | |
| And everything seems silent and beautiful | |
| A guy' s face hits the floor | |
| Police revolvers glistening in the streetlight | |
| Onto Melrose and lurching through a sea of | |
| Halloweeen transvestites | |
| The flight' s cancelled, but it doesn' t matter | |
| We turn this corner to a way that takes us wherever | |
| Up to Sunset | |
| We creep up the drive to the | |
| Shattuck The suite | |
| Belushi died in | |
| Or the one | |
| Morrison hung out the window | |
| Oh, I' ll go for | |
| Jim' s I would fancy a hotel windowhanging, myself, tonight, man | |
| Straight over to the minibar | |
| Open the champagne one sip and it' s left to wake up to | |
| Anyone hungry? | |
| A team of uniformed waiters lay out an elaborate table for all us to ignore | |
| Oh, the irony | |
| How we' re used to living | |
| Back in London on a cold | |
| Friday night | |
| Do you want another drink? | |
| Well, I could try | |
| Perhaps we could make it to the | |
| Atlantic 600 yeards, twenty minutes later | |
| We' re pushing through the waiting crowd, all fish eyes | |
| An exclusive door policy | |
| Exclusively for arseholes | |
| And tonight? | |
| Well, a nod of our heads, and we' re inside | |
| Falling down the red, velvety stairs | |
| Limbs flaying, hands searching for something to steady | |
| Pick ourselves up, nothing broken | |
| Just aches in the morning | |
| No one seems to notice | |
| I find a table, champagne arrives | |
| I' ve been so drunk, | |
| I sit and look at you | |
| We try and talk for the first time in a long time | |
| Drunken confession | |
| You shiver, it made you feel sick | |
| We use the rent money to pay the bill | |
| Bumping shoulders, we stumble out into | |
| Soho Slipping over the sleeping bags | |
| Shouting for taxis |