| Song | Happy Hour |
| Artist | Peter Hammill |
| Album | Enter k |
| Download | Image LRC TXT |
| Fuelled by alcohol,shooting out words like a rocket,like a prophet out of | |
| Babylonmethod acting the absurd... | |
| Shoot me those highballstill | |
| I'm lit up like | |
| I'm plugged in a socket;lock me eyeball to eyeball,let's not bother with the words. | |
| Oh, bring on the clowns, bring on the night,pour me double vision in black and white. | |
| I'm falling, falling – don't give me that look! | |
| I'm falling, falling, it's the oldest trick in the book, | |
| My chickadee, my passion flower,show me the way to the | |
| Happy Hour. | |
| I don't like to see that:oh, no, | |
| I don't like the way the hand is shaking,shape-making like an acrobaton his way to the trapeze. | |
| My friends in the crowdare all taking bets –they're taking away the safety net. | |
| Falling, falling – don't give me that look! | |
| I'm falling, only falling, it's the oldest trick in the book,vertigo on the high-wire tower –is this really what they mean by "Happy Hour"? | |
| The line between the social and the suicidalso fine he might not know when he's crossed it,when he's lost it;when the social kick becomes the gauging-stick of survival. | |
| So here's to the circus,let's drink to the game of forgettingthe marionette strings that jerk us,the real world just outside the door. | |
| I know that my legs have goneand | |
| I know that the light here is far from perfect...but | |
| I've rehearsed it, so | |
| I'll carry onuntil | |
| I wind up on the floor. | |
| My friends in the barwill stand me a round,they'll toast me on my way to the underground. | |
| I'm falling, falling – don't give me that look! | |
| I'm falling, only falling, it's the oldest trick in the book, | |
| My chickadee, my passion flower,show me the way to the | |
| Happy Hour. | |
| Vertigo on the high-wire tower –is this really what they mean by "Happy Hour"? | |
| Put on the greasepaint, we're getting ready for | |
| Happy Hour. | |
| Do you hear me now? | |
| Can you feel me now? | |
| I'm in the middle of | |
| Happy Hour... | |
| Put on the greasepaint.[repeat to fade] |
| Fuelled by alcohol, shooting out words like a rocket, like a prophet out of | |
| Babylonmethod acting the absurd... | |
| Shoot me those highballstill | |
| I' m lit up like | |
| I' m plugged in a socket lock me eyeball to eyeball, let' s not bother with the words. | |
| Oh, bring on the clowns, bring on the night, pour me double vision in black and white. | |
| I' m falling, falling don' t give me that look! | |
| I' m falling, falling, it' s the oldest trick in the book, | |
| My chickadee, my passion flower, show me the way to the | |
| Happy Hour. | |
| I don' t like to see that: oh, no, | |
| I don' t like the way the hand is shaking, shapemaking like an acrobaton his way to the trapeze. | |
| My friends in the crowdare all taking bets they' re taking away the safety net. | |
| Falling, falling don' t give me that look! | |
| I' m falling, only falling, it' s the oldest trick in the book, vertigo on the highwire tower is this really what they mean by " Happy Hour"? | |
| The line between the social and the suicidalso fine he might not know when he' s crossed it, when he' s lost it when the social kick becomes the gaugingstick of survival. | |
| So here' s to the circus, let' s drink to the game of forgettingthe marionette strings that jerk us, the real world just outside the door. | |
| I know that my legs have goneand | |
| I know that the light here is far from perfect... but | |
| I' ve rehearsed it, so | |
| I' ll carry onuntil | |
| I wind up on the floor. | |
| My friends in the barwill stand me a round, they' ll toast me on my way to the underground. | |
| I' m falling, falling don' t give me that look! | |
| I' m falling, only falling, it' s the oldest trick in the book, | |
| My chickadee, my passion flower, show me the way to the | |
| Happy Hour. | |
| Vertigo on the highwire tower is this really what they mean by " Happy Hour"? | |
| Put on the greasepaint, we' re getting ready for | |
| Happy Hour. | |
| Do you hear me now? | |
| Can you feel me now? | |
| I' m in the middle of | |
| Happy Hour... | |
| Put on the greasepaint. repeat to fade |
| Fuelled by alcohol, shooting out words like a rocket, like a prophet out of | |
| Babylonmethod acting the absurd... | |
| Shoot me those highballstill | |
| I' m lit up like | |
| I' m plugged in a socket lock me eyeball to eyeball, let' s not bother with the words. | |
| Oh, bring on the clowns, bring on the night, pour me double vision in black and white. | |
| I' m falling, falling don' t give me that look! | |
| I' m falling, falling, it' s the oldest trick in the book, | |
| My chickadee, my passion flower, show me the way to the | |
| Happy Hour. | |
| I don' t like to see that: oh, no, | |
| I don' t like the way the hand is shaking, shapemaking like an acrobaton his way to the trapeze. | |
| My friends in the crowdare all taking bets they' re taking away the safety net. | |
| Falling, falling don' t give me that look! | |
| I' m falling, only falling, it' s the oldest trick in the book, vertigo on the highwire tower is this really what they mean by " Happy Hour"? | |
| The line between the social and the suicidalso fine he might not know when he' s crossed it, when he' s lost it when the social kick becomes the gaugingstick of survival. | |
| So here' s to the circus, let' s drink to the game of forgettingthe marionette strings that jerk us, the real world just outside the door. | |
| I know that my legs have goneand | |
| I know that the light here is far from perfect... but | |
| I' ve rehearsed it, so | |
| I' ll carry onuntil | |
| I wind up on the floor. | |
| My friends in the barwill stand me a round, they' ll toast me on my way to the underground. | |
| I' m falling, falling don' t give me that look! | |
| I' m falling, only falling, it' s the oldest trick in the book, | |
| My chickadee, my passion flower, show me the way to the | |
| Happy Hour. | |
| Vertigo on the highwire tower is this really what they mean by " Happy Hour"? | |
| Put on the greasepaint, we' re getting ready for | |
| Happy Hour. | |
| Do you hear me now? | |
| Can you feel me now? | |
| I' m in the middle of | |
| Happy Hour... | |
| Put on the greasepaint. repeat to fade |