| 作词 : Blank, Meier | |
| My name is | |
| Norman -- | |
| Lou Norman. | |
| I've been in this business for fifteen years. | |
| If people have a problem and don't want talk to the police, they want talk to me. | |
| So, this Friday afternoon | |
| I got a phone call, | |
| Young lady asked me to go downtown. | |
| What the hell is a girl like | |
| Mandy Cooper doing at the lower | |
| Manhattan | |
| Ocean Club? | |
| Looking like a taxi [Texan?] model | |
| And with a voice like | |
| Mahalia Jackson. | |
| She don't need to work in slots like this. | |
| She got the pair of blue eyes that look green to me. | |
| And then she approached me. | |
| Oh boy Miss | |
| Cooper, I suppose? | |
| Let's stop playing games. | |
| I'm on the job here, let's come to terms. | |
| She tried to wind me up with some nonsense about an ex-boyfriend who was giving her a hard time. | |
| I said listen honey, we all know you can help yourself. | |
| If you want me to work on your case, let's get things straight -- and now. | |
| Oh boy Nobody is ever gonna damage your career. | |
| With a voice like this and a pair of eyes, you're gonna be huge in any business. | |
| You still don't smoke? | |
| I need a drink. | |
| And maybe you'll join me. | |
| Looks better for the chappy over there | |
| Looks like old friends | |
| Meeting after a hard night's work. | |
| I walked to the corner slowly, | |
| Wanted to ask | |
| Mr. Big here for a light. | |
| He turned around. | |
| I put a quarter into the jukebox and played a beautiful | |
| Ave Maria | |
| When I turned around, | |
| Miss Cooper had gone. |
| zuo ci : Blank, Meier | |
| My name is | |
| Norman | |
| Lou Norman. | |
| I' ve been in this business for fifteen years. | |
| If people have a problem and don' t want talk to the police, they want talk to me. | |
| So, this Friday afternoon | |
| I got a phone call, | |
| Young lady asked me to go downtown. | |
| What the hell is a girl like | |
| Mandy Cooper doing at the lower | |
| Manhattan | |
| Ocean Club? | |
| Looking like a taxi Texan? model | |
| And with a voice like | |
| Mahalia Jackson. | |
| She don' t need to work in slots like this. | |
| She got the pair of blue eyes that look green to me. | |
| And then she approached me. | |
| Oh boy Miss | |
| Cooper, I suppose? | |
| Let' s stop playing games. | |
| I' m on the job here, let' s come to terms. | |
| She tried to wind me up with some nonsense about an exboyfriend who was giving her a hard time. | |
| I said listen honey, we all know you can help yourself. | |
| If you want me to work on your case, let' s get things straight and now. | |
| Oh boy Nobody is ever gonna damage your career. | |
| With a voice like this and a pair of eyes, you' re gonna be huge in any business. | |
| You still don' t smoke? | |
| I need a drink. | |
| And maybe you' ll join me. | |
| Looks better for the chappy over there | |
| Looks like old friends | |
| Meeting after a hard night' s work. | |
| I walked to the corner slowly, | |
| Wanted to ask | |
| Mr. Big here for a light. | |
| He turned around. | |
| I put a quarter into the jukebox and played a beautiful | |
| Ave Maria | |
| When I turned around, | |
| Miss Cooper had gone. |
| zuò cí : Blank, Meier | |
| My name is | |
| Norman | |
| Lou Norman. | |
| I' ve been in this business for fifteen years. | |
| If people have a problem and don' t want talk to the police, they want talk to me. | |
| So, this Friday afternoon | |
| I got a phone call, | |
| Young lady asked me to go downtown. | |
| What the hell is a girl like | |
| Mandy Cooper doing at the lower | |
| Manhattan | |
| Ocean Club? | |
| Looking like a taxi Texan? model | |
| And with a voice like | |
| Mahalia Jackson. | |
| She don' t need to work in slots like this. | |
| She got the pair of blue eyes that look green to me. | |
| And then she approached me. | |
| Oh boy Miss | |
| Cooper, I suppose? | |
| Let' s stop playing games. | |
| I' m on the job here, let' s come to terms. | |
| She tried to wind me up with some nonsense about an exboyfriend who was giving her a hard time. | |
| I said listen honey, we all know you can help yourself. | |
| If you want me to work on your case, let' s get things straight and now. | |
| Oh boy Nobody is ever gonna damage your career. | |
| With a voice like this and a pair of eyes, you' re gonna be huge in any business. | |
| You still don' t smoke? | |
| I need a drink. | |
| And maybe you' ll join me. | |
| Looks better for the chappy over there | |
| Looks like old friends | |
| Meeting after a hard night' s work. | |
| I walked to the corner slowly, | |
| Wanted to ask | |
| Mr. Big here for a light. | |
| He turned around. | |
| I put a quarter into the jukebox and played a beautiful | |
| Ave Maria | |
| When I turned around, | |
| Miss Cooper had gone. |
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