| Song | Chief Inspector Blancheflower |
| Artist | The Fiery Furnaces |
| Album | Blueberry Boat |
| Download | Image LRC TXT |
| I wanted to be a typewriter mender when | |
| I grew up, | |
| But things didn’t work out so. | |
| Sleep Late in the morning, climb up | |
| Mt. Olympia and replace a | |
| Return: But | |
| I didn’t get enough good grades. | |
| My uncle Peter had the | |
| Parthenon | |
| Business Machine | |
| Remediation outfit, | |
| And right there, on the shop floor, | |
| Hundreds of electric-selectrics, all messed up: | |
| But I didn’t get enough good grades. | |
| I had a dexadrine hyperactivity selective | |
| Attend to relevant | |
| Information tempo taken in told to | |
| Mechanism coping concept | |
| Put my head down crumple my paper. | |
| Sent to look at the future-job folder-binders, | |
| I got distracted by the graphs. | |
| In the resource room | |
| Mrs. Petorsky re-enforced me: | |
| Raisins from her zip-lock bag, | |
| And free time after my target behavior | |
| I was positive about: | |
| Tickets, tangibles, chips and stars. | |
| Now playing | |
| I’m In My | |
| Own Little | |
| House: Tickets, tangibles, chips and stars. | |
| I had a dexadrine hyperactivity selective | |
| Attend to relevant | |
| Information tempo taken in told to | |
| Mechanism coping concept | |
| Put my head down crumple my paper. | |
| After school | |
| I was sitting in the sitting room | |
| Looking out at the pavers in their bright orange vests | |
| Holding up the slow-go diamond plastic piece of wood, | |
| And I knew that | |
| I’d never be any good | |
| And never wear a hard-hat and do things like that, | |
| So I joined the police force: | |
| Damp in Dumbarton dip about the 14th of | |
| May. The publican dropped me a line thought there had been foul play: | |
| The farmer up the hill came in with his knife | |
| He mumbled something darkly about his young wife. | |
| Riding up on the postcoach | |
| I thrummed on my notebook. | |
| The wind was up, | |
| I held on my hat. | |
| I do up my coat, look: | |
| The farmer stumbled past holding his gun | |
| He mumbled something darkly about his young son. | |
| About your wife, sir. | |
| What about her? | |
| Pray, where is she? | |
| Nowhere you’ll see. | |
| Locked him up in the store room of | |
| Mrs. McVeigh’s | |
| Inn. Take tea up in the manor | |
| Sir Robert | |
| Grayson. The farmer through the window came in with his sword; | |
| He mumbled out of breath | |
| Forgive me m’lord. | |
| And after that rustic imposition | |
| I took a deposition | |
| I shared a | |
| Woodpecker cider with a local fratricider | |
| Who told me all this stuff and more: | |
| Well I rode up to | |
| Springfield on my motorcycle | |
| And I’s gonna stay with my younger brother | |
| Michael. Mom’s oxycontoins and the | |
| Amstel Light | |
| But I noticed | |
| I was doing most of the talking that night. | |
| So I got both remotes and turned off the | |
| DVD And said | |
| Michael is there something that you need to say to me? | |
| Well I don’t know how to tell you. | |
| You can tell me any | |
| Thing that you want ‘cept | |
| I started seeing | |
| Jenny: I started seeing | |
| Jenny. My | |
| Jenny? And he looked down at the floor. | |
| You know damn well she ain’t your | |
| Jenny no more. | |
| And I said | |
| Get her on the phone. | |
| Don’t you think it’s a little late? | |
| No I don’t think it’s a little late. | |
| But I went out the room cause | |
| I knew I’d better wait | |
| So I went down to her dad’s bakery and she said | |
| I’m gonna go outside take a break smoke a cigarette. | |
| I’m still surprised at how mad you get. | |
| Well what’d you expec’? | |
| That you wouldn’t try to wreck your little brother’s happiness. | |
| And I said | |
| Listen to you! | |
| I know what you’re trying to do. | |
| And what whould that be? | |
| Mess with | |
| Michael’s head as some kind of revenge back at me. -- | |
| So I drove up to | |
| Springfield in my wife’s new car | |
| And went and had a drink at my buddy’s old bar. |
| I wanted to be a typewriter mender when | |
| I grew up, | |
| But things didn' t work out so. | |
| Sleep Late in the morning, climb up | |
| Mt. Olympia and replace a | |
| Return: But | |
| I didn' t get enough good grades. | |
| My uncle Peter had the | |
| Parthenon | |
| Business Machine | |
| Remediation outfit, | |
| And right there, on the shop floor, | |
| Hundreds of electricselectrics, all messed up: | |
| But I didn' t get enough good grades. | |
| I had a dexadrine hyperactivity selective | |
| Attend to relevant | |
| Information tempo taken in told to | |
| Mechanism coping concept | |
| Put my head down crumple my paper. | |
| Sent to look at the futurejob folderbinders, | |
| I got distracted by the graphs. | |
| In the resource room | |
| Mrs. Petorsky reenforced me: | |
| Raisins from her ziplock bag, | |
| And free time after my target behavior | |
| I was positive about: | |
| Tickets, tangibles, chips and stars. | |
| Now playing | |
| I' m In My | |
| Own Little | |
| House: Tickets, tangibles, chips and stars. | |
| I had a dexadrine hyperactivity selective | |
| Attend to relevant | |
| Information tempo taken in told to | |
| Mechanism coping concept | |
| Put my head down crumple my paper. | |
| After school | |
| I was sitting in the sitting room | |
| Looking out at the pavers in their bright orange vests | |
| Holding up the slowgo diamond plastic piece of wood, | |
| And I knew that | |
| I' d never be any good | |
| And never wear a hardhat and do things like that, | |
| So I joined the police force: | |
| Damp in Dumbarton dip about the 14th of | |
| May. The publican dropped me a line thought there had been foul play: | |
| The farmer up the hill came in with his knife | |
| He mumbled something darkly about his young wife. | |
| Riding up on the postcoach | |
| I thrummed on my notebook. | |
| The wind was up, | |
| I held on my hat. | |
| I do up my coat, look: | |
| The farmer stumbled past holding his gun | |
| He mumbled something darkly about his young son. | |
| About your wife, sir. | |
| What about her? | |
| Pray, where is she? | |
| Nowhere you' ll see. | |
| Locked him up in the store room of | |
| Mrs. McVeigh' s | |
| Inn. Take tea up in the manor | |
| Sir Robert | |
| Grayson. The farmer through the window came in with his sword | |
| He mumbled out of breath | |
| Forgive me m' lord. | |
| And after that rustic imposition | |
| I took a deposition | |
| I shared a | |
| Woodpecker cider with a local fratricider | |
| Who told me all this stuff and more: | |
| Well I rode up to | |
| Springfield on my motorcycle | |
| And I' s gonna stay with my younger brother | |
| Michael. Mom' s oxycontoins and the | |
| Amstel Light | |
| But I noticed | |
| I was doing most of the talking that night. | |
| So I got both remotes and turned off the | |
| DVD And said | |
| Michael is there something that you need to say to me? | |
| Well I don' t know how to tell you. | |
| You can tell me any | |
| Thing that you want ' cept | |
| I started seeing | |
| Jenny: I started seeing | |
| Jenny. My | |
| Jenny? And he looked down at the floor. | |
| You know damn well she ain' t your | |
| Jenny no more. | |
| And I said | |
| Get her on the phone. | |
| Don' t you think it' s a little late? | |
| No I don' t think it' s a little late. | |
| But I went out the room cause | |
| I knew I' d better wait | |
| So I went down to her dad' s bakery and she said | |
| I' m gonna go outside take a break smoke a cigarette. | |
| I' m still surprised at how mad you get. | |
| Well what' d you expec'? | |
| That you wouldn' t try to wreck your little brother' s happiness. | |
| And I said | |
| Listen to you! | |
| I know what you' re trying to do. | |
| And what whould that be? | |
| Mess with | |
| Michael' s head as some kind of revenge back at me. | |
| So I drove up to | |
| Springfield in my wife' s new car | |
| And went and had a drink at my buddy' s old bar. |
| I wanted to be a typewriter mender when | |
| I grew up, | |
| But things didn' t work out so. | |
| Sleep Late in the morning, climb up | |
| Mt. Olympia and replace a | |
| Return: But | |
| I didn' t get enough good grades. | |
| My uncle Peter had the | |
| Parthenon | |
| Business Machine | |
| Remediation outfit, | |
| And right there, on the shop floor, | |
| Hundreds of electricselectrics, all messed up: | |
| But I didn' t get enough good grades. | |
| I had a dexadrine hyperactivity selective | |
| Attend to relevant | |
| Information tempo taken in told to | |
| Mechanism coping concept | |
| Put my head down crumple my paper. | |
| Sent to look at the futurejob folderbinders, | |
| I got distracted by the graphs. | |
| In the resource room | |
| Mrs. Petorsky reenforced me: | |
| Raisins from her ziplock bag, | |
| And free time after my target behavior | |
| I was positive about: | |
| Tickets, tangibles, chips and stars. | |
| Now playing | |
| I' m In My | |
| Own Little | |
| House: Tickets, tangibles, chips and stars. | |
| I had a dexadrine hyperactivity selective | |
| Attend to relevant | |
| Information tempo taken in told to | |
| Mechanism coping concept | |
| Put my head down crumple my paper. | |
| After school | |
| I was sitting in the sitting room | |
| Looking out at the pavers in their bright orange vests | |
| Holding up the slowgo diamond plastic piece of wood, | |
| And I knew that | |
| I' d never be any good | |
| And never wear a hardhat and do things like that, | |
| So I joined the police force: | |
| Damp in Dumbarton dip about the 14th of | |
| May. The publican dropped me a line thought there had been foul play: | |
| The farmer up the hill came in with his knife | |
| He mumbled something darkly about his young wife. | |
| Riding up on the postcoach | |
| I thrummed on my notebook. | |
| The wind was up, | |
| I held on my hat. | |
| I do up my coat, look: | |
| The farmer stumbled past holding his gun | |
| He mumbled something darkly about his young son. | |
| About your wife, sir. | |
| What about her? | |
| Pray, where is she? | |
| Nowhere you' ll see. | |
| Locked him up in the store room of | |
| Mrs. McVeigh' s | |
| Inn. Take tea up in the manor | |
| Sir Robert | |
| Grayson. The farmer through the window came in with his sword | |
| He mumbled out of breath | |
| Forgive me m' lord. | |
| And after that rustic imposition | |
| I took a deposition | |
| I shared a | |
| Woodpecker cider with a local fratricider | |
| Who told me all this stuff and more: | |
| Well I rode up to | |
| Springfield on my motorcycle | |
| And I' s gonna stay with my younger brother | |
| Michael. Mom' s oxycontoins and the | |
| Amstel Light | |
| But I noticed | |
| I was doing most of the talking that night. | |
| So I got both remotes and turned off the | |
| DVD And said | |
| Michael is there something that you need to say to me? | |
| Well I don' t know how to tell you. | |
| You can tell me any | |
| Thing that you want ' cept | |
| I started seeing | |
| Jenny: I started seeing | |
| Jenny. My | |
| Jenny? And he looked down at the floor. | |
| You know damn well she ain' t your | |
| Jenny no more. | |
| And I said | |
| Get her on the phone. | |
| Don' t you think it' s a little late? | |
| No I don' t think it' s a little late. | |
| But I went out the room cause | |
| I knew I' d better wait | |
| So I went down to her dad' s bakery and she said | |
| I' m gonna go outside take a break smoke a cigarette. | |
| I' m still surprised at how mad you get. | |
| Well what' d you expec'? | |
| That you wouldn' t try to wreck your little brother' s happiness. | |
| And I said | |
| Listen to you! | |
| I know what you' re trying to do. | |
| And what whould that be? | |
| Mess with | |
| Michael' s head as some kind of revenge back at me. | |
| So I drove up to | |
| Springfield in my wife' s new car | |
| And went and had a drink at my buddy' s old bar. |