| Song | No Bleeding Hearts |
| Artist | Steve Harley |
| Album | Stranger Comes To Town |
| Download | Image LRC TXT |
| Don’t tell me I belong | |
| I don’t care where the keys are | |
| Don’t tell me that you long | |
| To brush my hair where the bees are | |
| You’ll never see the darkest night | |
| Or the colour of the Negro | |
| The beauty’s in the innocence below | |
| Your adolescent charms | |
| Free my soul, feed my ego | |
| As you navigate the calm | |
| Sand and storm, that goes where we go | |
| The legacy of old wives’ tales | |
| Diminishes reality | |
| Of minor parts played out on bended knee | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope | |
| Don’t tell me of regrets | |
| All in all no concession | |
| No one can read our heads | |
| No one can hear our confession | |
| We celebrate in plastic shows | |
| And the seventies are throwaway | |
| In minor keys and drugs that steal the day | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope | |
| You think that you perform | |
| But you perform like a stray dog | |
| You shelter from the storm | |
| By counting time like a meat hog | |
| It’s hard to see the darkest night | |
| Or the colour of the Negro | |
| I wanna see the light before I go | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope |
| Don' t tell me I belong | |
| I don' t care where the keys are | |
| Don' t tell me that you long | |
| To brush my hair where the bees are | |
| You' ll never see the darkest night | |
| Or the colour of the Negro | |
| The beauty' s in the innocence below | |
| Your adolescent charms | |
| Free my soul, feed my ego | |
| As you navigate the calm | |
| Sand and storm, that goes where we go | |
| The legacy of old wives' tales | |
| Diminishes reality | |
| Of minor parts played out on bended knee | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope | |
| Don' t tell me of regrets | |
| All in all no concession | |
| No one can read our heads | |
| No one can hear our confession | |
| We celebrate in plastic shows | |
| And the seventies are throwaway | |
| In minor keys and drugs that steal the day | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope | |
| You think that you perform | |
| But you perform like a stray dog | |
| You shelter from the storm | |
| By counting time like a meat hog | |
| It' s hard to see the darkest night | |
| Or the colour of the Negro | |
| I wanna see the light before I go | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope |
| Don' t tell me I belong | |
| I don' t care where the keys are | |
| Don' t tell me that you long | |
| To brush my hair where the bees are | |
| You' ll never see the darkest night | |
| Or the colour of the Negro | |
| The beauty' s in the innocence below | |
| Your adolescent charms | |
| Free my soul, feed my ego | |
| As you navigate the calm | |
| Sand and storm, that goes where we go | |
| The legacy of old wives' tales | |
| Diminishes reality | |
| Of minor parts played out on bended knee | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope | |
| Don' t tell me of regrets | |
| All in all no concession | |
| No one can read our heads | |
| No one can hear our confession | |
| We celebrate in plastic shows | |
| And the seventies are throwaway | |
| In minor keys and drugs that steal the day | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope | |
| You think that you perform | |
| But you perform like a stray dog | |
| You shelter from the storm | |
| By counting time like a meat hog | |
| It' s hard to see the darkest night | |
| Or the colour of the Negro | |
| I wanna see the light before I go | |
| No preachers, no religious key | |
| No bleeding hearts, no refugee, | |
| No hope |