Microphone Fiend Lyrics
| Song | Microphone Fiend |
| Artist | Rage Against the Machine |
| Album | Renegades |
| Download | Image LRC TXT |
| [00:00.00] | 作词 : B., Rakim |
| [00:03.830] | Yo, I was a fiend before I became a teen |
| [00:08.770] | I melted microphone instead of cones of ice cream |
| [00:10.840] | Music orientated so when hip-hop was originated |
| [00:13.230] | Fitted like pieces of puzzles, complicated |
| [00:16.240] | Shot grabbed the mic and try to say, Yes y'all! |
| [00:18.610] | They tried to take it, and say that I'm too small |
| [00:21.350] | Cool, 'Cause I don't get upset |
| [00:23.930] | I kick a hole in the speaker, pull the plug, then I jet |
| [00:26.940] | Back to the lab ...without a mic to grab |
| [00:29.390] | So then I add all the rhymes I had |
| [00:32.060] | One after the another one, then I make another one |
| [00:34.200] | To dis the opposite then ask if the brother's done |
| [00:37.880] | I get a craving like I fiend for nicotine |
| [00:40.130] | But I don't need a cigarette, know what I mean? |
| [00:42.660] | I'm raging, ripping up the stage and |
| [00:44.940] | Don't it sound amazing 'cause every rhyme is made and |
| [00:48.300] | Thought of, Cuz it's sort of...an addiction, |
| [00:51.110] | Magnatized by the mixing |
| [00:53.040] | E-F-F-E-C-T |
| [00:56.020] | A smooth operator operating correctly. |
| [00:58.650] | An E-F-F-E-C-T |
| [01:01.530] | A smooth operator operating correctly. |
| [01:03.940] | E-F-F-E-C-T |
| [01:06.590] | A smooth operator operating correctly. |
| [01:09.320] | An E-F-F-E-C-T |
| [01:11.540] | A smooth operator operating correctly. |
| [01:17.460] | But back to the problem, I gotta habit, |
| [01:20.200] | You can't solve it, you silly rabbit |
| [01:22.630] | The prescription is a hypertone that's thorough when |
| [01:24.450] | I fiend for a microphone like heroin |
| [01:28.590] | Soon as the bass kicks, I need a fix |
| [01:30.690] | Gimme a stage and a mic and a mix |
| [01:33.010] | And I'll put you in a mood or is it a state of |
| [01:35.870] | unawareness? Beware, it's the reanamator! |
| [01:38.450] | A menace to a microphone, a lethal weapon |
| [01:41.110] | An assasinator, if the people ain't stepping |
| [01:43.600] | You see a part of me that you never seen |
| [01:46.120] | When I'm fiending for a microphone. |
| [01:48.480] | Cause I take it to the maximum, I can't relax see, I'm |
| [01:52.030] | Hype as a hyperchrondriac 'cause the rap be one |
| [01:54.390] | Hell of a antidote, something you can't smoke |
| [01:57.310] | More than dope, you're trying to move away but you can't, you're broke |
| [02:00.190] | More than cracked up, you should have backed up |
| [02:02.440] | For those who act up need to be more than smacked up |
| [02:05.050] | E-F-F-E-C-T |
| [02:07.550] | A smooth operator operating correctly. |
| [02:10.280] | An E-F-F-E-C-T |
| [02:12.940] | A smooth operator operating correctly. |
| [02:15.520] | An E-F-F-E-C-T |
| [02:18.270] | A smooth operator operating correctly. |
| [02:20.890] | An E-F-F-E-C-T |
| [02:23.440] | A smooth operator operating correctly. |
| [02:29.310] | A smooth operator operating correctly. |
| [02:34.260] | A smooth operator operating correctly. |
| [02:39.720] | A smooth operator operating correctly. |
| [02:44.990] | A smooth operator operating correctly. |
| [02:46.990] | |
| [03:10.600] | Music orientated so when hip-hop was originated ...originated |
| [03:15.680] | |
| [03:21.320] | Music orientated so when hip-hop was originated ...originated |
| [03:26.320] | |
| [03:32.440] | Music orientated so when hip-hop was originated ...originated |
| [03:37.950] | |
| [03:43.240] | Music orientated so when hip-hop was originated ...originated |
| [03:48.450] | |
| [03:54.540] | Music orientated so when hip-hop was originated |
| [03:59.750] | Fitted like pieces of puzzles, complicated |
| [04:05.400] | Music orientated so when hip-hop was originated |
| [04:10.870] | Fitted like pieces of puzzles, complicated |
| [04:16.220] | |
| [04:16.480] | 'Cause I'm an E-F-F-E-C-T |
| [04:19.400] | A smooth operator operating correctly. |
| [04:22.060] | An E-F-F-E-C-T |
| [04:24.410] | A smooth operator operating correctly. |
| [04:27.220] | An E-F-F-E-C-T |
| [04:29.640] | A smooth operator operating correctly. |
| [04:32.390] | An E-F-F-E-C-T |
| [04:34.910] | A smooth operator operating correctly. |
| [04:40.040] | A smooth operator operating correctly. |
| [04:45.470] | A smooth operator operating correctly. |
| [04:50.870] | A smooth operator operating correctly. |
| [04:56.010] | An E-F-F-E-C-T |
| [00:00.00] | zuo ci : B., Rakim |
| [00:03.830] | Yo, I was a fiend before I became a teen |
| [00:08.770] | I melted microphone instead of cones of ice cream |
| [00:10.840] | Music orientated so when hiphop was originated |
| [00:13.230] | Fitted like pieces of puzzles, complicated |
| [00:16.240] | Shot grabbed the mic and try to say, Yes y' all! |
| [00:18.610] | They tried to take it, and say that I' m too small |
| [00:21.350] | Cool, ' Cause I don' t get upset |
| [00:23.930] | I kick a hole in the speaker, pull the plug, then I jet |
| [00:26.940] | Back to the lab ... without a mic to grab |
| [00:29.390] | So then I add all the rhymes I had |
| [00:32.060] | One after the another one, then I make another one |
| [00:34.200] | To dis the opposite then ask if the brother' s done |
| [00:37.880] | I get a craving like I fiend for nicotine |
| [00:40.130] | But I don' t need a cigarette, know what I mean? |
| [00:42.660] | I' m raging, ripping up the stage and |
| [00:44.940] | Don' t it sound amazing ' cause every rhyme is made and |
| [00:48.300] | Thought of, Cuz it' s sort of... an addiction, |
| [00:51.110] | Magnatized by the mixing |
| [00:53.040] | EFFECT |
| [00:56.020] | A smooth operator operating correctly. |
| [00:58.650] | An EFFECT |
| [01:01.530] | A smooth operator operating correctly. |
| [01:03.940] | EFFECT |
| [01:06.590] | A smooth operator operating correctly. |
| [01:09.320] | An EFFECT |
| [01:11.540] | A smooth operator operating correctly. |
| [01:17.460] | But back to the problem, I gotta habit, |
| [01:20.200] | You can' t solve it, you silly rabbit |
| [01:22.630] | The prescription is a hypertone that' s thorough when |
| [01:24.450] | I fiend for a microphone like heroin |
| [01:28.590] | Soon as the bass kicks, I need a fix |
| [01:30.690] | Gimme a stage and a mic and a mix |
| [01:33.010] | And I' ll put you in a mood or is it a state of |
| [01:35.870] | unawareness? Beware, it' s the reanamator! |
| [01:38.450] | A menace to a microphone, a lethal weapon |
| [01:41.110] | An assasinator, if the people ain' t stepping |
| [01:43.600] | You see a part of me that you never seen |
| [01:46.120] | When I' m fiending for a microphone. |
| [01:48.480] | Cause I take it to the maximum, I can' t relax see, I' m |
| [01:52.030] | Hype as a hyperchrondriac ' cause the rap be one |
| [01:54.390] | Hell of a antidote, something you can' t smoke |
| [01:57.310] | More than dope, you' re trying to move away but you can' t, you' re broke |
| [02:00.190] | More than cracked up, you should have backed up |
| [02:02.440] | For those who act up need to be more than smacked up |
| [02:05.050] | EFFECT |
| [02:07.550] | A smooth operator operating correctly. |
| [02:10.280] | An EFFECT |
| [02:12.940] | A smooth operator operating correctly. |
| [02:15.520] | An EFFECT |
| [02:18.270] | A smooth operator operating correctly. |
| [02:20.890] | An EFFECT |
| [02:23.440] | A smooth operator operating correctly. |
| [02:29.310] | A smooth operator operating correctly. |
| [02:34.260] | A smooth operator operating correctly. |
| [02:39.720] | A smooth operator operating correctly. |
| [02:44.990] | A smooth operator operating correctly. |
| [02:46.990] | |
| [03:10.600] | Music orientated so when hiphop was originated ... originated |
| [03:15.680] | |
| [03:21.320] | Music orientated so when hiphop was originated ... originated |
| [03:26.320] | |
| [03:32.440] | Music orientated so when hiphop was originated ... originated |
| [03:37.950] | |
| [03:43.240] | Music orientated so when hiphop was originated ... originated |
| [03:48.450] | |
| [03:54.540] | Music orientated so when hiphop was originated |
| [03:59.750] | Fitted like pieces of puzzles, complicated |
| [04:05.400] | Music orientated so when hiphop was originated |
| [04:10.870] | Fitted like pieces of puzzles, complicated |
| [04:16.220] | |
| [04:16.480] | ' Cause I' m an EFFECT |
| [04:19.400] | A smooth operator operating correctly. |
| [04:22.060] | An EFFECT |
| [04:24.410] | A smooth operator operating correctly. |
| [04:27.220] | An EFFECT |
| [04:29.640] | A smooth operator operating correctly. |
| [04:32.390] | An EFFECT |
| [04:34.910] | A smooth operator operating correctly. |
| [04:40.040] | A smooth operator operating correctly. |
| [04:45.470] | A smooth operator operating correctly. |
| [04:50.870] | A smooth operator operating correctly. |
| [04:56.010] | An EFFECT |
| [00:00.00] | zuò cí : B., Rakim |
| [00:03.830] | Yo, I was a fiend before I became a teen |
| [00:08.770] | I melted microphone instead of cones of ice cream |
| [00:10.840] | Music orientated so when hiphop was originated |
| [00:13.230] | Fitted like pieces of puzzles, complicated |
| [00:16.240] | Shot grabbed the mic and try to say, Yes y' all! |
| [00:18.610] | They tried to take it, and say that I' m too small |
| [00:21.350] | Cool, ' Cause I don' t get upset |
| [00:23.930] | I kick a hole in the speaker, pull the plug, then I jet |
| [00:26.940] | Back to the lab ... without a mic to grab |
| [00:29.390] | So then I add all the rhymes I had |
| [00:32.060] | One after the another one, then I make another one |
| [00:34.200] | To dis the opposite then ask if the brother' s done |
| [00:37.880] | I get a craving like I fiend for nicotine |
| [00:40.130] | But I don' t need a cigarette, know what I mean? |
| [00:42.660] | I' m raging, ripping up the stage and |
| [00:44.940] | Don' t it sound amazing ' cause every rhyme is made and |
| [00:48.300] | Thought of, Cuz it' s sort of... an addiction, |
| [00:51.110] | Magnatized by the mixing |
| [00:53.040] | EFFECT |
| [00:56.020] | A smooth operator operating correctly. |
| [00:58.650] | An EFFECT |
| [01:01.530] | A smooth operator operating correctly. |
| [01:03.940] | EFFECT |
| [01:06.590] | A smooth operator operating correctly. |
| [01:09.320] | An EFFECT |
| [01:11.540] | A smooth operator operating correctly. |
| [01:17.460] | But back to the problem, I gotta habit, |
| [01:20.200] | You can' t solve it, you silly rabbit |
| [01:22.630] | The prescription is a hypertone that' s thorough when |
| [01:24.450] | I fiend for a microphone like heroin |
| [01:28.590] | Soon as the bass kicks, I need a fix |
| [01:30.690] | Gimme a stage and a mic and a mix |
| [01:33.010] | And I' ll put you in a mood or is it a state of |
| [01:35.870] | unawareness? Beware, it' s the reanamator! |
| [01:38.450] | A menace to a microphone, a lethal weapon |
| [01:41.110] | An assasinator, if the people ain' t stepping |
| [01:43.600] | You see a part of me that you never seen |
| [01:46.120] | When I' m fiending for a microphone. |
| [01:48.480] | Cause I take it to the maximum, I can' t relax see, I' m |
| [01:52.030] | Hype as a hyperchrondriac ' cause the rap be one |
| [01:54.390] | Hell of a antidote, something you can' t smoke |
| [01:57.310] | More than dope, you' re trying to move away but you can' t, you' re broke |
| [02:00.190] | More than cracked up, you should have backed up |
| [02:02.440] | For those who act up need to be more than smacked up |
| [02:05.050] | EFFECT |
| [02:07.550] | A smooth operator operating correctly. |
| [02:10.280] | An EFFECT |
| [02:12.940] | A smooth operator operating correctly. |
| [02:15.520] | An EFFECT |
| [02:18.270] | A smooth operator operating correctly. |
| [02:20.890] | An EFFECT |
| [02:23.440] | A smooth operator operating correctly. |
| [02:29.310] | A smooth operator operating correctly. |
| [02:34.260] | A smooth operator operating correctly. |
| [02:39.720] | A smooth operator operating correctly. |
| [02:44.990] | A smooth operator operating correctly. |
| [02:46.990] | |
| [03:10.600] | Music orientated so when hiphop was originated ... originated |
| [03:15.680] | |
| [03:21.320] | Music orientated so when hiphop was originated ... originated |
| [03:26.320] | |
| [03:32.440] | Music orientated so when hiphop was originated ... originated |
| [03:37.950] | |
| [03:43.240] | Music orientated so when hiphop was originated ... originated |
| [03:48.450] | |
| [03:54.540] | Music orientated so when hiphop was originated |
| [03:59.750] | Fitted like pieces of puzzles, complicated |
| [04:05.400] | Music orientated so when hiphop was originated |
| [04:10.870] | Fitted like pieces of puzzles, complicated |
| [04:16.220] | |
| [04:16.480] | ' Cause I' m an EFFECT |
| [04:19.400] | A smooth operator operating correctly. |
| [04:22.060] | An EFFECT |
| [04:24.410] | A smooth operator operating correctly. |
| [04:27.220] | An EFFECT |
| [04:29.640] | A smooth operator operating correctly. |
| [04:32.390] | An EFFECT |
| [04:34.910] | A smooth operator operating correctly. |
| [04:40.040] | A smooth operator operating correctly. |
| [04:45.470] | A smooth operator operating correctly. |
| [04:50.870] | A smooth operator operating correctly. |
| [04:56.010] | An EFFECT |
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