Talk Shows On Mute Lyrics
| Song | Talk Shows On Mute |
| Artist | Incubus |
| Album | A Crow Left Of The Murder... |
| Download | Image LRC TXT |
| [00:00.00] | 作词 : Boyd, Einziger, Kenney ... |
| [00:20.64] | Take a bow |
| [00:21.20] | |
| [00:22.70] | Pack on powder |
| [00:23.45] | |
| [00:24.70] | Wash 'em out with buzzing lights |
| [00:27.14] | |
| [00:28.64] | Pay an audience to care |
| [00:31.45] | |
| [00:32.77] | Impress me personality |
| [00:33.95] | |
| [00:37.52] | Still and transfixed |
| [00:38.20] | |
| [00:39.33] | The electric sheep, |
| [00:41.13] | |
| [00:42.33] | Are dreaming of your face |
| [00:44.01] | |
| [00:45.26] | Enjoy you from the chemical |
| [00:47.83] | |
| [00:49.70] | Comfort of America |
| [00:51.26] | |
| [00:54.33] | Come one |
| [00:54.83] | |
| [00:56.20] | Come all |
| [00:56.83] | |
| [00:58.58] | Into 1984 |
| [00:59.20] | |
| [01:02.64] | Yeah, three, two, one |
| [01:05.14] | |
| [01:06.83] | Lights, camera, transaction |
| [01:08.20] | |
| [01:19.08] | Quick, your time is almost up |
| [01:21.83] | |
| [01:23.27] | Make all forget that they're the moth |
| [01:26.08] | |
| [01:27.58] | Edging in, towards the flame |
| [01:30.33] | |
| [01:31.77] | Burn into obscurity |
| [01:33.33] | |
| [01:36.14] | Still and transfixed |
| [01:37.02] | |
| [01:37.58] | the electric sheep |
| [01:39.14] | |
| [01:41.64] | are dreaming up your fate |
| [01:43.20] | |
| [01:44.20] | We judge you from |
| [01:45.39] | |
| [01:46.26] | the card castle |
| [01:47.14] | |
| [01:48.83] | comfort of America |
| [01:50.33] | |
| [01:53.20] | Come one |
| [01:53.64] | |
| [01:55.02] | Come all |
| [01:55.58] | |
| [01:57.39] | Into 1984 |
| [01:58.08] | |
| [02:01.58] | Yeah, three, two, one |
| [02:04.27] | |
| [02:05.70] | Lights, camera... |
| [02:07.08] | |
| [02:10.33] | Come one |
| [02:10.89] | |
| [02:11.77] | Come all |
| [02:12.64] | |
| [02:14.20] | To 1984 |
| [02:14.76] | |
| [02:18.39] | Yeah, three, two, one |
| [02:21.14] | |
| [02:22.64] | Lights, camera, transaction |
| [02:24.28] | |
| [03:00.96] | Come one |
| [03:01.71] | |
| [03:03.40] | Come all |
| [03:04.34] | |
| [03:05.03] | To 1984 |
| [03:05.77] | |
| [03:09.21] | Yeah, three, two, one |
| [03:11.40] | |
| [03:13.09] | Lights, camera, transaction |
| [03:15.34] | |
| [03:25.34] | The foundation is canyoning |
| [03:27.84] | |
| [03:29.71] | Fault lines should be worn with pride |
| [03:32.27] | |
| [03:33.77] | I hate to say it |
| [03:34.96] | |
| [03:35.78] | You're so much more |
| [03:36.78] | |
| [03:38.15] | You're so much more |
| [03:39.02] | |
| [03:41.21] | Endearing with the sound turned off. |
| [00:00.00] | zuo ci : Boyd, Einziger, Kenney ... |
| [00:20.64] | Take a bow |
| [00:21.20] | |
| [00:22.70] | Pack on powder |
| [00:23.45] | |
| [00:24.70] | Wash ' em out with buzzing lights |
| [00:27.14] | |
| [00:28.64] | Pay an audience to care |
| [00:31.45] | |
| [00:32.77] | Impress me personality |
| [00:33.95] | |
| [00:37.52] | Still and transfixed |
| [00:38.20] | |
| [00:39.33] | The electric sheep, |
| [00:41.13] | |
| [00:42.33] | Are dreaming of your face |
| [00:44.01] | |
| [00:45.26] | Enjoy you from the chemical |
| [00:47.83] | |
| [00:49.70] | Comfort of America |
| [00:51.26] | |
| [00:54.33] | Come one |
| [00:54.83] | |
| [00:56.20] | Come all |
| [00:56.83] | |
| [00:58.58] | Into 1984 |
| [00:59.20] | |
| [01:02.64] | Yeah, three, two, one |
| [01:05.14] | |
| [01:06.83] | Lights, camera, transaction |
| [01:08.20] | |
| [01:19.08] | Quick, your time is almost up |
| [01:21.83] | |
| [01:23.27] | Make all forget that they' re the moth |
| [01:26.08] | |
| [01:27.58] | Edging in, towards the flame |
| [01:30.33] | |
| [01:31.77] | Burn into obscurity |
| [01:33.33] | |
| [01:36.14] | Still and transfixed |
| [01:37.02] | |
| [01:37.58] | the electric sheep |
| [01:39.14] | |
| [01:41.64] | are dreaming up your fate |
| [01:43.20] | |
| [01:44.20] | We judge you from |
| [01:45.39] | |
| [01:46.26] | the card castle |
| [01:47.14] | |
| [01:48.83] | comfort of America |
| [01:50.33] | |
| [01:53.20] | Come one |
| [01:53.64] | |
| [01:55.02] | Come all |
| [01:55.58] | |
| [01:57.39] | Into 1984 |
| [01:58.08] | |
| [02:01.58] | Yeah, three, two, one |
| [02:04.27] | |
| [02:05.70] | Lights, camera... |
| [02:07.08] | |
| [02:10.33] | Come one |
| [02:10.89] | |
| [02:11.77] | Come all |
| [02:12.64] | |
| [02:14.20] | To 1984 |
| [02:14.76] | |
| [02:18.39] | Yeah, three, two, one |
| [02:21.14] | |
| [02:22.64] | Lights, camera, transaction |
| [02:24.28] | |
| [03:00.96] | Come one |
| [03:01.71] | |
| [03:03.40] | Come all |
| [03:04.34] | |
| [03:05.03] | To 1984 |
| [03:05.77] | |
| [03:09.21] | Yeah, three, two, one |
| [03:11.40] | |
| [03:13.09] | Lights, camera, transaction |
| [03:15.34] | |
| [03:25.34] | The foundation is canyoning |
| [03:27.84] | |
| [03:29.71] | Fault lines should be worn with pride |
| [03:32.27] | |
| [03:33.77] | I hate to say it |
| [03:34.96] | |
| [03:35.78] | You' re so much more |
| [03:36.78] | |
| [03:38.15] | You' re so much more |
| [03:39.02] | |
| [03:41.21] | Endearing with the sound turned off. |
| [00:00.00] | zuò cí : Boyd, Einziger, Kenney ... |
| [00:20.64] | Take a bow |
| [00:21.20] | |
| [00:22.70] | Pack on powder |
| [00:23.45] | |
| [00:24.70] | Wash ' em out with buzzing lights |
| [00:27.14] | |
| [00:28.64] | Pay an audience to care |
| [00:31.45] | |
| [00:32.77] | Impress me personality |
| [00:33.95] | |
| [00:37.52] | Still and transfixed |
| [00:38.20] | |
| [00:39.33] | The electric sheep, |
| [00:41.13] | |
| [00:42.33] | Are dreaming of your face |
| [00:44.01] | |
| [00:45.26] | Enjoy you from the chemical |
| [00:47.83] | |
| [00:49.70] | Comfort of America |
| [00:51.26] | |
| [00:54.33] | Come one |
| [00:54.83] | |
| [00:56.20] | Come all |
| [00:56.83] | |
| [00:58.58] | Into 1984 |
| [00:59.20] | |
| [01:02.64] | Yeah, three, two, one |
| [01:05.14] | |
| [01:06.83] | Lights, camera, transaction |
| [01:08.20] | |
| [01:19.08] | Quick, your time is almost up |
| [01:21.83] | |
| [01:23.27] | Make all forget that they' re the moth |
| [01:26.08] | |
| [01:27.58] | Edging in, towards the flame |
| [01:30.33] | |
| [01:31.77] | Burn into obscurity |
| [01:33.33] | |
| [01:36.14] | Still and transfixed |
| [01:37.02] | |
| [01:37.58] | the electric sheep |
| [01:39.14] | |
| [01:41.64] | are dreaming up your fate |
| [01:43.20] | |
| [01:44.20] | We judge you from |
| [01:45.39] | |
| [01:46.26] | the card castle |
| [01:47.14] | |
| [01:48.83] | comfort of America |
| [01:50.33] | |
| [01:53.20] | Come one |
| [01:53.64] | |
| [01:55.02] | Come all |
| [01:55.58] | |
| [01:57.39] | Into 1984 |
| [01:58.08] | |
| [02:01.58] | Yeah, three, two, one |
| [02:04.27] | |
| [02:05.70] | Lights, camera... |
| [02:07.08] | |
| [02:10.33] | Come one |
| [02:10.89] | |
| [02:11.77] | Come all |
| [02:12.64] | |
| [02:14.20] | To 1984 |
| [02:14.76] | |
| [02:18.39] | Yeah, three, two, one |
| [02:21.14] | |
| [02:22.64] | Lights, camera, transaction |
| [02:24.28] | |
| [03:00.96] | Come one |
| [03:01.71] | |
| [03:03.40] | Come all |
| [03:04.34] | |
| [03:05.03] | To 1984 |
| [03:05.77] | |
| [03:09.21] | Yeah, three, two, one |
| [03:11.40] | |
| [03:13.09] | Lights, camera, transaction |
| [03:15.34] | |
| [03:25.34] | The foundation is canyoning |
| [03:27.84] | |
| [03:29.71] | Fault lines should be worn with pride |
| [03:32.27] | |
| [03:33.77] | I hate to say it |
| [03:34.96] | |
| [03:35.78] | You' re so much more |
| [03:36.78] | |
| [03:38.15] | You' re so much more |
| [03:39.02] | |
| [03:41.21] | Endearing with the sound turned off. |
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