Thy Damnation Slumbereth Not Lyrics
| Song | Thy Damnation Slumbereth Not |
| Artist | Half Man Half Biscuit |
| Album | Cammell Laird Social Club |
| Download | Image LRC TXT |
| I’m gonna grab myself an industry insider mask and blag my way | |
| Into the after show | |
| I wanna get in amongst the baying hordes of resting actors | |
| Who’ve just got back from visiting Nairobi slums for Comic Relief | |
| And now they’re going to spend the next six weeks sitting in the vestibule | |
| Waiting for the Farm Foods phone call | |
| The Farm Foods phone call | |
| I’m going to be apprehended by some mandatory galoot with a handheld camera | |
| Who will point it in my face and say: “Who are you, and what do you do?” | |
| And I’ll say “I’m a counterblast to Agnosticism, how do you do” | |
| And he’ll go away immediately | |
| I wanna meet Howard Marks if I can but they say that I can’t | |
| I need four different wrist bands | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| There’s a BritPop refugee | |
| Walking up to me | |
| And his face is hollow from seasons of disappointment | |
| And he starts blathering on about his latest project | |
| Already being dismissed by the most unlikeliest of cable stations | |
| It’s a dot com sitcom | |
| About a hip hop chip shop | |
| Chatto and Windus sitting in a tree | |
| D-I-S-S-I-N-G | |
| Keith Allen’s autobiography | |
| I’m just trying to break the drudgery of the downstairs maid | |
| I’m just trying to write the sort of tune you can maybe hum while waiting for your lover on a railway platform | |
| I wanna meet Howard Marks if I can but they say that I can’t | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| I want to perch myself halfway up a metal staircase with the Polydor girls | |
| And talk about meerkats | |
| And come out with statements like: | |
| “Well of course music these days is the slave of mammon and as a result | |
| It has become corrupt and shallow | |
| Its real essence is industry | |
| Its moral purpose is the acquisition of money | |
| Its aesthetic pretext is the entertainment of those who are bored | |
| And yes we’re really excited about going back in to the studio | |
| Hotly tipped, highly anticipated and slated for release” | |
| I wanna meet Howard Marks if I can but they say that I can’t | |
| He’s talking to Ian Broudie | |
| And come four o’clock | |
| If I’m still on my feet | |
| There’s a bloke over there | |
| Who said I could meet… | |
| Ken Livingstone | |
| Well I’m just a primitive creature of the heath so excuse my savage ignorance | |
| But if I’m still on my feet at four o’clock | |
| I’ll be stealing the lead off the roof | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Come saddle my milk white steed | |
| I’ve seen much more than I need | |
| And I know that you won’t heed the call | |
| So I sprayed it on to the wall | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not |
| I' m gonna grab myself an industry insider mask and blag my way | |
| Into the after show | |
| I wanna get in amongst the baying hordes of resting actors | |
| Who' ve just got back from visiting Nairobi slums for Comic Relief | |
| And now they' re going to spend the next six weeks sitting in the vestibule | |
| Waiting for the Farm Foods phone call | |
| The Farm Foods phone call | |
| I' m going to be apprehended by some mandatory galoot with a handheld camera | |
| Who will point it in my face and say: " Who are you, and what do you do?" | |
| And I' ll say " I' m a counterblast to Agnosticism, how do you do" | |
| And he' ll go away immediately | |
| I wanna meet Howard Marks if I can but they say that I can' t | |
| I need four different wrist bands | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| There' s a BritPop refugee | |
| Walking up to me | |
| And his face is hollow from seasons of disappointment | |
| And he starts blathering on about his latest project | |
| Already being dismissed by the most unlikeliest of cable stations | |
| It' s a dot com sitcom | |
| About a hip hop chip shop | |
| Chatto and Windus sitting in a tree | |
| DISSING | |
| Keith Allen' s autobiography | |
| I' m just trying to break the drudgery of the downstairs maid | |
| I' m just trying to write the sort of tune you can maybe hum while waiting for your lover on a railway platform | |
| I wanna meet Howard Marks if I can but they say that I can' t | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| I want to perch myself halfway up a metal staircase with the Polydor girls | |
| And talk about meerkats | |
| And come out with statements like: | |
| " Well of course music these days is the slave of mammon and as a result | |
| It has become corrupt and shallow | |
| Its real essence is industry | |
| Its moral purpose is the acquisition of money | |
| Its aesthetic pretext is the entertainment of those who are bored | |
| And yes we' re really excited about going back in to the studio | |
| Hotly tipped, highly anticipated and slated for release" | |
| I wanna meet Howard Marks if I can but they say that I can' t | |
| He' s talking to Ian Broudie | |
| And come four o' clock | |
| If I' m still on my feet | |
| There' s a bloke over there | |
| Who said I could meet | |
| Ken Livingstone | |
| Well I' m just a primitive creature of the heath so excuse my savage ignorance | |
| But if I' m still on my feet at four o' clock | |
| I' ll be stealing the lead off the roof | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Come saddle my milk white steed | |
| I' ve seen much more than I need | |
| And I know that you won' t heed the call | |
| So I sprayed it on to the wall | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not |
| I' m gonna grab myself an industry insider mask and blag my way | |
| Into the after show | |
| I wanna get in amongst the baying hordes of resting actors | |
| Who' ve just got back from visiting Nairobi slums for Comic Relief | |
| And now they' re going to spend the next six weeks sitting in the vestibule | |
| Waiting for the Farm Foods phone call | |
| The Farm Foods phone call | |
| I' m going to be apprehended by some mandatory galoot with a handheld camera | |
| Who will point it in my face and say: " Who are you, and what do you do?" | |
| And I' ll say " I' m a counterblast to Agnosticism, how do you do" | |
| And he' ll go away immediately | |
| I wanna meet Howard Marks if I can but they say that I can' t | |
| I need four different wrist bands | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| There' s a BritPop refugee | |
| Walking up to me | |
| And his face is hollow from seasons of disappointment | |
| And he starts blathering on about his latest project | |
| Already being dismissed by the most unlikeliest of cable stations | |
| It' s a dot com sitcom | |
| About a hip hop chip shop | |
| Chatto and Windus sitting in a tree | |
| DISSING | |
| Keith Allen' s autobiography | |
| I' m just trying to break the drudgery of the downstairs maid | |
| I' m just trying to write the sort of tune you can maybe hum while waiting for your lover on a railway platform | |
| I wanna meet Howard Marks if I can but they say that I can' t | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| I want to perch myself halfway up a metal staircase with the Polydor girls | |
| And talk about meerkats | |
| And come out with statements like: | |
| " Well of course music these days is the slave of mammon and as a result | |
| It has become corrupt and shallow | |
| Its real essence is industry | |
| Its moral purpose is the acquisition of money | |
| Its aesthetic pretext is the entertainment of those who are bored | |
| And yes we' re really excited about going back in to the studio | |
| Hotly tipped, highly anticipated and slated for release" | |
| I wanna meet Howard Marks if I can but they say that I can' t | |
| He' s talking to Ian Broudie | |
| And come four o' clock | |
| If I' m still on my feet | |
| There' s a bloke over there | |
| Who said I could meet | |
| Ken Livingstone | |
| Well I' m just a primitive creature of the heath so excuse my savage ignorance | |
| But if I' m still on my feet at four o' clock | |
| I' ll be stealing the lead off the roof | |
| Follow me oh follow | |
| Down to the hollow | |
| And there we will wallow | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Stealing the lead off the roof | |
| Come saddle my milk white steed | |
| I' ve seen much more than I need | |
| And I know that you won' t heed the call | |
| So I sprayed it on to the wall | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not | |
| Thy damnation, slumbereth not |
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