| Song | Look Dad No Tunes |
| Artist | Half Man Half Biscuit |
| Album | Trouble Over Bridgewater |
| Download | Image LRC TXT |
| My life is comfortable | |
| But I don’t want that image for my band | |
| Inside, I’m reasonable | |
| But I’ll make out they just don’t understand | |
| When we don’t feel well, let’s | |
| Put on some Velvets | |
| Lean our guitars up against the amp | |
| And get feedback | |
| When I feel that I need that | |
| Air of “look, aren’t we dangerous” | |
| That’s the time to feedback | |
| Intense, no compromise | |
| Nasty evil, cranking up my brain | |
| Hey, ho… | |
| She’s gone to Spain with a load of mates from work | |
| And I feel cursed and sore, like | |
| I’m Thurston Moore-like | |
| The darkness in my eyes won’t go away | |
| I get feedback | |
| In my bedroom in Nantwich | |
| Stamp my foot down on the angst switch | |
| That’s the time to feedback | |
| Somebody’s knocking on my door | |
| It’s the boy from over the road | |
| And he says he shares our obsession | |
| And he’d like to join in on the session | |
| And the others aren’t arsed either way | |
| So I say | |
| I think we’d better let him in | |
| I heard he’s got a Theremin | |
| I think we’d better let him in | |
| I’ve heard he’s got a Theremin | |
| And I’ve seen him walk through the park a lot, | |
| And I bet he listens to Arc a lot | |
| I think we’d better let him in | |
| He’s got a Theremin | |
| We’d better let him in | |
| He’s got a Theremin |
| My life is comfortable | |
| But I don' t want that image for my band | |
| Inside, I' m reasonable | |
| But I' ll make out they just don' t understand | |
| When we don' t feel well, let' s | |
| Put on some Velvets | |
| Lean our guitars up against the amp | |
| And get feedback | |
| When I feel that I need that | |
| Air of " look, aren' t we dangerous" | |
| That' s the time to feedback | |
| Intense, no compromise | |
| Nasty evil, cranking up my brain | |
| Hey, ho | |
| She' s gone to Spain with a load of mates from work | |
| And I feel cursed and sore, like | |
| I' m Thurston Moorelike | |
| The darkness in my eyes won' t go away | |
| I get feedback | |
| In my bedroom in Nantwich | |
| Stamp my foot down on the angst switch | |
| That' s the time to feedback | |
| Somebody' s knocking on my door | |
| It' s the boy from over the road | |
| And he says he shares our obsession | |
| And he' d like to join in on the session | |
| And the others aren' t arsed either way | |
| So I say | |
| I think we' d better let him in | |
| I heard he' s got a Theremin | |
| I think we' d better let him in | |
| I' ve heard he' s got a Theremin | |
| And I' ve seen him walk through the park a lot, | |
| And I bet he listens to Arc a lot | |
| I think we' d better let him in | |
| He' s got a Theremin | |
| We' d better let him in | |
| He' s got a Theremin |
| My life is comfortable | |
| But I don' t want that image for my band | |
| Inside, I' m reasonable | |
| But I' ll make out they just don' t understand | |
| When we don' t feel well, let' s | |
| Put on some Velvets | |
| Lean our guitars up against the amp | |
| And get feedback | |
| When I feel that I need that | |
| Air of " look, aren' t we dangerous" | |
| That' s the time to feedback | |
| Intense, no compromise | |
| Nasty evil, cranking up my brain | |
| Hey, ho | |
| She' s gone to Spain with a load of mates from work | |
| And I feel cursed and sore, like | |
| I' m Thurston Moorelike | |
| The darkness in my eyes won' t go away | |
| I get feedback | |
| In my bedroom in Nantwich | |
| Stamp my foot down on the angst switch | |
| That' s the time to feedback | |
| Somebody' s knocking on my door | |
| It' s the boy from over the road | |
| And he says he shares our obsession | |
| And he' d like to join in on the session | |
| And the others aren' t arsed either way | |
| So I say | |
| I think we' d better let him in | |
| I heard he' s got a Theremin | |
| I think we' d better let him in | |
| I' ve heard he' s got a Theremin | |
| And I' ve seen him walk through the park a lot, | |
| And I bet he listens to Arc a lot | |
| I think we' d better let him in | |
| He' s got a Theremin | |
| We' d better let him in | |
| He' s got a Theremin |