| Song | Adios Hermanos |
| Artist | Paul Simon |
| Album | The Paul Simon Collection: On My Way, Don't Know Where I'm Going |
| Download | Image LRC TXT |
| 作词 : Simon, Walcott | |
| Sal | |
| It was the morning of october 6th, 1960 | |
| I was wearing my brown suit | |
| Preparing to leave the house of d. | |
| Shook some hands then adios brooklyn amigos | |
| Maybe some of them had hopes of seeing me again | |
| Some even said that my judge-judge gerald culkin- | |
| Wouldn't play it by the book | |
| Maybe let us off the hook | |
| But, woh-oo-woh, i knew better. | |
| Sal & salvador | |
| Afraid to leave the projects | |
| To cross into another neighborhood | |
| Sal | |
| The blancos and the nigger gangs | |
| Well, they'd kill you if they could. | |
| Aurea & women | |
| Angel of mercy, people are suffering | |
| All over the world | |
| Spanish children are taught on their knees to believe | |
| Angel of mercy, people are suffering | |
| All over the island tonight, | |
| Mothers weep | |
| Sal & aurea | |
| Sisters grieve. | |
| Sal | |
| Well, i entered the courtroom, state of new york | |
| County of new york, just some spic | |
| They scrubbed off the sidewalk | |
| Guilty by my dress | |
| Guilty in the press | |
| Let the capeman burn for the murder | |
| Well the 'spanish boys' had their day in court | |
| And now it was time for some fuckin' law and order | |
| The electric chair | |
| For the greasy pair | |
| Said the judge to the court reporter | |
| Sal & salvador | |
| Afraid to leave the projects | |
| To cross into another neighborhood | |
| Salvador | |
| The newspapers and the t.v. crews | |
| Well, they'd kill you if they could | |
| Aurea & women | |
| Angel of mercy, people are suffering | |
| All over the world | |
| A spanish boy could be killed every night of the week | |
| Sal | |
| But just let some white boy die | |
| And the world goes crazy for blood-latin blood. | |
| I don't lie when i speak. | |
| Sal & salvador | |
| Well they shackled my hands | |
| Sal | |
| A heavy belt around my waist to restrain me | |
| Sal & salvador | |
| And they shackled my legs | |
| Sal | |
| Hernandez, the 'umbrella man,' chained beside me | |
| Then we rode that black maria | |
| Through the streets of spanish harlem | |
| Calling old friends on the corners | |
| Sal & aurea | |
| Just to lay our prayers upon them | |
| Sal | |
| Crying | |
| Adios hermanos, adios | |
| Sal & salvador | |
| Adios hermanos, adios | |
| Lead vocal-paul simon | |
| Background vocal-briz | |
| Background vocal-myrna gomila | |
| Background vocal-karen bernod | |
| Background vocal-renee connell-adams | |
| Background vocal-dewayne snype | |
| Background vocal-kia jeffries | |
| Background vocal-ed vasquez | |
| Background vocal-derrick james | |
| Organ-oriente lopez | |
| Background vocals recorded by roy halee |
| zuo ci : Simon, Walcott | |
| Sal | |
| It was the morning of october 6th, 1960 | |
| I was wearing my brown suit | |
| Preparing to leave the house of d. | |
| Shook some hands then adios brooklyn amigos | |
| Maybe some of them had hopes of seeing me again | |
| Some even said that my judgejudge gerald culkin | |
| Wouldn' t play it by the book | |
| Maybe let us off the hook | |
| But, wohoowoh, i knew better. | |
| Sal salvador | |
| Afraid to leave the projects | |
| To cross into another neighborhood | |
| Sal | |
| The blancos and the nigger gangs | |
| Well, they' d kill you if they could. | |
| Aurea women | |
| Angel of mercy, people are suffering | |
| All over the world | |
| Spanish children are taught on their knees to believe | |
| Angel of mercy, people are suffering | |
| All over the island tonight, | |
| Mothers weep | |
| Sal aurea | |
| Sisters grieve. | |
| Sal | |
| Well, i entered the courtroom, state of new york | |
| County of new york, just some spic | |
| They scrubbed off the sidewalk | |
| Guilty by my dress | |
| Guilty in the press | |
| Let the capeman burn for the murder | |
| Well the ' spanish boys' had their day in court | |
| And now it was time for some fuckin' law and order | |
| The electric chair | |
| For the greasy pair | |
| Said the judge to the court reporter | |
| Sal salvador | |
| Afraid to leave the projects | |
| To cross into another neighborhood | |
| Salvador | |
| The newspapers and the t. v. crews | |
| Well, they' d kill you if they could | |
| Aurea women | |
| Angel of mercy, people are suffering | |
| All over the world | |
| A spanish boy could be killed every night of the week | |
| Sal | |
| But just let some white boy die | |
| And the world goes crazy for bloodlatin blood. | |
| I don' t lie when i speak. | |
| Sal salvador | |
| Well they shackled my hands | |
| Sal | |
| A heavy belt around my waist to restrain me | |
| Sal salvador | |
| And they shackled my legs | |
| Sal | |
| Hernandez, the ' umbrella man,' chained beside me | |
| Then we rode that black maria | |
| Through the streets of spanish harlem | |
| Calling old friends on the corners | |
| Sal aurea | |
| Just to lay our prayers upon them | |
| Sal | |
| Crying | |
| Adios hermanos, adios | |
| Sal salvador | |
| Adios hermanos, adios | |
| Lead vocalpaul simon | |
| Background vocalbriz | |
| Background vocalmyrna gomila | |
| Background vocalkaren bernod | |
| Background vocalrenee connelladams | |
| Background vocaldewayne snype | |
| Background vocalkia jeffries | |
| Background vocaled vasquez | |
| Background vocalderrick james | |
| Organoriente lopez | |
| Background vocals recorded by roy halee |
| zuò cí : Simon, Walcott | |
| Sal | |
| It was the morning of october 6th, 1960 | |
| I was wearing my brown suit | |
| Preparing to leave the house of d. | |
| Shook some hands then adios brooklyn amigos | |
| Maybe some of them had hopes of seeing me again | |
| Some even said that my judgejudge gerald culkin | |
| Wouldn' t play it by the book | |
| Maybe let us off the hook | |
| But, wohoowoh, i knew better. | |
| Sal salvador | |
| Afraid to leave the projects | |
| To cross into another neighborhood | |
| Sal | |
| The blancos and the nigger gangs | |
| Well, they' d kill you if they could. | |
| Aurea women | |
| Angel of mercy, people are suffering | |
| All over the world | |
| Spanish children are taught on their knees to believe | |
| Angel of mercy, people are suffering | |
| All over the island tonight, | |
| Mothers weep | |
| Sal aurea | |
| Sisters grieve. | |
| Sal | |
| Well, i entered the courtroom, state of new york | |
| County of new york, just some spic | |
| They scrubbed off the sidewalk | |
| Guilty by my dress | |
| Guilty in the press | |
| Let the capeman burn for the murder | |
| Well the ' spanish boys' had their day in court | |
| And now it was time for some fuckin' law and order | |
| The electric chair | |
| For the greasy pair | |
| Said the judge to the court reporter | |
| Sal salvador | |
| Afraid to leave the projects | |
| To cross into another neighborhood | |
| Salvador | |
| The newspapers and the t. v. crews | |
| Well, they' d kill you if they could | |
| Aurea women | |
| Angel of mercy, people are suffering | |
| All over the world | |
| A spanish boy could be killed every night of the week | |
| Sal | |
| But just let some white boy die | |
| And the world goes crazy for bloodlatin blood. | |
| I don' t lie when i speak. | |
| Sal salvador | |
| Well they shackled my hands | |
| Sal | |
| A heavy belt around my waist to restrain me | |
| Sal salvador | |
| And they shackled my legs | |
| Sal | |
| Hernandez, the ' umbrella man,' chained beside me | |
| Then we rode that black maria | |
| Through the streets of spanish harlem | |
| Calling old friends on the corners | |
| Sal aurea | |
| Just to lay our prayers upon them | |
| Sal | |
| Crying | |
| Adios hermanos, adios | |
| Sal salvador | |
| Adios hermanos, adios | |
| Lead vocalpaul simon | |
| Background vocalbriz | |
| Background vocalmyrna gomila | |
| Background vocalkaren bernod | |
| Background vocalrenee connelladams | |
| Background vocaldewayne snype | |
| Background vocalkia jeffries | |
| Background vocaled vasquez | |
| Background vocalderrick james | |
| Organoriente lopez | |
| Background vocals recorded by roy halee |