| Song | Styled by Dr. Roberts |
| Artist | Frog Eyes |
| Album | Paul's Tomb: A Triumph |
| Download | Image LRC TXT |
| I'm going to pray for the cold, I'm going to pray not for | |
| Anything at all, | |
| I'm going to pray for the war, I'm going to pray that my dagger's not | |
| The first blade withheld | |
| And when that bird beaks its blood on my windowsill | |
| I know that I have been called. | |
| And the glory of economy, | |
| Is when your dwarf shall become a man, | |
| Woe to the night, woe to the night, | |
| Emaciated forester dancing in the moonlight, | |
| Dancing just to stave off the hunger�it's a hunger where | |
| You want to hit him in the ****ing knees, | |
| And then you hit him in the ****ing knees! | |
| Shooter! Shoot up! But you better watch your allocution. | |
| Shooter, shooter, shoot up! But Donna, you better | |
| Never turn your back on that dwarf, and: | |
| You better watch your allocution! | |
| Donna's got a right to be tired! She's been swamped in the kitchens | |
| Of a Dark Royalty, | |
| And if you love me! You'll know my heart | |
| Belongs to the shepherd | |
| Who has nursed his lord back from the tombs of a Dark Galilee, | |
| And if you know me now, | |
| Then I shall know you now, | |
| I SHALL KNOW YOU BY THE LIGHT ON YOUR FACE, | |
| I SHALL KNOW YOU BY THE LIGHT COMING OUT OF YOUR FACE |
| I' m going to pray for the cold, I' m going to pray not for | |
| Anything at all, | |
| I' m going to pray for the war, I' m going to pray that my dagger' s not | |
| The first blade withheld | |
| And when that bird beaks its blood on my windowsill | |
| I know that I have been called. | |
| And the glory of economy, | |
| Is when your dwarf shall become a man, | |
| Woe to the night, woe to the night, | |
| Emaciated forester dancing in the moonlight, | |
| Dancing just to stave off the hunger it' s a hunger where | |
| You want to hit him in the ing knees, | |
| And then you hit him in the ing knees! | |
| Shooter! Shoot up! But you better watch your allocution. | |
| Shooter, shooter, shoot up! But Donna, you better | |
| Never turn your back on that dwarf, and: | |
| You better watch your allocution! | |
| Donna' s got a right to be tired! She' s been swamped in the kitchens | |
| Of a Dark Royalty, | |
| And if you love me! You' ll know my heart | |
| Belongs to the shepherd | |
| Who has nursed his lord back from the tombs of a Dark Galilee, | |
| And if you know me now, | |
| Then I shall know you now, | |
| I SHALL KNOW YOU BY THE LIGHT ON YOUR FACE, | |
| I SHALL KNOW YOU BY THE LIGHT COMING OUT OF YOUR FACE |
| I' m going to pray for the cold, I' m going to pray not for | |
| Anything at all, | |
| I' m going to pray for the war, I' m going to pray that my dagger' s not | |
| The first blade withheld | |
| And when that bird beaks its blood on my windowsill | |
| I know that I have been called. | |
| And the glory of economy, | |
| Is when your dwarf shall become a man, | |
| Woe to the night, woe to the night, | |
| Emaciated forester dancing in the moonlight, | |
| Dancing just to stave off the hunger it' s a hunger where | |
| You want to hit him in the ing knees, | |
| And then you hit him in the ing knees! | |
| Shooter! Shoot up! But you better watch your allocution. | |
| Shooter, shooter, shoot up! But Donna, you better | |
| Never turn your back on that dwarf, and: | |
| You better watch your allocution! | |
| Donna' s got a right to be tired! She' s been swamped in the kitchens | |
| Of a Dark Royalty, | |
| And if you love me! You' ll know my heart | |
| Belongs to the shepherd | |
| Who has nursed his lord back from the tombs of a Dark Galilee, | |
| And if you know me now, | |
| Then I shall know you now, | |
| I SHALL KNOW YOU BY THE LIGHT ON YOUR FACE, | |
| I SHALL KNOW YOU BY THE LIGHT COMING OUT OF YOUR FACE |