| Song | Full Tilt Boogie |
| Artist | Four Letter Lie |
| Album | Let Your Body Take Over |
| Download | Image LRC TXT |
| 作曲 : Four Letter Lie, Nagan ... | |
| Hit the lights out in the room. | |
| Cover up their mouths. | |
| We're taking this too far. | |
| On the count of three we'll start this over. | |
| The background voices are pulling me under. | |
| Oh, you come and go on hangs and knees. | |
| Until I can't take this anymore. | |
| There is no light behind these eyes. | |
| They barley see you. | |
| Remember what you said? | |
| Yeah you're always right. | |
| He won't say a word, give this all you got. | |
| All that you need is attention. | |
| Hands up on his hips, well there's attraction. | |
| Your satisfaction. | |
| I want to wake up. On fire. | |
| And hear the choir. Beckon these walls. | |
| What exactly are you searching for? [x2] | |
| It's so like you just to give in with the whole world at your feet. | |
| Let's put on a show in all our best clothes. | |
| Where are the girls? Where are the girls? | |
| You can't look back. I can't look away. | |
| Can you keep it together? | |
| There is no light behind these eyes. | |
| They barley see you. | |
| I swear it's worth the wait to find me at your door. | |
| It's always better when you're under the weather so forget this all together. | |
| All that you need is just attention. Hands on hips well there's an attraction. | |
| Your satisfaction. | |
| You're too little, too late. | |
| I'm overrated anyways. | |
| This is the end. | |
| I am the end. |
| zuo qu : Four Letter Lie, Nagan ... | |
| Hit the lights out in the room. | |
| Cover up their mouths. | |
| We' re taking this too far. | |
| On the count of three we' ll start this over. | |
| The background voices are pulling me under. | |
| Oh, you come and go on hangs and knees. | |
| Until I can' t take this anymore. | |
| There is no light behind these eyes. | |
| They barley see you. | |
| Remember what you said? | |
| Yeah you' re always right. | |
| He won' t say a word, give this all you got. | |
| All that you need is attention. | |
| Hands up on his hips, well there' s attraction. | |
| Your satisfaction. | |
| I want to wake up. On fire. | |
| And hear the choir. Beckon these walls. | |
| What exactly are you searching for? x2 | |
| It' s so like you just to give in with the whole world at your feet. | |
| Let' s put on a show in all our best clothes. | |
| Where are the girls? Where are the girls? | |
| You can' t look back. I can' t look away. | |
| Can you keep it together? | |
| There is no light behind these eyes. | |
| They barley see you. | |
| I swear it' s worth the wait to find me at your door. | |
| It' s always better when you' re under the weather so forget this all together. | |
| All that you need is just attention. Hands on hips well there' s an attraction. | |
| Your satisfaction. | |
| You' re too little, too late. | |
| I' m overrated anyways. | |
| This is the end. | |
| I am the end. |
| zuò qǔ : Four Letter Lie, Nagan ... | |
| Hit the lights out in the room. | |
| Cover up their mouths. | |
| We' re taking this too far. | |
| On the count of three we' ll start this over. | |
| The background voices are pulling me under. | |
| Oh, you come and go on hangs and knees. | |
| Until I can' t take this anymore. | |
| There is no light behind these eyes. | |
| They barley see you. | |
| Remember what you said? | |
| Yeah you' re always right. | |
| He won' t say a word, give this all you got. | |
| All that you need is attention. | |
| Hands up on his hips, well there' s attraction. | |
| Your satisfaction. | |
| I want to wake up. On fire. | |
| And hear the choir. Beckon these walls. | |
| What exactly are you searching for? x2 | |
| It' s so like you just to give in with the whole world at your feet. | |
| Let' s put on a show in all our best clothes. | |
| Where are the girls? Where are the girls? | |
| You can' t look back. I can' t look away. | |
| Can you keep it together? | |
| There is no light behind these eyes. | |
| They barley see you. | |
| I swear it' s worth the wait to find me at your door. | |
| It' s always better when you' re under the weather so forget this all together. | |
| All that you need is just attention. Hands on hips well there' s an attraction. | |
| Your satisfaction. | |
| You' re too little, too late. | |
| I' m overrated anyways. | |
| This is the end. | |
| I am the end. |