Won Ton On Lyrics
| Song | Won Ton On |
| Artist | Frank Zappa |
| Album | Thing-Fish |
| Download | Image LRC TXT |
| 作词 : Zappa | |
| Frank zappa (guitar, synclavier) | |
| Steve vai (guitar) | |
| Ray white (guitar, vocals) | |
| Tommy mars (keyboards) | |
| Chuck wild (piano) | |
| Arthur barrow (bass) | |
| Scott thunes (bass) | |
| Jay anderson (string bass) | |
| Ed mann (percussion) | |
| Chad wackerman (drums) | |
| Ike willis (vocals) | |
| Terry bozzio (vocals) | |
| Dale bozzio (vocals) | |
| Napoleon murphy brock (vocals) | |
| Bob harris (vocals) | |
| Johnny "guitar" watson (vocals) | |
| Not really harry's voice: | |
| Ecuas-nzbe? | |
| Thing-fish: | |
| Whiff it, boy! whiff it good, now! mammies, step forward 'n try t'git on down wit dem broadway zombies! dis de closin' numbuh, now! moses! git yo' brown ass ovuh heah! leave de co-log-nuh alone | |
| Minnit. whyn'tcha go on 'n cornhole ya' some evil prince! | |
| I b'lieve he done evolved to de point where he kin hannle it now! | |
| See dat? uh-huh! look like he severely enjoyin' it awready! sound like he enjoyin' it, too! wuh- oh! | |
| I smells trubba! look like he got de eeyah- noosht! ain't no two ways about it. | |
| The mammies dance tangos with the zombies, (eventually hurling them offstage), the evil prince corn-holes rhonda (who doesn't even notice as she waves her magic-wand fountain pen around for harrFollow), thing-fish snatches up the crab-grass baby and ob'dewlla (one in each hand), shaking them like maracas, while twirl-dancing around the yard, harry-as- a-boy and the artificial rhonda re | |
| Ar, chasing after the infant, quentin robert de nameland corn-holes brown moses. opal rides the bull while francesco gives her an enema. the nativity box rotates erratically, deli- vering dutch | |
| Ts who offer onions to the audience. | |
| Thing-fish:'fo y'all departs, | |
| I jes' wish to say in conclu- sium, as matters o' dis gravity gen'rally re- quire some type o' philosomical post-scription, dat what y'all have witnessed heah tonight were a t | |
| Tory - only de names o' de potatoes have been changed to protect de innocent. | |
| Galoot co-log-nuh! don't buy it, peoples! dis have been a public service ernouncemint. wave good-night to de white folks, 'dewlla! | |
| A conga-line is formed. they all exit through the audience, except for francesco, thing-fish & sister ob'dewlla 'x' (the crab-grass baby has been returned to harry-as-a-boy and artificial rh.Rhonda:This is symbolism, harry!Harry:...not the stuff that 'freckles' lets out!Rhonda:This is symbolism! really deep, intense, thought-provoking broadway symbolism. really modern, harry...Harry:Take your hand off that chain, honey!Rhonda:**** that briefcases...Harry:...not the briefcase... |
| zuo ci : Zappa | |
| Frank zappa guitar, synclavier | |
| Steve vai guitar | |
| Ray white guitar, vocals | |
| Tommy mars keyboards | |
| Chuck wild piano | |
| Arthur barrow bass | |
| Scott thunes bass | |
| Jay anderson string bass | |
| Ed mann percussion | |
| Chad wackerman drums | |
| Ike willis vocals | |
| Terry bozzio vocals | |
| Dale bozzio vocals | |
| Napoleon murphy brock vocals | |
| Bob harris vocals | |
| Johnny " guitar" watson vocals | |
| Not really harry' s voice: | |
| Ecuasnzbe? | |
| Thingfish: | |
| Whiff it, boy! whiff it good, now! mammies, step forward ' n try t' git on down wit dem broadway zombies! dis de closin' numbuh, now! moses! git yo' brown ass ovuh heah! leave de colognuh alone | |
| Minnit. whyn' tcha go on ' n cornhole ya' some evil prince! | |
| I b' lieve he done evolved to de point where he kin hannle it now! | |
| See dat? uhhuh! look like he severely enjoyin' it awready! sound like he enjoyin' it, too! wuh oh! | |
| I smells trubba! look like he got de eeyah noosht! ain' t no two ways about it. | |
| The mammies dance tangos with the zombies, eventually hurling them offstage, the evil prince cornholes rhonda who doesn' t even notice as she waves her magicwand fountain pen around for harrFollow, thingfish snatches up the crabgrass baby and ob' dewlla one in each hand, shaking them like maracas, while twirldancing around the yard, harryas aboy and the artificial rhonda re | |
| Ar, chasing after the infant, quentin robert de nameland cornholes brown moses. opal rides the bull while francesco gives her an enema. the nativity box rotates erratically, deli vering dutch | |
| Ts who offer onions to the audience. | |
| Thingfish:' fo y' all departs, | |
| I jes' wish to say in conclu sium, as matters o' dis gravity gen' rally re quire some type o' philosomical postscription, dat what y' all have witnessed heah tonight were a t | |
| Tory only de names o' de potatoes have been changed to protect de innocent. | |
| Galoot colognuh! don' t buy it, peoples! dis have been a public service ernouncemint. wave goodnight to de white folks, ' dewlla! | |
| A congaline is formed. they all exit through the audience, except for francesco, thingfish sister ob' dewlla ' x' the crabgrass baby has been returned to harryasaboy and artificial rh. Rhonda: This is symbolism, harry! Harry:... not the stuff that ' freckles' lets out! Rhonda: This is symbolism! really deep, intense, thoughtprovoking broadway symbolism. really modern, harry... Harry: Take your hand off that chain, honey! Rhonda: that briefcases... Harry:... not the briefcase... |
| zuò cí : Zappa | |
| Frank zappa guitar, synclavier | |
| Steve vai guitar | |
| Ray white guitar, vocals | |
| Tommy mars keyboards | |
| Chuck wild piano | |
| Arthur barrow bass | |
| Scott thunes bass | |
| Jay anderson string bass | |
| Ed mann percussion | |
| Chad wackerman drums | |
| Ike willis vocals | |
| Terry bozzio vocals | |
| Dale bozzio vocals | |
| Napoleon murphy brock vocals | |
| Bob harris vocals | |
| Johnny " guitar" watson vocals | |
| Not really harry' s voice: | |
| Ecuasnzbe? | |
| Thingfish: | |
| Whiff it, boy! whiff it good, now! mammies, step forward ' n try t' git on down wit dem broadway zombies! dis de closin' numbuh, now! moses! git yo' brown ass ovuh heah! leave de colognuh alone | |
| Minnit. whyn' tcha go on ' n cornhole ya' some evil prince! | |
| I b' lieve he done evolved to de point where he kin hannle it now! | |
| See dat? uhhuh! look like he severely enjoyin' it awready! sound like he enjoyin' it, too! wuh oh! | |
| I smells trubba! look like he got de eeyah noosht! ain' t no two ways about it. | |
| The mammies dance tangos with the zombies, eventually hurling them offstage, the evil prince cornholes rhonda who doesn' t even notice as she waves her magicwand fountain pen around for harrFollow, thingfish snatches up the crabgrass baby and ob' dewlla one in each hand, shaking them like maracas, while twirldancing around the yard, harryas aboy and the artificial rhonda re | |
| Ar, chasing after the infant, quentin robert de nameland cornholes brown moses. opal rides the bull while francesco gives her an enema. the nativity box rotates erratically, deli vering dutch | |
| Ts who offer onions to the audience. | |
| Thingfish:' fo y' all departs, | |
| I jes' wish to say in conclu sium, as matters o' dis gravity gen' rally re quire some type o' philosomical postscription, dat what y' all have witnessed heah tonight were a t | |
| Tory only de names o' de potatoes have been changed to protect de innocent. | |
| Galoot colognuh! don' t buy it, peoples! dis have been a public service ernouncemint. wave goodnight to de white folks, ' dewlla! | |
| A congaline is formed. they all exit through the audience, except for francesco, thingfish sister ob' dewlla ' x' the crabgrass baby has been returned to harryasaboy and artificial rh. Rhonda: This is symbolism, harry! Harry:... not the stuff that ' freckles' lets out! Rhonda: This is symbolism! really deep, intense, thoughtprovoking broadway symbolism. really modern, harry... Harry: Take your hand off that chain, honey! Rhonda: that briefcases... Harry:... not the briefcase... |
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