Mudd Club Lyrics
| Song | Mudd Club |
| Artist | Frank Zappa |
| Album | You Are What You Is |
| Download | Image LRC TXT |
| 作词 : Zappa | |
| Frank zappa (lead guitar, vocals) | |
| Ike willis (rhythm guitar, vocals) | |
| Ray white (rhythm guitar, vocals) | |
| Bob harris (boy soprano, trumpet) | |
| Steve vai (guitar) | |
| Tommy mars (keyboards) | |
| Arthur barrow (bass) | |
| Ed mann (percussion) | |
| David ocker (clarinet, bass clarinet) | |
| Motorhead sherwood (tenor saxophone, vocals) | |
| Denny walley (slide guitar, vocals) | |
| David logeman (drums) | |
| Craig steward (harmonica) | |
| Jimmy carl black (vocals) | |
| Ahmet zappa (vocals) | |
| Moon zappa (vocals) | |
| Hey, they're really dancin' | |
| They're on auto-destruct | |
| On the floor | |
| On the pipe | |
| Bouncin' off-a the wall | |
| Hey, the people here are really | |
| Tearin' it up | |
| On the side | |
| In the back | |
| By the front of the stage | |
| They ain't really crazy | |
| You can take it from me | |
| I should know | |
| 'cause i go | |
| Every time i'm in town | |
| If you never tried it | |
| Lemme straighten you out | |
| It's the best kinda place | |
| To unfasten yerself | |
| Mudd club | |
| All the way downtown | |
| Mudd club | |
| They ain't messin' around | |
| Just turn to the left 'n look around | |
| It's there somewhere | |
| If you ain't found it, better | |
| Hurry up | |
| The folks down there's on auto-destruct | |
| And so can you be too | |
| (fact of the matter | |
| It's made for you...) | |
| Try it on a saturday 'bout four o'clock in | |
| The mornin' | |
| Or even on a monday at midnight | |
| When there's just a few of them | |
| Fabulous poodles | |
| Doin' the peppermint twist for real | |
| In black sack dresses with nine inch heels | |
| And then a guy with a blue mohawk comes in | |
| In serious leather... | |
| (and all the rest of whom for which | |
| To whensonever of partially | |
| Indeterminate | |
| Bio-chemical degradation | |
| Seek the path to sudsy yellow nozzle | |
| Of their foaming nocturnal | |
| Parametric digital whole-wheat | |
| Inter-faith | |
| Geothermal terpsichorean ejectamenta | |
| In serious leather...serious chains | |
| Then they work the wall | |
| 'n work the floor | |
| 'n work the pipe | |
| 'n work the wall some more | |
| In serious leather | |
| In serious chains | |
| In serious clothing | |
| From when they come downtown | |
| From the ruins of studio 54 | |
| To twist 'n frugg | |
| In an arrogant gesture | |
| To the best of what the 20th century has | |
| To offer, at the | |
| Mudd club | |
| Al malkin's down there now | |
| Looking for a virgin with nice breath... | |
| (why, maybe it's you... | |
| And you don't even know it!) | |
| Hey, they're really dancin' | |
| They're on auto-destruct | |
| On the floor | |
| On the pipe | |
| Bouncin' off-a the wall | |
| Hey, the people here are really | |
| Tearin' it up | |
| On the side | |
| In the back | |
| By the front of the stage | |
| They ain't really crazy | |
| You can take it from me | |
| I should know | |
| 'cause i go | |
| Every time i'm in town | |
| If you never tried it | |
| Lemme straighten you out | |
| It's the best kinda place | |
| To unfasten yerself | |
| Work the wall | |
| Work the floor | |
| Work the pipe | |
| In serious pain |
| zuo ci : Zappa | |
| Frank zappa lead guitar, vocals | |
| Ike willis rhythm guitar, vocals | |
| Ray white rhythm guitar, vocals | |
| Bob harris boy soprano, trumpet | |
| Steve vai guitar | |
| Tommy mars keyboards | |
| Arthur barrow bass | |
| Ed mann percussion | |
| David ocker clarinet, bass clarinet | |
| Motorhead sherwood tenor saxophone, vocals | |
| Denny walley slide guitar, vocals | |
| David logeman drums | |
| Craig steward harmonica | |
| Jimmy carl black vocals | |
| Ahmet zappa vocals | |
| Moon zappa vocals | |
| Hey, they' re really dancin' | |
| They' re on autodestruct | |
| On the floor | |
| On the pipe | |
| Bouncin' offa the wall | |
| Hey, the people here are really | |
| Tearin' it up | |
| On the side | |
| In the back | |
| By the front of the stage | |
| They ain' t really crazy | |
| You can take it from me | |
| I should know | |
| ' cause i go | |
| Every time i' m in town | |
| If you never tried it | |
| Lemme straighten you out | |
| It' s the best kinda place | |
| To unfasten yerself | |
| Mudd club | |
| All the way downtown | |
| Mudd club | |
| They ain' t messin' around | |
| Just turn to the left ' n look around | |
| It' s there somewhere | |
| If you ain' t found it, better | |
| Hurry up | |
| The folks down there' s on autodestruct | |
| And so can you be too | |
| fact of the matter | |
| It' s made for you... | |
| Try it on a saturday ' bout four o' clock in | |
| The mornin' | |
| Or even on a monday at midnight | |
| When there' s just a few of them | |
| Fabulous poodles | |
| Doin' the peppermint twist for real | |
| In black sack dresses with nine inch heels | |
| And then a guy with a blue mohawk comes in | |
| In serious leather... | |
| and all the rest of whom for which | |
| To whensonever of partially | |
| Indeterminate | |
| Biochemical degradation | |
| Seek the path to sudsy yellow nozzle | |
| Of their foaming nocturnal | |
| Parametric digital wholewheat | |
| Interfaith | |
| Geothermal terpsichorean ejectamenta | |
| In serious leather... serious chains | |
| Then they work the wall | |
| ' n work the floor | |
| ' n work the pipe | |
| ' n work the wall some more | |
| In serious leather | |
| In serious chains | |
| In serious clothing | |
| From when they come downtown | |
| From the ruins of studio 54 | |
| To twist ' n frugg | |
| In an arrogant gesture | |
| To the best of what the 20th century has | |
| To offer, at the | |
| Mudd club | |
| Al malkin' s down there now | |
| Looking for a virgin with nice breath... | |
| why, maybe it' s you... | |
| And you don' t even know it! | |
| Hey, they' re really dancin' | |
| They' re on autodestruct | |
| On the floor | |
| On the pipe | |
| Bouncin' offa the wall | |
| Hey, the people here are really | |
| Tearin' it up | |
| On the side | |
| In the back | |
| By the front of the stage | |
| They ain' t really crazy | |
| You can take it from me | |
| I should know | |
| ' cause i go | |
| Every time i' m in town | |
| If you never tried it | |
| Lemme straighten you out | |
| It' s the best kinda place | |
| To unfasten yerself | |
| Work the wall | |
| Work the floor | |
| Work the pipe | |
| In serious pain |
| zuò cí : Zappa | |
| Frank zappa lead guitar, vocals | |
| Ike willis rhythm guitar, vocals | |
| Ray white rhythm guitar, vocals | |
| Bob harris boy soprano, trumpet | |
| Steve vai guitar | |
| Tommy mars keyboards | |
| Arthur barrow bass | |
| Ed mann percussion | |
| David ocker clarinet, bass clarinet | |
| Motorhead sherwood tenor saxophone, vocals | |
| Denny walley slide guitar, vocals | |
| David logeman drums | |
| Craig steward harmonica | |
| Jimmy carl black vocals | |
| Ahmet zappa vocals | |
| Moon zappa vocals | |
| Hey, they' re really dancin' | |
| They' re on autodestruct | |
| On the floor | |
| On the pipe | |
| Bouncin' offa the wall | |
| Hey, the people here are really | |
| Tearin' it up | |
| On the side | |
| In the back | |
| By the front of the stage | |
| They ain' t really crazy | |
| You can take it from me | |
| I should know | |
| ' cause i go | |
| Every time i' m in town | |
| If you never tried it | |
| Lemme straighten you out | |
| It' s the best kinda place | |
| To unfasten yerself | |
| Mudd club | |
| All the way downtown | |
| Mudd club | |
| They ain' t messin' around | |
| Just turn to the left ' n look around | |
| It' s there somewhere | |
| If you ain' t found it, better | |
| Hurry up | |
| The folks down there' s on autodestruct | |
| And so can you be too | |
| fact of the matter | |
| It' s made for you... | |
| Try it on a saturday ' bout four o' clock in | |
| The mornin' | |
| Or even on a monday at midnight | |
| When there' s just a few of them | |
| Fabulous poodles | |
| Doin' the peppermint twist for real | |
| In black sack dresses with nine inch heels | |
| And then a guy with a blue mohawk comes in | |
| In serious leather... | |
| and all the rest of whom for which | |
| To whensonever of partially | |
| Indeterminate | |
| Biochemical degradation | |
| Seek the path to sudsy yellow nozzle | |
| Of their foaming nocturnal | |
| Parametric digital wholewheat | |
| Interfaith | |
| Geothermal terpsichorean ejectamenta | |
| In serious leather... serious chains | |
| Then they work the wall | |
| ' n work the floor | |
| ' n work the pipe | |
| ' n work the wall some more | |
| In serious leather | |
| In serious chains | |
| In serious clothing | |
| From when they come downtown | |
| From the ruins of studio 54 | |
| To twist ' n frugg | |
| In an arrogant gesture | |
| To the best of what the 20th century has | |
| To offer, at the | |
| Mudd club | |
| Al malkin' s down there now | |
| Looking for a virgin with nice breath... | |
| why, maybe it' s you... | |
| And you don' t even know it! | |
| Hey, they' re really dancin' | |
| They' re on autodestruct | |
| On the floor | |
| On the pipe | |
| Bouncin' offa the wall | |
| Hey, the people here are really | |
| Tearin' it up | |
| On the side | |
| In the back | |
| By the front of the stage | |
| They ain' t really crazy | |
| You can take it from me | |
| I should know | |
| ' cause i go | |
| Every time i' m in town | |
| If you never tried it | |
| Lemme straighten you out | |
| It' s the best kinda place | |
| To unfasten yerself | |
| Work the wall | |
| Work the floor | |
| Work the pipe | |
| In serious pain |
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