| Song | Invitation To The Voyage |
| Artist | Eugene McGuinness |
| Album | The Invitation To The Voyage |
| Download | Image LRC TXT |
| You’re not the wedding dress | |
| It’s the ghost of | |
| Valentine past | |
| And the moon makes you an exclamation mark | |
| We’ll hung upside down | |
| On the climbing freeze | |
| I handstand on the bandstand | |
| And you’re the right way around again | |
| And we forgot to move the hostage walls | |
| Helicopter scannin’ the rooftops | |
| You’re a bad influence on a good boy | |
| I accepted the invitation to the voyage | |
| Now forensics dust for prints in my room | |
| They’re reconstructing my final moments on | |
| BBC2 Tell the stars are holes in the galaxy’s ceiling | |
| Where heaven shines through every evening | |
| Don’t know where exactly this path is finished | |
| She’s a distance damsel, what does that make me then? | |
| We forgot to move the victim is | |
| Helicopters bliss each time we stress | |
| It’s a mess | |
| For then you’re cutting my dear wedding dress | |
| I’m afraid they told her they’ve got us around here | |
| And through the door she enter | |
| Wants the hostages out | |
| Here comes the tear gas, here comes the turn | |
| We have become one | |
| We’ve become each other | |
| La la la La la la la la.. | |
| La la la La la la la la.. | |
| La la la La la la la la.. | |
| La la la La la la la la.. |
| You' re not the wedding dress | |
| It' s the ghost of | |
| Valentine past | |
| And the moon makes you an exclamation mark | |
| We' ll hung upside down | |
| On the climbing freeze | |
| I handstand on the bandstand | |
| And you' re the right way around again | |
| And we forgot to move the hostage walls | |
| Helicopter scannin' the rooftops | |
| You' re a bad influence on a good boy | |
| I accepted the invitation to the voyage | |
| Now forensics dust for prints in my room | |
| They' re reconstructing my final moments on | |
| BBC2 Tell the stars are holes in the galaxy' s ceiling | |
| Where heaven shines through every evening | |
| Don' t know where exactly this path is finished | |
| She' s a distance damsel, what does that make me then? | |
| We forgot to move the victim is | |
| Helicopters bliss each time we stress | |
| It' s a mess | |
| For then you' re cutting my dear wedding dress | |
| I' m afraid they told her they' ve got us around here | |
| And through the door she enter | |
| Wants the hostages out | |
| Here comes the tear gas, here comes the turn | |
| We have become one | |
| We' ve become each other | |
| La la la La la la la la.. | |
| La la la La la la la la.. | |
| La la la La la la la la.. | |
| La la la La la la la la.. |
| You' re not the wedding dress | |
| It' s the ghost of | |
| Valentine past | |
| And the moon makes you an exclamation mark | |
| We' ll hung upside down | |
| On the climbing freeze | |
| I handstand on the bandstand | |
| And you' re the right way around again | |
| And we forgot to move the hostage walls | |
| Helicopter scannin' the rooftops | |
| You' re a bad influence on a good boy | |
| I accepted the invitation to the voyage | |
| Now forensics dust for prints in my room | |
| They' re reconstructing my final moments on | |
| BBC2 Tell the stars are holes in the galaxy' s ceiling | |
| Where heaven shines through every evening | |
| Don' t know where exactly this path is finished | |
| She' s a distance damsel, what does that make me then? | |
| We forgot to move the victim is | |
| Helicopters bliss each time we stress | |
| It' s a mess | |
| For then you' re cutting my dear wedding dress | |
| I' m afraid they told her they' ve got us around here | |
| And through the door she enter | |
| Wants the hostages out | |
| Here comes the tear gas, here comes the turn | |
| We have become one | |
| We' ve become each other | |
| La la la La la la la la.. | |
| La la la La la la la la.. | |
| La la la La la la la la.. | |
| La la la La la la la la.. |