Fumbling Over Words That Rhyme Lyrics
| Song | Fumbling Over Words That Rhyme |
| Artist | Edan |
| Album | Beauty & The Beat |
| Download | Image LRC TXT |
| 作曲 : Edan | |
| Fumbling over words that rhyme [x4] | |
| [Verse 1] | |
| Pure rap music ain't made under pressure | |
| Expose a jewel, teach school at my leisure | |
| Fumble over words that rhyme with a verse divine | |
| I backtrack and think of the greatest of all-time | |
| Class is in session, master this lesson | |
| Teacher was a student, studied like a Buddhist | |
| Reviewin' on the best to do it | |
| So let's do this | |
| ["Do it"] | |
| Nothin' to it | |
| Considered the first emcee to blow the spot | |
| and do work, was Coke La Rock spittin' for Kool Herc | |
| Followin' the influence of Herculoid parties, | |
| Brothers like Cowboy made you move your body | |
| Cowboy would toast for the G.M. Flash | |
| And the skills elevated as crews started to clash | |
| Flash and Bam, they both sought clientele | |
| So Flash formed the Four with the father Melle Mel | |
| Four became Five, law became live | |
| Routines over breaks, true kings motivate | |
| Out the L brothers came the Five Fantastic | |
| With Theodore they battled with the Cold Crush Four | |
| Few had the confidence of G.M.C. | |
| Without the C.C.B.'s there'd be no Run-DMC | |
| The Funky and the Fearless Four, Force MC's, the suave Spoonie G | |
| And I can't forget the ["Treacherous Three MC's..."] | |
| [Hook] | |
| ["Come with sound... Around and 'round"] | |
| [Verse 2] | |
| Praise to the Kool Moe Dee, he elevated | |
| and changed it with records like "The New Rap Language" | |
| Before the first full length LP's | |
| There was abstract brothers like the one Rammelzee | |
| Run DMC broke through in '83 | |
| Outta Queens, and started rapping hard over drum machines | |
| 808's started shakin' up floors ["It's yours"] | |
| With T La Rock's complex metaphors | |
| ["T-L-A-R-O-C-K"] | |
| A primary influence on L.L. Cool J | |
| T La Rock's futurism must've been respectable | |
| 'Cuz Tragedy from Queens was young but very technical | |
| Sham was eloquent, Chris was intelligent | |
| The 'R' was all of the above with added elements | |
| Slick Rick the Ruler was a screenplay producer | |
| Ultramagnetic had the vision for the future | |
| Big Daddy Kane getting raw at The Apollo and | |
| Kool G Rap was probably the sickest of all of 'em | |
| Jaz from the BK, Percee and Finesse from the BX | |
| Prince Po and Pharoah came next | |
| Wu with the G-Z-A, G-F-K | |
| N-A-S, one of the best out today | |
| Any MC that's addin' on to the list | |
| Pump your fist, but first give praise to the true scientists | |
| [Hook] |
| zuo qu : Edan | |
| Fumbling over words that rhyme x4 | |
| Verse 1 | |
| Pure rap music ain' t made under pressure | |
| Expose a jewel, teach school at my leisure | |
| Fumble over words that rhyme with a verse divine | |
| I backtrack and think of the greatest of alltime | |
| Class is in session, master this lesson | |
| Teacher was a student, studied like a Buddhist | |
| Reviewin' on the best to do it | |
| So let' s do this | |
| " Do it" | |
| Nothin' to it | |
| Considered the first emcee to blow the spot | |
| and do work, was Coke La Rock spittin' for Kool Herc | |
| Followin' the influence of Herculoid parties, | |
| Brothers like Cowboy made you move your body | |
| Cowboy would toast for the G. M. Flash | |
| And the skills elevated as crews started to clash | |
| Flash and Bam, they both sought clientele | |
| So Flash formed the Four with the father Melle Mel | |
| Four became Five, law became live | |
| Routines over breaks, true kings motivate | |
| Out the L brothers came the Five Fantastic | |
| With Theodore they battled with the Cold Crush Four | |
| Few had the confidence of G. M. C. | |
| Without the C. C. B.' s there' d be no RunDMC | |
| The Funky and the Fearless Four, Force MC' s, the suave Spoonie G | |
| And I can' t forget the " Treacherous Three MC' s..." | |
| Hook | |
| " Come with sound... Around and ' round" | |
| Verse 2 | |
| Praise to the Kool Moe Dee, he elevated | |
| and changed it with records like " The New Rap Language" | |
| Before the first full length LP' s | |
| There was abstract brothers like the one Rammelzee | |
| Run DMC broke through in ' 83 | |
| Outta Queens, and started rapping hard over drum machines | |
| 808' s started shakin' up floors " It' s yours" | |
| With T La Rock' s complex metaphors | |
| " TLAROCK" | |
| A primary influence on L. L. Cool J | |
| T La Rock' s futurism must' ve been respectable | |
| ' Cuz Tragedy from Queens was young but very technical | |
| Sham was eloquent, Chris was intelligent | |
| The ' R' was all of the above with added elements | |
| Slick Rick the Ruler was a screenplay producer | |
| Ultramagnetic had the vision for the future | |
| Big Daddy Kane getting raw at The Apollo and | |
| Kool G Rap was probably the sickest of all of ' em | |
| Jaz from the BK, Percee and Finesse from the BX | |
| Prince Po and Pharoah came next | |
| Wu with the GZA, GFK | |
| NAS, one of the best out today | |
| Any MC that' s addin' on to the list | |
| Pump your fist, but first give praise to the true scientists | |
| Hook |
| zuò qǔ : Edan | |
| Fumbling over words that rhyme x4 | |
| Verse 1 | |
| Pure rap music ain' t made under pressure | |
| Expose a jewel, teach school at my leisure | |
| Fumble over words that rhyme with a verse divine | |
| I backtrack and think of the greatest of alltime | |
| Class is in session, master this lesson | |
| Teacher was a student, studied like a Buddhist | |
| Reviewin' on the best to do it | |
| So let' s do this | |
| " Do it" | |
| Nothin' to it | |
| Considered the first emcee to blow the spot | |
| and do work, was Coke La Rock spittin' for Kool Herc | |
| Followin' the influence of Herculoid parties, | |
| Brothers like Cowboy made you move your body | |
| Cowboy would toast for the G. M. Flash | |
| And the skills elevated as crews started to clash | |
| Flash and Bam, they both sought clientele | |
| So Flash formed the Four with the father Melle Mel | |
| Four became Five, law became live | |
| Routines over breaks, true kings motivate | |
| Out the L brothers came the Five Fantastic | |
| With Theodore they battled with the Cold Crush Four | |
| Few had the confidence of G. M. C. | |
| Without the C. C. B.' s there' d be no RunDMC | |
| The Funky and the Fearless Four, Force MC' s, the suave Spoonie G | |
| And I can' t forget the " Treacherous Three MC' s..." | |
| Hook | |
| " Come with sound... Around and ' round" | |
| Verse 2 | |
| Praise to the Kool Moe Dee, he elevated | |
| and changed it with records like " The New Rap Language" | |
| Before the first full length LP' s | |
| There was abstract brothers like the one Rammelzee | |
| Run DMC broke through in ' 83 | |
| Outta Queens, and started rapping hard over drum machines | |
| 808' s started shakin' up floors " It' s yours" | |
| With T La Rock' s complex metaphors | |
| " TLAROCK" | |
| A primary influence on L. L. Cool J | |
| T La Rock' s futurism must' ve been respectable | |
| ' Cuz Tragedy from Queens was young but very technical | |
| Sham was eloquent, Chris was intelligent | |
| The ' R' was all of the above with added elements | |
| Slick Rick the Ruler was a screenplay producer | |
| Ultramagnetic had the vision for the future | |
| Big Daddy Kane getting raw at The Apollo and | |
| Kool G Rap was probably the sickest of all of ' em | |
| Jaz from the BK, Percee and Finesse from the BX | |
| Prince Po and Pharoah came next | |
| Wu with the GZA, GFK | |
| NAS, one of the best out today | |
| Any MC that' s addin' on to the list | |
| Pump your fist, but first give praise to the true scientists | |
| Hook |
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