| Song | Frank Morris |
| Artist | Capital Lights |
| Album | This Is An Outrage! |
| Download | Image LRC TXT |
| [00:00.00] | 作曲 : Capitol Lights |
| [00:11.59] | Seven months in the making, |
| [00:15.41] | making only organized crime. |
| [00:17.66] | We'll be masterminds if our dreams will reach the shore. |
| [00:23.14] | Another turning point in time, |
| [00:25.07] | tonight when the lights go out. |
| [00:27.07] | Shot gun freedom's what they say I'm about. |
| [00:29.97] | What I'm about won't matter |
| [00:31.65] | when I walk out the door. |
| [00:35.54] | Familiar faces put on dolls, |
| [00:38.62] | fashion raincoats and metals. |
| [00:41.56] | When that evening's ending, |
| [00:43.96] | I'm still standing tall, |
| [00:47.91] | surrounded by these loophole walls. |
| [00:50.67] | Any minute I'm beginning, taking time until I run. |
| [00:56.63] | Once we're gone, |
| [00:59.86] | at the sight of the lights out. |
| [01:02.43] | Nightfall shades the sun. |
| [01:04.43] | We're put together, said, and done. |
| [01:07.19] | Oh, oh, ohh. Oh, oh, oh. |
| [01:10.82] | |
| [01:11.57] | Seven months left, |
| [01:13.91] | they're breaking, |
| [01:15.47] | breaking only rules that apply |
| [01:17.66] | in this prison label, |
| [01:19.75] | unable to abort. |
| [01:23.19] | A reputation redefined, |
| [01:25.00] | tonight in the darkest hour. |
| [01:26.96] | When the three of us go missing, |
| [01:29.01] | |
| [01:30.07] | one is missing out. |
| [01:31.82] | Taking little time to a job that needed more. |
| [01:35.45] | Familiar faces put on dolls, |
| [01:38.65] | fashion raincoats and metals. |
| [01:41.54] | When that evening's ending, |
| [01:43.93] | I'm still standing tall, |
| [01:47.93] | surrounded by these loophole walls. |
| [01:50.55] | Any minute I'm beginning, |
| [01:53.58] | taking time until I run. |
| [01:56.53] | Once we're gone, |
| [01:59.73] | at the sight of the lights out, |
| [02:02.16] | Nightfall shades the sun. |
| [02:04.44] | We're put together, said, and done. |
| [02:07.01] | Oh, oh, ohh. Oh, oh, oh. |
| [02:10.15] | |
| [02:12.47] | Lights out now, it's half past nine. |
| [02:15.11] | Up the thirty foot corridor, three men climb. |
| [02:18.18] | Shouldda been four, but one man's left behind. |
| [02:21.30] | |
| [02:23.60] | Crawl from the rooftop down to the northern end, |
| [02:27.17] | through the thickest fog to the water's edge. |
| [02:30.05] | For the thrilling ride, to be never seen again. |
| [02:34.81] | |
| [02:35.75] | Whistles blow in the morning at the sight of the break. |
| [02:39.46] | Three empty cells with only decoy faces, |
| [02:41.96] | of the ones now known to the other side of the bay. |
| [02:46.87] | |
| [02:47.62] | Victims lost and drowned, or so they say. |
| [02:51.00] | Only prison dead, but the deadliest way for you to keep your life is let it seem to slip away. |
| [02:59.48] | Familiar faces put on dolls, |
| [03:01.57] | |
| [03:02.61] | fashion raincoats and metals. |
| [03:05.61] | When that evening's ending, |
| [03:07.88] | I'm still standing tall, |
| [03:09.88] | surrounded by these loophole walls. |
| [03:14.71] | From beginning to the ending, taking time, |
| [03:17.59] | I'm on the run. |
| [03:20.52] | Now we're gone, |
| [03:23.61] | at the sight of the lights out, |
| [03:26.05] | Nightfall shades the sun. |
| [03:28.38] | We're put together, said, and done. |
| [03:30.76] | Oh, oh, ohh. Oh, oh, oh. |
| [03:33.60] | Ohhhhh, ohhhh. Ohhhhh, ohhhh. |
| [03:43.81] | |
| [03:59.36] | Once and for all, surrender for the broke down walls. |
| [04:05.70] | I can't think that I'm enough for the pleasure of growing old. |
| [04:11.64] | We'll move on in a long-lived story that everyone will know. |
| [04:19.44] | But the ending's left untold. |
| [04:22.40] | But the ending's left untold. |
| [04:25.95] | |
| [04:28.53] | But the ending's left untold. |
| [04:31.65] | But the ending's left untold. |
| [04:37.50] | But the ending's left untold. |
| [04:40.57] | But the ending's left untold. |
| [04:43.08] |
| [00:00.00] | zuo qu : Capitol Lights |
| [00:11.59] | Seven months in the making, |
| [00:15.41] | making only organized crime. |
| [00:17.66] | We' ll be masterminds if our dreams will reach the shore. |
| [00:23.14] | Another turning point in time, |
| [00:25.07] | tonight when the lights go out. |
| [00:27.07] | Shot gun freedom' s what they say I' m about. |
| [00:29.97] | What I' m about won' t matter |
| [00:31.65] | when I walk out the door. |
| [00:35.54] | Familiar faces put on dolls, |
| [00:38.62] | fashion raincoats and metals. |
| [00:41.56] | When that evening' s ending, |
| [00:43.96] | I' m still standing tall, |
| [00:47.91] | surrounded by these loophole walls. |
| [00:50.67] | Any minute I' m beginning, taking time until I run. |
| [00:56.63] | Once we' re gone, |
| [00:59.86] | at the sight of the lights out. |
| [01:02.43] | Nightfall shades the sun. |
| [01:04.43] | We' re put together, said, and done. |
| [01:07.19] | Oh, oh, ohh. Oh, oh, oh. |
| [01:10.82] | |
| [01:11.57] | Seven months left, |
| [01:13.91] | they' re breaking, |
| [01:15.47] | breaking only rules that apply |
| [01:17.66] | in this prison label, |
| [01:19.75] | unable to abort. |
| [01:23.19] | A reputation redefined, |
| [01:25.00] | tonight in the darkest hour. |
| [01:26.96] | When the three of us go missing, |
| [01:29.01] | |
| [01:30.07] | one is missing out. |
| [01:31.82] | Taking little time to a job that needed more. |
| [01:35.45] | Familiar faces put on dolls, |
| [01:38.65] | fashion raincoats and metals. |
| [01:41.54] | When that evening' s ending, |
| [01:43.93] | I' m still standing tall, |
| [01:47.93] | surrounded by these loophole walls. |
| [01:50.55] | Any minute I' m beginning, |
| [01:53.58] | taking time until I run. |
| [01:56.53] | Once we' re gone, |
| [01:59.73] | at the sight of the lights out, |
| [02:02.16] | Nightfall shades the sun. |
| [02:04.44] | We' re put together, said, and done. |
| [02:07.01] | Oh, oh, ohh. Oh, oh, oh. |
| [02:10.15] | |
| [02:12.47] | Lights out now, it' s half past nine. |
| [02:15.11] | Up the thirty foot corridor, three men climb. |
| [02:18.18] | Shouldda been four, but one man' s left behind. |
| [02:21.30] | |
| [02:23.60] | Crawl from the rooftop down to the northern end, |
| [02:27.17] | through the thickest fog to the water' s edge. |
| [02:30.05] | For the thrilling ride, to be never seen again. |
| [02:34.81] | |
| [02:35.75] | Whistles blow in the morning at the sight of the break. |
| [02:39.46] | Three empty cells with only decoy faces, |
| [02:41.96] | of the ones now known to the other side of the bay. |
| [02:46.87] | |
| [02:47.62] | Victims lost and drowned, or so they say. |
| [02:51.00] | Only prison dead, but the deadliest way for you to keep your life is let it seem to slip away. |
| [02:59.48] | Familiar faces put on dolls, |
| [03:01.57] | |
| [03:02.61] | fashion raincoats and metals. |
| [03:05.61] | When that evening' s ending, |
| [03:07.88] | I' m still standing tall, |
| [03:09.88] | surrounded by these loophole walls. |
| [03:14.71] | From beginning to the ending, taking time, |
| [03:17.59] | I' m on the run. |
| [03:20.52] | Now we' re gone, |
| [03:23.61] | at the sight of the lights out, |
| [03:26.05] | Nightfall shades the sun. |
| [03:28.38] | We' re put together, said, and done. |
| [03:30.76] | Oh, oh, ohh. Oh, oh, oh. |
| [03:33.60] | Ohhhhh, ohhhh. Ohhhhh, ohhhh. |
| [03:43.81] | |
| [03:59.36] | Once and for all, surrender for the broke down walls. |
| [04:05.70] | I can' t think that I' m enough for the pleasure of growing old. |
| [04:11.64] | We' ll move on in a longlived story that everyone will know. |
| [04:19.44] | But the ending' s left untold. |
| [04:22.40] | But the ending' s left untold. |
| [04:25.95] | |
| [04:28.53] | But the ending' s left untold. |
| [04:31.65] | But the ending' s left untold. |
| [04:37.50] | But the ending' s left untold. |
| [04:40.57] | But the ending' s left untold. |
| [04:43.08] |
| [00:00.00] | zuò qǔ : Capitol Lights |
| [00:11.59] | Seven months in the making, |
| [00:15.41] | making only organized crime. |
| [00:17.66] | We' ll be masterminds if our dreams will reach the shore. |
| [00:23.14] | Another turning point in time, |
| [00:25.07] | tonight when the lights go out. |
| [00:27.07] | Shot gun freedom' s what they say I' m about. |
| [00:29.97] | What I' m about won' t matter |
| [00:31.65] | when I walk out the door. |
| [00:35.54] | Familiar faces put on dolls, |
| [00:38.62] | fashion raincoats and metals. |
| [00:41.56] | When that evening' s ending, |
| [00:43.96] | I' m still standing tall, |
| [00:47.91] | surrounded by these loophole walls. |
| [00:50.67] | Any minute I' m beginning, taking time until I run. |
| [00:56.63] | Once we' re gone, |
| [00:59.86] | at the sight of the lights out. |
| [01:02.43] | Nightfall shades the sun. |
| [01:04.43] | We' re put together, said, and done. |
| [01:07.19] | Oh, oh, ohh. Oh, oh, oh. |
| [01:10.82] | |
| [01:11.57] | Seven months left, |
| [01:13.91] | they' re breaking, |
| [01:15.47] | breaking only rules that apply |
| [01:17.66] | in this prison label, |
| [01:19.75] | unable to abort. |
| [01:23.19] | A reputation redefined, |
| [01:25.00] | tonight in the darkest hour. |
| [01:26.96] | When the three of us go missing, |
| [01:29.01] | |
| [01:30.07] | one is missing out. |
| [01:31.82] | Taking little time to a job that needed more. |
| [01:35.45] | Familiar faces put on dolls, |
| [01:38.65] | fashion raincoats and metals. |
| [01:41.54] | When that evening' s ending, |
| [01:43.93] | I' m still standing tall, |
| [01:47.93] | surrounded by these loophole walls. |
| [01:50.55] | Any minute I' m beginning, |
| [01:53.58] | taking time until I run. |
| [01:56.53] | Once we' re gone, |
| [01:59.73] | at the sight of the lights out, |
| [02:02.16] | Nightfall shades the sun. |
| [02:04.44] | We' re put together, said, and done. |
| [02:07.01] | Oh, oh, ohh. Oh, oh, oh. |
| [02:10.15] | |
| [02:12.47] | Lights out now, it' s half past nine. |
| [02:15.11] | Up the thirty foot corridor, three men climb. |
| [02:18.18] | Shouldda been four, but one man' s left behind. |
| [02:21.30] | |
| [02:23.60] | Crawl from the rooftop down to the northern end, |
| [02:27.17] | through the thickest fog to the water' s edge. |
| [02:30.05] | For the thrilling ride, to be never seen again. |
| [02:34.81] | |
| [02:35.75] | Whistles blow in the morning at the sight of the break. |
| [02:39.46] | Three empty cells with only decoy faces, |
| [02:41.96] | of the ones now known to the other side of the bay. |
| [02:46.87] | |
| [02:47.62] | Victims lost and drowned, or so they say. |
| [02:51.00] | Only prison dead, but the deadliest way for you to keep your life is let it seem to slip away. |
| [02:59.48] | Familiar faces put on dolls, |
| [03:01.57] | |
| [03:02.61] | fashion raincoats and metals. |
| [03:05.61] | When that evening' s ending, |
| [03:07.88] | I' m still standing tall, |
| [03:09.88] | surrounded by these loophole walls. |
| [03:14.71] | From beginning to the ending, taking time, |
| [03:17.59] | I' m on the run. |
| [03:20.52] | Now we' re gone, |
| [03:23.61] | at the sight of the lights out, |
| [03:26.05] | Nightfall shades the sun. |
| [03:28.38] | We' re put together, said, and done. |
| [03:30.76] | Oh, oh, ohh. Oh, oh, oh. |
| [03:33.60] | Ohhhhh, ohhhh. Ohhhhh, ohhhh. |
| [03:43.81] | |
| [03:59.36] | Once and for all, surrender for the broke down walls. |
| [04:05.70] | I can' t think that I' m enough for the pleasure of growing old. |
| [04:11.64] | We' ll move on in a longlived story that everyone will know. |
| [04:19.44] | But the ending' s left untold. |
| [04:22.40] | But the ending' s left untold. |
| [04:25.95] | |
| [04:28.53] | But the ending' s left untold. |
| [04:31.65] | But the ending' s left untold. |
| [04:37.50] | But the ending' s left untold. |
| [04:40.57] | But the ending' s left untold. |
| [04:43.08] |