| [00:02.85] |
ANDRE: |
| [00:03.16] |
Ludicrous! |
| [00:03.66] |
Have you seen the score? |
| [00:05.09] |
FIRMIN: |
| [00:05.47] |
Simply ludicrous! |
| [00:05.84] |
ANDRE: |
| [00:06.09] |
It's the final straw! |
| [00:07.21] |
FIRMIN: |
| [00:07.46] |
This is lunacy! |
| [00:08.09] |
Well, you know my views |
| [00:09.83] |
ANDRE: |
| [00:10.46] |
...Utter lunacy! |
| [00:10.90] |
FIRMIN: |
| [00:11.33] |
But we daren't refuse ... |
| [00:12.71] |
ANDRE: |
| [00:12.96] |
Not another |
| [00:13.45] |
chandelier |
| [00:14.14] |
FIRMIN: |
| [00:14.64] |
...Look, my friend, what |
| [00:16.58] |
we have here ... |
| [00:18.45] |
ANDRE: |
| [00:20.32] |
"Dear Andre, |
| [00:22.00] |
Re my orchestrations: |
| [00:23.56] |
We need another first bassoon. |
| [00:26.12] |
Get a player with tone - |
| [00:29.43] |
and that third trombone |
| [00:31.99] |
has to go! |
| [00:32.73] |
The man could not be deafer, |
| [00:33.98] |
so please preferably one |
| [00:34.86] |
who plays in tune!" |
| [00:35.79] |
FIRMIN: |
| [00:35.98] |
"Dear Firmin, |
| [00:36.54] |
vis a vis my opera: |
| [00:37.91] |
some chorus-members must be sacked. |
| [00:39.72] |
If you could, find out which |
| [00:42.72] |
has a sense of pitch - |
| [00:44.28] |
wisely, though, |
| [00:44.84] |
I've managed to assign a |
| [00:46.46] |
rather minor role to those |
| [00:48.09] |
who cannot act!" |
| [00:49.21] |
CARLOTTA: |
| [00:49.77] |
Outrage! |
| [00:50.02] |
FIRMIN: |
| [00:50.33] |
What is it now? |
| [00:51.33] |
CARLOTTA: |
| [00:51.83] |
This whole affair is |
| [00:52.39] |
an outrage! |
| [00:52.83] |
ANDRE: |
| [00:53.08] |
Now what's the matter? |
| [00:53.89] |
CARLOTTA: |
| [00:54.14] |
Have you seen |
| [00:54.89] |
the size of my part? |
| [00:56.01] |
ANDRE: |
| [00:56.26] |
Signora, listen ... |
| [00:57.01] |
PIANGI: |
| [00:57.51] |
It's an insult! |
| [00:58.32] |
FIRMIN: |
| [00:58.57] |
Not you as well! |
| [00:59.51] |
PIANGI: |
| [00:59.76] |
Just look at this - |
| [01:01.00] |
it's an insult! |
| [01:01.63] |
FIRMIN: |
| [01:01.94] |
Please, understand ... |
| [01:02.62] |
ANDRE: |
| [01:02.87] |
Signor! Signora! |
| [01:03.37] |
CARLOTTA: |
| [01:03.62] |
The things I have |
| [01:04.87] |
to do for my art! |
| [01:06.31] |
PIANGI: |
| [01:06.56] |
If you can call |
| [01:07.56] |
this gibberish "art" ! |
| [01:08.68] |
CARLOTTA: |
| [01:09.11] |
Ah! Here's our little flower! |
| [01:12.61] |
FIRMIN: |
| [01:13.80] |
Ah Miss Daae, |
| [01:14.48] |
quite the lady |
| [01:15.42] |
of the hour! |
| [01:16.61] |
ANDRE: |
| [01:17.04] |
You have |
| [01:17.60] |
secured the largest role |
| [01:18.72] |
in this "Don Juan". |
| [01:19.72] |
CARLOTTA: |
| [01:20.22] |
Christine Daae? |
| [01:20.72] |
She doesn't have |
| [01:21.85] |
the voice! |
| [01:22.72] |
FIRMIN: |
| [01:22.97] |
Signora, please! |
| [01:23.53] |
RAOUL: |
| [01:24.09] |
Then I take it |
| [01:25.09] |
you're agreeing. |
| [01:25.78] |
CARLOTTA: |
| [01:26.21] |
She's behind this ... |
| [01:27.21] |
ANDRE: |
| [01:27.52] |
It appears we have |
| [01:28.46] |
no choice. |
| [01:28.96] |
CARLOTTA: |
| [01:29.21] |
She's the one |
| [01:29.89] |
behind this! |
| [01:30.33] |
Christine Daae! |
| [01:30.83] |
CHRISTINE: |
| [01:31.21] |
How dare you! |
| [01:31.89] |
CARLOTTA: |
| [01:32.14] |
I'm not a fool! |
| [01:33.20] |
CHRISTINE: |
| [01:33.82] |
You evil woman! |
| [01:34.39] |
How dare you! |
| [01:34.45] |
CARLOTTA: |
| [01:34.51] |
You think I'm blind? |
| [01:35.76] |
CHRISTINE: |
| [01:36.01] |
This isn't my fault! |
| [01:37.07] |
I don't want any |
| [01:38.07] |
part in this plot! |
| [01:39.00] |
FIRMIN: |
| [01:39.19] |
Miss Daae, surely ... |
| [01:40.25] |
ANDRE: |
| [01:40.44] |
But why not? |
| [01:41.19] |
PIANGI: |
| [01:41.69] |
What does she say? |
| [01:41.82] |
FIRMIN: |
| [01:41.88] |
It's your decision |
| [01:42.62] |
But why not? |
| [01:42.75] |
CARLOTTA: |
| [01:42.75] |
She's backing out! |
| [01:43.56] |
ANDRE: |
| [01:44.18] |
You have a duty! |
| [01:45.37] |
CHRISTINE: |
| [01:45.62] |
I cannot sing it, |
| [01:46.56] |
duty or not! |
| [01:47.37] |
RAOUL: |
| [01:47.49] |
Christine ... |
| [01:49.24] |
Christine ... |
| [01:50.55] |
You don't have to ... |
| [01:52.48] |
they can't make you ... |
| [01:54.29] |
GIRY: |
| [01:55.29] |
Please, monsieur: |
| [01:56.29] |
another note. |
| [01:57.85] |
"Fondest greetings |
| [02:02.90] |
to you all ! |
| [02:04.59] |
A few instructions |
| [02:07.65] |
just before |
| [02:08.52] |
rehearsal starts: |
| [02:10.39] |
ERIK: |
| [02:11.14] |
Carlotta must be |
| [02:14.26] |
taught to act ... ," |
| [02:16.51] |
... not her normal trick |
| [02:17.94] |
of strutting round the stage. |
| [02:19.88] |
Our Don Juan must |
| [02:24.49] |
lose some weight - |
| [02:25.74] |
it's not healthy in |
| [02:27.37] |
a man of Piangi's age. |
| [02:29.74] |
And my managers |
| [02:33.98] |
must learn |
| [02:35.23] |
that their place is in |
| [02:37.66] |
an office, not the arts. |
| [02:40.41] |
As for Miss Christine Daae ... |
| [02:46.96] |
No doubt she'll |
| [02:50.02] |
do her best - it's |
| [02:52.70] |
true her voice is |
| [02:54.51] |
good. She knows, though, |
| [02:57.44] |
should she wish to excel |
| [03:00.50] |
she has much still |
| [03:03.37] |
to learn, if pride will |
| [03:06.68] |
let her |
| [03:07.68] |
return to me, her |
| [03:10.80] |
teacher, |
| [03:14.23] |
her teacher ... |
| [03:15.17] |
GIRY: |
| [03:15.73] |
Your obedient friend ... |
| [03:21.28] |
"... and Angel ..." |
| [03:23.53] |
RAOUL: |
| [03:24.15] |
We have all been |
| [03:28.65] |
blind - and yet the |
| [03:32.95] |
answer is staring us |
| [03:34.45] |
in the face ... |
| [03:35.45] |
This could be the |
| [03:37.95] |
chance to ensnare our |
| [03:39.94] |
clever friend ... |
| [03:41.32] |
ANDRE: |
| [03:41.69] |
We're listening |
| [03:43.06] |
FIRMIN: |
| [03:45.06] |
...Go on. |
| [03:46.49] |
RAOUL: |
| [03:46.87] |
We shall play his |
| [03:47.68] |
game - perform his |
| [03:48.43] |
work - but remember we |
| [03:49.55] |
hold the ace ... |
| [03:50.30] |
For, if Miss Daae |
| [03:51.05] |
sings, he is certain |
| [03:51.99] |
to attend ... |
| [03:54.29] |
ANDRE: |
| [03:54.54] |
We make certain |
| [03:55.42] |
the doors are barred ... |
| [03:56.29] |
FIRMIN: |
| [03:56.48] |
We make certain |
| [03:57.04] |
our men are there ... |
| [03:58.16] |
RAOUL: |
| [03:58.41] |
We make certain |
| [03:59.47] |
they're armed ... |
| [04:00.47] |
ANDRE/FIRMIN/RAOUL: |
| [04:01.03] |
The curtain falls. |
| [04:01.78] |
His reign will end! |
| [04:03.03] |
GIRY: |
| [04:04.28] |
Madness! |
| [04:04.53] |
ANDRE: |
| [04:05.09] |
I'm not so sure ... |
| [04:06.09] |
FIRMIN: |
| [04:06.28] |
Not if it works ... |
| [04:07.34] |
GIRY: |
| [04:07.40] |
This is madness! |
| [04:07.46] |
ANDRE: |
| [04:07.52] |
The tide will turn! |
| [04:07.90] |
GIRY: |
| [04:08.15] |
Monsieur, believe me - |
| [04:13.64] |
there is no way of |
| [04:14.58] |
turning the tide! |
| [04:15.26] |
FIRMIN: |
| [04:15.45] |
You stick to ballet! |
| [04:16.26] |
RAOUL: |
| [04:16.45] |
Then help us! |
| [04:17.13] |
GIRY: |
| [04:17.19] |
Monsieur, I can't ... |
| [04:18.13] |
RAOUL: |
| [04:18.32] |
Instead of warning us ... |
| [04:19.32] |
RAOUL/ANDRE/FIRMIN: |
| [04:19.50] |
Help us! |
| [04:20.00] |
GIRY: |
| [04:20.19] |
I wish I could ... |
| [04:21.19] |
RAOUL/ANDRE/FIRMIN: |
| [04:21.37] |
Don't make excuses! |
| [04:22.00] |
RAOUL: |
| [04:22.25] |
Or could it be that |
| [04:23.31] |
you're on his side? |
| [04:23.93] |
GIRY: |
| [04:23.93] |
Monsieur, believe me, |
| [04:24.06] |
I intend no ill ... |
| [04:24.87] |
But messieurs, be careful - |
| [04:27.74] |
we have seen him kill ... |
| [04:29.24] |
ANDRE/FIRMIN: |
| [04:29.43] |
We say he'll fall |
| [04:30.24] |
and fall he will! |
| [04:31.05] |
CARLOTTA: |
| [04:31.30] |
She's the one behind this! |
| [04:32.36] |
Christine! |
| [04:32.61] |
This is a ploy to help, |
| [04:33.85] |
Christine! |
| [04:34.04] |
PIANGI: |
| [04:34.35] |
This is the truth! |
| [04:35.17] |
Christine Daae! |
| [04:35.67] |
RAOUL: |
| [04:35.91] |
This is his undoing! |
| [04:36.79] |
ANDRE/FIRMIN: |
| [04:37.10] |
If you succeed |
| [04:37.91] |
you free us all - |
| [04:53.45] |
this so called "angel" |
| [04:54.56] |
has to fall! |
| [04:58.49] |
RAOUL: |
| [05:05.61] |
Angel of music, |
| [05:06.48] |
fear my fury - |
| [05:07.61] |
Here is where you fall! |
| [05:08.85] |
GIRY: |
| [05:09.10] |
Hear my warning! |
| [05:10.23] |
Fear his fury! |
| [05:11.04] |
CARLOTTA: |
| [05:11.35] |
What glory can |
| [05:12.85] |
she hope to gain? |
| [05:13.85] |
It's clear to all |
| [05:14.78] |
the girl's insane! |
| [05:19.84] |
ANDRE: |
| [05:20.65] |
Christine sings |
| [05:24.77] |
We'll get our man ... |
| [05:27.39] |
PIANGI: |
| [05:28.76] |
She is crazy! |
| [05:30.13] |
She is raving! |
| [05:31.01] |
FIRMIN: |
| [05:31.94] |
If Christine helps |
| [05:34.69] |
us in this plan ... |
| [05:36.31] |
RAOUL: |
| [05:41.49] |
Say your prayers, |
| [05:42.55] |
black angel of death! |
| [05:46.79] |
CHRISTINE: |
| [05:47.10] |
Please don't |
| [05:47.79] |
ANDRE: |
| [05:48.04] |
...If Christine won't, |
| [05:48.79] |
then no-one can ... |
| [05:49.85] |
GIRY: |
| [05:50.10] |
Monsieur, I beg you, |
| [05:51.66] |
do not do this ... |
| [06:01.21] |
PIANGI/CARLOTTA: |
| [06:01.58] |
Gran Dio! |
| [06:02.27] |
Che imbroglio |
| [06:03.01] |
ANDRE/FIRMIN: |
| [06:03.83] |
This will seal his fate! |
| [06:14.56] |
CHRISTINE: |
| [06:14.81] |
If you don't stop, |
| [06:15.81] |
I'll go mad! |
| [06:16.37] |
Raoul, I'm frightened - |
| [06:16.74] |
don't make me do this ... |
| [06:18.31] |
Raoul, it scares me - |
| [06:19.87] |
don't put me through this |
| [06:21.67] |
ordeal by fire ... |
| [06:24.42] |
he'll take me, I know ... |
| [06:25.42] |
we'll be parted for ever ... |
| [06:26.48] |
he won't let me go ... |
| [06:27.35] |
What I once used to dream |
| [06:29.10] |
I now dread ... |
| [06:30.60] |
if he finds me, it won't |
| [06:31.78] |
ever end ... |
| [06:32.91] |
and he'll always be there, |
| [06:33.84] |
singing songs in my head ... |
| [06:34.84] |
he'll always be there, |
| [06:36.78] |
singing songs in my head ... |
| [06:39.71] |
CARLOTTA: |
| [06:45.08] |
She's mad ... |
| [07:12.43] |
RAOUL: |
| [07:12.67] |
You said yourself |
| [07:14.36] |
he was nothing |
| [07:15.29] |
but a man ... |
| [07:17.48] |
Yet while he lives, |
| [07:20.04] |
he will haunt us |
| [07:21.28] |
till we're dead ... |
| [07:22.78] |
CHRISTINE: |
| [07:23.16] |
Twisted every way, |
| [07:24.09] |
what answer can I give? |
| [07:25.46] |
Am I to risk my life, |
| [07:27.34] |
to win the chance to live? |
| [07:28.65] |
Can I betray the man |
| [07:30.20] |
who once inspired my voice? |
| [07:31.14] |
Do I become his prey? |
| [07:33.76] |
Do I have any choice? |
| [07:35.62] |
He kills without a thought, |
| [07:40.72] |
he murders all that's good . . . |
| [07:42.97] |
I know I can't refuse |
| [07:44.90] |
and yet, I wish I could . . . |
| [07:47.89] |
Oh God - if I agree, |
| [07:49.71] |
what horrors wait for me |
| [07:51.95] |
in this, the Phantom's opera . . .? |
| [07:55.32] |
RAOUL: |
| [07:55.94] |
Christine, Christine, |
| [08:02.18] |
don't think that I don't care - |
| [08:04.49] |
but every hope |
| [08:05.73] |
and every prayer |
| [08:06.67] |
rests on you now . . . |
| [08:10.60] |
RAOUL: |
| [08:11.16] |
So, it is to be war between us! But this time, clever |
| [08:14.91] |
friend, the disaster will be yours! |
| [08:16.90] |
CHORUS : |
| [08:17.65] |
Hide our sword now wounded knight! |
| [08:19.52] |
Your vainglorious gasconnade |
| [08:20.70] |
brought you to your final fight |
| [08:22.58] |
for your pride, high price you've paid! |
| [08:24.70] |
CHRISTINE: |
| [08:25.07] |
Silken couch and hay-filled barn |
| [08:26.64] |
both have been his battlefield. |
| [08:28.26] |
PIANGI: |
| [08:28.63] |
Those who tangle with Don Juan . . . |
| [08:32.07] |
REYER: |
| [08:32.88] |
No, no, no! Please. |
| [08:34.00] |
Don Juan, Signor Piangi - here is the phrase. "Those who tangle with Don Juan . . ." |
| [08:39.24] |
If you please? |
| [08:40.98] |
PIANGI: |
| [08:41.36] |
Those who tangle with Don Juan . . . |
| [08:44.86] |
REYER: |
| [08:45.61] |
No, no. Nearly - but no. |
| [08:47.85] |
"Those who tan, tan, tan . . ." |
| [08:50.72] |
PIANGI: |
| [08:50.97] |
Those who tangle with Don Juan . . . |
| [08:59.02] |
CARLOTTA: |
| [08:59.27] |
His way is better. At least he make it sound like |
| [09:01.08] |
music! |
| [09:01.52] |
GIRY: |
| [09:02.52] |
Signora - would you speak that way in the |
| [09:03.27] |
presence of the composer? |
| [09:04.20] |
CARLOTTA: |
| [09:04.20] |
The composer is not here. And if he were here, I |
| [09:06.26] |
would . . . |
| [09:07.07] |
GIRY: |
| [09:07.13] |
Are you certain of that, Signora . . .? |
| [09:08.63] |
REYER: |
| [09:09.00] |
So, once again - after seven. |
| [09:09.63] |
Five, six, seven . . . |
| [09:13.12] |
PIANGI: |
| [09:13.44] |
Those who tangle with Don Juan . . . |
| [09:19.12] |
CARLOTTA : |
| [09:19.93] |
Ah, piu non posso! What does it matter what notes |
| [09:20.99] |
we sing? |
| [09:21.05] |
GIRY: |
| [09:21.05] |
Have patience, Signora. |
| [09:21.92] |
CARLOTTA: |
| [09:21.98] |
No-one will know if it is right or if it is wrong. |
| [09:23.99] |
CARLOTTA: |
| [09:23.99] |
Those who tangle |
| [09:24.86] |
with Don Juan! |
| [09:25.29] |
PIANGI: |
| [09:25.79] |
Those who tan . . . tan . . . |
| [09:28.35] |
Is right? |
| [09:28.85] |
CHRISTINE: |
| [09:29.10] |
Not quite, Signor: |
| [09:29.91] |
Those who tan . . . tan . . . |
| [09:32.41] |
REYER: |
| [09:33.21] |
Ladies . . . Signor Piangi . . . if you please . . . |
| [09:36.83] |
ALL EXCEPT CHRISTINE: |
| [09:37.90] |
Poor young maiden! For the thrill |
| [09:38.08] |
on your tongue of stolen sweets |
| [09:39.96] |
you will have to pay the bill - |
| [09:41.95] |
tangled in the winding sheets! |
| [09:44.89] |
CHRISTINE: |
| [09:46.08] |
In sleep |
| [10:03.98] |
he sang to me, |
| [10:06.36] |
in dreams |
| [10:08.66] |
he came . . . |
| [10:11.16] |
that voice |
| [10:13.59] |
which calls to me |
| [10:16.03] |
and speaks |
| [10:18.65] |
my name . . . |
| [10:21.33] |
Little Lotte |
| [10:50.78] |
thought of everything and nothing . . . |
| [10:51.03] |
Her Father promised her |
| [10:51.22] |
that he would send her the Angel of Music . . . |
| [10:52.40] |
Her father promised her . . . |
| [10:52.59] |
Her father promised her |
