| Song | East Coker |
| Artist | Robert Speaight |
| Album | The Love Song Of J Alfred Prufrock ; T.S.Eliot Favourites |
| Download | Image LRC TXT |
| [00:00.000] | 作曲 : Eliot |
| [00:02.375] | East Coker |
| [00:04.983] | In my beginning is my end. |
| [00:08.237] | In succession,houses rise and fall, crumble, are extended, |
| [00:12.425] | Are removed, destroyed, restored, or in their place |
| [00:16.692] | Is an open field, or a factory, or a by-pass. |
| [00:20.047] | Old stone to new building, old timber to new fires, |
| [00:24.405] | Old fires to ashes, and ashes to the earth |
| [00:28.640] | Which is already flesh, fur and faeces, |
| [00:32.779] | Bone of man and beast, cornstalk and leaf. |
| [00:36.080] | Houses live and die: there is a time for building |
| [00:41.094] | And a time for living and for generation |
| [00:43.562] | And a time for the wind to break the loosened pane |
| [00:47.187] | And to shake the wainscot where the field-mouse trots |
| [00:50.952] | And to shake the tattered arras woven with a silent motto. |
| [00:56.732] | In my beginning is my end. |
| [01:00.581] | Now the light falls |
| [01:02.141] | Across the open field, leaving the deep lane |
| [01:04.936] | Shuttered with branches, dark in the afternoon, |
| [01:08.157] | Where you lean against a bank while a van passes, |
| [01:11.350] | And the deep lane insists on the direction |
| [01:14.156] | Into the village, in the electric heat |
| [01:17.041] | Hypnotised. |
| [01:18.928] | In a warm haze the sultry light |
| [01:21.399] | Is absorbed, not refracted, by grey stone. |
| [01:25.194] | The dahlias sleep in the empty silence. |
| [01:28.400] | Wait for the early owl. |
| [01:32.612] | In that open field |
| [01:34.778] | If you do not come too close, |
| [01:36.429] | If you do not come too close, |
| [01:38.199] | On a summer midnight, |
| [01:39.859] | you can hear the music of the weak pipe and the little drum |
| [01:43.111] | And see them dancing around the bonfire |
| [01:45.339] | The association of man and woman |
| [01:48.361] | In daunsinge, signifying matrimonie— |
| [01:51.554] | A dignified and commodiois sacrament. |
| [01:54.229] | Two and two, necessarye coniunction, |
| [01:57.494] | Holding eche other by the hand or the arm |
| [02:00.072] | Whiche betokeneth concorde. |
| [02:02.054] | Round and round the fire |
| [02:04.607] | Leaping through the flames, or joined in circles, |
| [02:07.231] | Rustically solemn or in rustic laughter |
| [02:10.084] | Lifting heavy feet in clumsy shoes, |
| [02:13.241] | Earth feet, loam feet, lifted in country mirth |
| [02:17.346] | Mirth of those long since under earth |
| [02:20.209] | Nourishing the corn. |
| [02:22.132] | Keeping time, |
| [02:24.116] | Keeping the rhythm in their dancing |
| [02:26.241] | As in their living in the living seasons |
| [02:28.847] | The time of the seasons and the constellations |
| [02:32.040] | The time of milking and the time of harvest |
| [02:34.744] | The time of the coupling of man and woman |
| [02:37.453] | And that of beasts. |
| [02:39.963] | Feet rising and falling. |
| [02:42.521] | Eating and drinking. |
| [02:43.980] | Dung and death. |
| [02:48.307] | Dawn points, and another day |
| [02:51.811] | Prepares for heat and silence. |
| [02:54.573] | Out at sea the dawn wind |
| [02:57.592] | Wrinkles and slides. |
| [03:00.409] | I am here,or there, or elsewhere. |
| [03:04.200] | In my beginning. |
| [03:06.812] | What is the late November doing with the disturbance of the spring |
| [03:15.802] | And creatures of the summer heat, |
| [03:17.600] | And snowdrops writhing under feet |
| [03:19.908] | And hollyhocks that aim too high |
| [03:21.803] | Red into grey and tumble down |
| [03:24.134] | Late roses filled with early snow? |
| [03:27.691] | Thunder rolled by the rolling stars |
| [03:30.111] | Simulates triumphal cars |
| [03:32.253] | Deployed in constellated wars |
| [03:34.401] | Scorpion fights against the Sun |
| [03:36.899] | Until the Sun and Moon go down |
| [03:38.589] | Comets weep and Leonids fly |
| [03:41.030] | Hunt the heavens and the plains |
| [03:43.136] | Whirled in a vortex that shall bring |
| [03:45.434] | The world to that destructive fire |
| [03:47.728] | Which burns before the ice-cap reigns. |
| [03:51.848] | That was a way of putting it—not very satisfactory: |
| [03:55.118] | A periphrastic study in a worn-out poetical fashion, |
| [03:59.668] | Leaving one still with the intolerable wrestle |
| [04:01.937] | With words and meanings. |
| [04:03.745] | The poetry does not matter. |
| [04:05.510] | It was not to start again what one had expected. |
| [04:08.735] | What was to be the value of the long looked forward to, |
| [04:12.386] | Long hoped for calm, the autumnal serenity |
| [04:16.060] | And the wisdom of age? |
| [04:17.730] | Had they deceived us |
| [04:19.849] | Or deceived themselves, the quiet-voiced elders, |
| [04:22.851] | Bequeathing us merely a receipt for deceit? |
| [04:26.352] | The serenity only a deliberate hebetude, |
| [04:29.715] | The wisdom only the knowledge of dead secrets |
| [04:32.871] | Useless in the darkness into which they peered |
| [04:35.246] | Or from which they turned their eyes. |
| [04:38.371] | There is, it seems to us, |
| [04:40.542] | At best, only a limited value |
| [04:42.467] | In the knowledge derived from experience. |
| [04:44.356] | The knowledge imposes a pattern, and falsifies, |
| [04:48.240] | For the pattern is new in every moment |
| [04:51.040] | And every moment is a new and shocking valuation of all we have been. |
| [04:55.948] | We are only undeceived |
| [04:57.908] | Of that which, deceiving, could no longer harm. |
| [05:01.400] | In the middle, not only in the middle of the way |
| [05:04.348] | But all the way, in a dark wood, in a bramble, |
| [05:07.232] | On the edge of a grimpen, where is no secure foothold, |
| [05:11.327] | And menaced by monsters, fancy lights, |
| [05:13.820] | Risking enchantment. |
| [05:15.582] | Do not let me hear |
| [05:17.949] | Of the wisdom of old men, but rather of their folly, |
| [05:21.325] | Their fear of fear and frenzy, their fear of possession, |
| [05:26.416] | Of belonging to another, or to others, or to God. |
| [05:31.070] | The only wisdom we can hope to acquire |
| [05:34.257] | Is the wisdom of humility: humility is endless. |
| [05:38.883] | The houses are all gone under the sea. |
| [05:43.558] | The dancers are all gone under the hill. |
| [05:47.182] | O dark dark dark. |
| [05:54.390] | They all go into the dark, |
| [05:56.313] | The vacant interstellar spaces, the vacant into the vacant, |
| [06:00.268] | The captains, merchant bankers, eminent men of letters, |
| [06:03.930] | The generous patrons of art, the statesmen and the rulers, |
| [06:07.236] | Distinguished civil servants, chairmen of many committees, |
| [06:10.165] | Industrial lords and petty contractors, |
| [06:12.996] | All go into the dark, |
| [06:15.413] | And dark the Sun and Moon, and the Almanach de Gotha |
| [06:19.820] | And the Stock Exchange Gazette, the Directory of Directors, |
| [06:23.134] | And cold the sense and lost the motive of action. |
| [06:27.508] | And we all go with them, into the silent funeral, |
| [06:31.554] | Nobody's funeral, for there is no one to bury. |
| [06:35.198] | I said to my soul, be still, and let the dark come upon you |
| [06:41.649] | Which shall be the darkness of God. |
| [06:43.727] | As, in a theatre, |
| [06:45.647] | The lights are extinguished, for the scene to be changed |
| [06:47.730] | With a hollow rumble of wings, |
| [06:49.603] | With a movement of darkness on darkness, |
| [06:52.752] | And we know that the hills and the trees, the distant panorama |
| [06:57.213] | And the bold imposing facade are all being rolled away— |
| [07:00.765] | Or as, when an underground train, |
| [07:03.756] | In the tube, |
| [07:04.945] | Stops too long between stations |
| [07:07.447] | And the conversation rises and slowly fades into silence |
| [07:11.429] | And you see behind every face the mental emptiness deepen |
| [07:15.662] | Leaving only the growing terror of nothing to think about; |
| [07:19.350] | Or when, under ether, the mind is conscious but conscious of nothing— |
| [07:25.417] | I said to my soul, be still, |
| [07:29.026] | And wait without hope |
| [07:31.634] | For hope would be hope for the wrong thing; |
| [07:34.444] | Wait without love, |
| [07:36.727] | For love would be love of the wrong thing; |
| [07:39.496] | There is yet faith |
| [07:41.505] | But the faith and the love and the hope are all in the waiting. |
| [07:46.388] | Wait without thought, for you are not ready for thought: |
| [07:50.677] | So the darkness shall be the light, |
| [07:53.208] | And the stillness the dancing. |
| [07:56.002] | Whisper of running streams, and winter lightning. |
| [08:00.207] | The wild thyme unseen and the wild strawberry, |
| [08:03.665] | The laughter in the garden, echoed ecstasy |
| [08:06.945] | Not lost, but requiring, pointing to the agony |
| [08:11.857] | Of death and birth. |
| [08:14.572] | You say I am repeating |
| [08:17.105] | Something I have said before. |
| [08:18.604] | I shall say it again. |
| [08:20.352] | Shall I say it again? |
| [08:23.184] | In order to arrive there, |
| [08:25.905] | To arrive where you are, to get from where you are not, |
| [08:29.592] | You must go by a way wherein there is no ecstasy. |
| [08:33.555] | In order to arrive at what you do not know |
| [08:37.047] | You must go by a way which is the way of ignorance. |
| [08:40.936] | In order to possess what you do not possess |
| [08:44.196] | You must go by the way of dispossession. |
| [08:47.200] | In order to arrive at what you are not |
| [08:49.618] | You must go through the way in which you are not. |
| [08:53.510] | And what you do not know is the only thing you know |
| [08:57.422] | And what you own is what you do not own |
| [09:00.868] | And where you are is where you are not. |
| [09:04.602] | The wounded surgeon plies the steel |
| [09:12.388] | That questions the distempered part; |
| [09:14.447] | Beneath the bleeding hands we feel |
| [09:17.133] | The sharp compassion of the healer's art |
| [09:19.449] | Resolving the enigma of the fever chart. |
| [09:22.259] | Our only health is the disease |
| [09:25.070] | If we obey the dying nurse |
| [09:27.141] | Whose constant care is not to please |
| [09:29.969] | But to remind of our, and Adam's curse, |
| [09:33.325] | And that, to be restored, our sickness must grow worse. |
| [09:37.105] | The whole earth is our hospital |
| [09:40.634] | Endowed by the ruined millionaire, |
| [09:43.032] | Wherein, if we do well, we shall |
| [09:45.919] | Die of the absolute paternal care |
| [09:48.541] | That will not leave us, but prevents us everywhere. |
| [09:52.358] | The chill ascends from feet to knees, |
| [09:55.852] | The fever sings in mental wires. |
| [09:58.825] | If to be warmed, then I must freeze |
| [10:02.011] | And quake in frigid purgatorial fires |
| [10:04.563] | Of which the flame is roses, and the smoke is briars. |
| [10:09.920] | The dripping blood our only drink, |
| [10:13.310] | The bloody flesh our only food: |
| [10:16.473] | In spite of which we like to think |
| [10:19.059] | That we are sound, substantial flesh and blood— |
| [10:21.901] | Again, in spite of that, we call this Friday good. |
| [10:28.478] | So here I am, in the middle way, having had twenty years— |
| [10:38.762] | Twenty years largely wasted, the years of l'entre deux guerres |
| [10:44.008] | Trying to use words, |
| [10:45.638] | And every attempt is a wholly new start, |
| [10:48.386] | And a different kind of failure |
| [10:51.153] | Because one has only learnt to get the better of words |
| [10:53.669] | For the thing one no longer has to say, |
| [10:56.094] | Or the way in which one is no longer disposed to say it. |
| [10:59.697] | And so each venture is a new beginning, |
| [11:02.979] | A raid on the inarticulate with shabby equipment always deteriorating |
| [11:07.572] | In the general mess of imprecision of feeling, |
| [11:10.739] | Undisciplined squads of emotion. |
| [11:13.560] | And what there is to conquer |
| [11:15.761] | By strength and submission, has already been discovered |
| [11:19.201] | Once or twice, or several times, |
| [11:21.541] | By men whom one cannot hope to emulate |
| [11:24.683] | But there is no competition |
| [11:26.283] | There is only the fight to recover what has been lost |
| [11:30.320] | And found and lost again and again: and now, under conditions |
| [11:35.886] | That seem unpropitious. |
| [11:37.862] | But perhaps neither gain nor loss. |
| [11:41.165] | For us, there is only the trying. |
| [11:44.210] | The rest is not our business. |
| [11:47.653] | Home is where one starts from. |
| [11:50.917] | As we grow older |
| [11:52.997] | The world becomes stranger, |
| [11:54.778] | The pattern more complicated of dead and living. |
| [11:57.512] | Not the intense moment isolated, |
| [12:00.211] | With no before and after, |
| [12:01.945] | But a lifetime burning in every moment |
| [12:04.936] | And not the lifetime of one man only |
| [12:07.281] | But of old stones that cannot be deciphered. |
| [12:10.323] | There is a time for the evening under starlight, |
| [12:14.213] | A time for the evening under lamplight |
| [12:16.686] | The evening with the photograph album |
| [12:18.950] | Love is most nearly itself |
| [12:22.038] | When here and now cease to matter. |
| [12:24.227] | Old men ought to be explorers |
| [12:27.041] | Here or there does not matter |
| [12:30.465] | We must be still and still moving |
| [12:33.511] | Into another intensity |
| [12:35.091] | For a further union, a deeper communion |
| [12:38.869] | Through the dark cold and the empty desolation, |
| [12:42.103] | The wave cry, the wind cry, the vast waters |
| [12:47.614] | Of the petrel and the porpoise. |
| [12:50.015] | In my end is my beginning. |
| [00:00.000] | zuo qu : Eliot |
| [00:02.375] | East Coker |
| [00:04.983] | In my beginning is my end. |
| [00:08.237] | In succession, houses rise and fall, crumble, are extended, |
| [00:12.425] | Are removed, destroyed, restored, or in their place |
| [00:16.692] | Is an open field, or a factory, or a bypass. |
| [00:20.047] | Old stone to new building, old timber to new fires, |
| [00:24.405] | Old fires to ashes, and ashes to the earth |
| [00:28.640] | Which is already flesh, fur and faeces, |
| [00:32.779] | Bone of man and beast, cornstalk and leaf. |
| [00:36.080] | Houses live and die: there is a time for building |
| [00:41.094] | And a time for living and for generation |
| [00:43.562] | And a time for the wind to break the loosened pane |
| [00:47.187] | And to shake the wainscot where the fieldmouse trots |
| [00:50.952] | And to shake the tattered arras woven with a silent motto. |
| [00:56.732] | In my beginning is my end. |
| [01:00.581] | Now the light falls |
| [01:02.141] | Across the open field, leaving the deep lane |
| [01:04.936] | Shuttered with branches, dark in the afternoon, |
| [01:08.157] | Where you lean against a bank while a van passes, |
| [01:11.350] | And the deep lane insists on the direction |
| [01:14.156] | Into the village, in the electric heat |
| [01:17.041] | Hypnotised. |
| [01:18.928] | In a warm haze the sultry light |
| [01:21.399] | Is absorbed, not refracted, by grey stone. |
| [01:25.194] | The dahlias sleep in the empty silence. |
| [01:28.400] | Wait for the early owl. |
| [01:32.612] | In that open field |
| [01:34.778] | If you do not come too close, |
| [01:36.429] | If you do not come too close, |
| [01:38.199] | On a summer midnight, |
| [01:39.859] | you can hear the music of the weak pipe and the little drum |
| [01:43.111] | And see them dancing around the bonfire |
| [01:45.339] | The association of man and woman |
| [01:48.361] | In daunsinge, signifying matrimonie |
| [01:51.554] | A dignified and commodiois sacrament. |
| [01:54.229] | Two and two, necessarye coniunction, |
| [01:57.494] | Holding eche other by the hand or the arm |
| [02:00.072] | Whiche betokeneth concorde. |
| [02:02.054] | Round and round the fire |
| [02:04.607] | Leaping through the flames, or joined in circles, |
| [02:07.231] | Rustically solemn or in rustic laughter |
| [02:10.084] | Lifting heavy feet in clumsy shoes, |
| [02:13.241] | Earth feet, loam feet, lifted in country mirth |
| [02:17.346] | Mirth of those long since under earth |
| [02:20.209] | Nourishing the corn. |
| [02:22.132] | Keeping time, |
| [02:24.116] | Keeping the rhythm in their dancing |
| [02:26.241] | As in their living in the living seasons |
| [02:28.847] | The time of the seasons and the constellations |
| [02:32.040] | The time of milking and the time of harvest |
| [02:34.744] | The time of the coupling of man and woman |
| [02:37.453] | And that of beasts. |
| [02:39.963] | Feet rising and falling. |
| [02:42.521] | Eating and drinking. |
| [02:43.980] | Dung and death. |
| [02:48.307] | Dawn points, and another day |
| [02:51.811] | Prepares for heat and silence. |
| [02:54.573] | Out at sea the dawn wind |
| [02:57.592] | Wrinkles and slides. |
| [03:00.409] | I am here, or there, or elsewhere. |
| [03:04.200] | In my beginning. |
| [03:06.812] | What is the late November doing with the disturbance of the spring |
| [03:15.802] | And creatures of the summer heat, |
| [03:17.600] | And snowdrops writhing under feet |
| [03:19.908] | And hollyhocks that aim too high |
| [03:21.803] | Red into grey and tumble down |
| [03:24.134] | Late roses filled with early snow? |
| [03:27.691] | Thunder rolled by the rolling stars |
| [03:30.111] | Simulates triumphal cars |
| [03:32.253] | Deployed in constellated wars |
| [03:34.401] | Scorpion fights against the Sun |
| [03:36.899] | Until the Sun and Moon go down |
| [03:38.589] | Comets weep and Leonids fly |
| [03:41.030] | Hunt the heavens and the plains |
| [03:43.136] | Whirled in a vortex that shall bring |
| [03:45.434] | The world to that destructive fire |
| [03:47.728] | Which burns before the icecap reigns. |
| [03:51.848] | That was a way of putting it not very satisfactory: |
| [03:55.118] | A periphrastic study in a wornout poetical fashion, |
| [03:59.668] | Leaving one still with the intolerable wrestle |
| [04:01.937] | With words and meanings. |
| [04:03.745] | The poetry does not matter. |
| [04:05.510] | It was not to start again what one had expected. |
| [04:08.735] | What was to be the value of the long looked forward to, |
| [04:12.386] | Long hoped for calm, the autumnal serenity |
| [04:16.060] | And the wisdom of age? |
| [04:17.730] | Had they deceived us |
| [04:19.849] | Or deceived themselves, the quietvoiced elders, |
| [04:22.851] | Bequeathing us merely a receipt for deceit? |
| [04:26.352] | The serenity only a deliberate hebetude, |
| [04:29.715] | The wisdom only the knowledge of dead secrets |
| [04:32.871] | Useless in the darkness into which they peered |
| [04:35.246] | Or from which they turned their eyes. |
| [04:38.371] | There is, it seems to us, |
| [04:40.542] | At best, only a limited value |
| [04:42.467] | In the knowledge derived from experience. |
| [04:44.356] | The knowledge imposes a pattern, and falsifies, |
| [04:48.240] | For the pattern is new in every moment |
| [04:51.040] | And every moment is a new and shocking valuation of all we have been. |
| [04:55.948] | We are only undeceived |
| [04:57.908] | Of that which, deceiving, could no longer harm. |
| [05:01.400] | In the middle, not only in the middle of the way |
| [05:04.348] | But all the way, in a dark wood, in a bramble, |
| [05:07.232] | On the edge of a grimpen, where is no secure foothold, |
| [05:11.327] | And menaced by monsters, fancy lights, |
| [05:13.820] | Risking enchantment. |
| [05:15.582] | Do not let me hear |
| [05:17.949] | Of the wisdom of old men, but rather of their folly, |
| [05:21.325] | Their fear of fear and frenzy, their fear of possession, |
| [05:26.416] | Of belonging to another, or to others, or to God. |
| [05:31.070] | The only wisdom we can hope to acquire |
| [05:34.257] | Is the wisdom of humility: humility is endless. |
| [05:38.883] | The houses are all gone under the sea. |
| [05:43.558] | The dancers are all gone under the hill. |
| [05:47.182] | O dark dark dark. |
| [05:54.390] | They all go into the dark, |
| [05:56.313] | The vacant interstellar spaces, the vacant into the vacant, |
| [06:00.268] | The captains, merchant bankers, eminent men of letters, |
| [06:03.930] | The generous patrons of art, the statesmen and the rulers, |
| [06:07.236] | Distinguished civil servants, chairmen of many committees, |
| [06:10.165] | Industrial lords and petty contractors, |
| [06:12.996] | All go into the dark, |
| [06:15.413] | And dark the Sun and Moon, and the Almanach de Gotha |
| [06:19.820] | And the Stock Exchange Gazette, the Directory of Directors, |
| [06:23.134] | And cold the sense and lost the motive of action. |
| [06:27.508] | And we all go with them, into the silent funeral, |
| [06:31.554] | Nobody' s funeral, for there is no one to bury. |
| [06:35.198] | I said to my soul, be still, and let the dark come upon you |
| [06:41.649] | Which shall be the darkness of God. |
| [06:43.727] | As, in a theatre, |
| [06:45.647] | The lights are extinguished, for the scene to be changed |
| [06:47.730] | With a hollow rumble of wings, |
| [06:49.603] | With a movement of darkness on darkness, |
| [06:52.752] | And we know that the hills and the trees, the distant panorama |
| [06:57.213] | And the bold imposing facade are all being rolled away |
| [07:00.765] | Or as, when an underground train, |
| [07:03.756] | In the tube, |
| [07:04.945] | Stops too long between stations |
| [07:07.447] | And the conversation rises and slowly fades into silence |
| [07:11.429] | And you see behind every face the mental emptiness deepen |
| [07:15.662] | Leaving only the growing terror of nothing to think about |
| [07:19.350] | Or when, under ether, the mind is conscious but conscious of nothing |
| [07:25.417] | I said to my soul, be still, |
| [07:29.026] | And wait without hope |
| [07:31.634] | For hope would be hope for the wrong thing |
| [07:34.444] | Wait without love, |
| [07:36.727] | For love would be love of the wrong thing |
| [07:39.496] | There is yet faith |
| [07:41.505] | But the faith and the love and the hope are all in the waiting. |
| [07:46.388] | Wait without thought, for you are not ready for thought: |
| [07:50.677] | So the darkness shall be the light, |
| [07:53.208] | And the stillness the dancing. |
| [07:56.002] | Whisper of running streams, and winter lightning. |
| [08:00.207] | The wild thyme unseen and the wild strawberry, |
| [08:03.665] | The laughter in the garden, echoed ecstasy |
| [08:06.945] | Not lost, but requiring, pointing to the agony |
| [08:11.857] | Of death and birth. |
| [08:14.572] | You say I am repeating |
| [08:17.105] | Something I have said before. |
| [08:18.604] | I shall say it again. |
| [08:20.352] | Shall I say it again? |
| [08:23.184] | In order to arrive there, |
| [08:25.905] | To arrive where you are, to get from where you are not, |
| [08:29.592] | You must go by a way wherein there is no ecstasy. |
| [08:33.555] | In order to arrive at what you do not know |
| [08:37.047] | You must go by a way which is the way of ignorance. |
| [08:40.936] | In order to possess what you do not possess |
| [08:44.196] | You must go by the way of dispossession. |
| [08:47.200] | In order to arrive at what you are not |
| [08:49.618] | You must go through the way in which you are not. |
| [08:53.510] | And what you do not know is the only thing you know |
| [08:57.422] | And what you own is what you do not own |
| [09:00.868] | And where you are is where you are not. |
| [09:04.602] | The wounded surgeon plies the steel |
| [09:12.388] | That questions the distempered part |
| [09:14.447] | Beneath the bleeding hands we feel |
| [09:17.133] | The sharp compassion of the healer' s art |
| [09:19.449] | Resolving the enigma of the fever chart. |
| [09:22.259] | Our only health is the disease |
| [09:25.070] | If we obey the dying nurse |
| [09:27.141] | Whose constant care is not to please |
| [09:29.969] | But to remind of our, and Adam' s curse, |
| [09:33.325] | And that, to be restored, our sickness must grow worse. |
| [09:37.105] | The whole earth is our hospital |
| [09:40.634] | Endowed by the ruined millionaire, |
| [09:43.032] | Wherein, if we do well, we shall |
| [09:45.919] | Die of the absolute paternal care |
| [09:48.541] | That will not leave us, but prevents us everywhere. |
| [09:52.358] | The chill ascends from feet to knees, |
| [09:55.852] | The fever sings in mental wires. |
| [09:58.825] | If to be warmed, then I must freeze |
| [10:02.011] | And quake in frigid purgatorial fires |
| [10:04.563] | Of which the flame is roses, and the smoke is briars. |
| [10:09.920] | The dripping blood our only drink, |
| [10:13.310] | The bloody flesh our only food: |
| [10:16.473] | In spite of which we like to think |
| [10:19.059] | That we are sound, substantial flesh and blood |
| [10:21.901] | Again, in spite of that, we call this Friday good. |
| [10:28.478] | So here I am, in the middle way, having had twenty years |
| [10:38.762] | Twenty years largely wasted, the years of l' entre deux guerres |
| [10:44.008] | Trying to use words, |
| [10:45.638] | And every attempt is a wholly new start, |
| [10:48.386] | And a different kind of failure |
| [10:51.153] | Because one has only learnt to get the better of words |
| [10:53.669] | For the thing one no longer has to say, |
| [10:56.094] | Or the way in which one is no longer disposed to say it. |
| [10:59.697] | And so each venture is a new beginning, |
| [11:02.979] | A raid on the inarticulate with shabby equipment always deteriorating |
| [11:07.572] | In the general mess of imprecision of feeling, |
| [11:10.739] | Undisciplined squads of emotion. |
| [11:13.560] | And what there is to conquer |
| [11:15.761] | By strength and submission, has already been discovered |
| [11:19.201] | Once or twice, or several times, |
| [11:21.541] | By men whom one cannot hope to emulate |
| [11:24.683] | But there is no competition |
| [11:26.283] | There is only the fight to recover what has been lost |
| [11:30.320] | And found and lost again and again: and now, under conditions |
| [11:35.886] | That seem unpropitious. |
| [11:37.862] | But perhaps neither gain nor loss. |
| [11:41.165] | For us, there is only the trying. |
| [11:44.210] | The rest is not our business. |
| [11:47.653] | Home is where one starts from. |
| [11:50.917] | As we grow older |
| [11:52.997] | The world becomes stranger, |
| [11:54.778] | The pattern more complicated of dead and living. |
| [11:57.512] | Not the intense moment isolated, |
| [12:00.211] | With no before and after, |
| [12:01.945] | But a lifetime burning in every moment |
| [12:04.936] | And not the lifetime of one man only |
| [12:07.281] | But of old stones that cannot be deciphered. |
| [12:10.323] | There is a time for the evening under starlight, |
| [12:14.213] | A time for the evening under lamplight |
| [12:16.686] | The evening with the photograph album |
| [12:18.950] | Love is most nearly itself |
| [12:22.038] | When here and now cease to matter. |
| [12:24.227] | Old men ought to be explorers |
| [12:27.041] | Here or there does not matter |
| [12:30.465] | We must be still and still moving |
| [12:33.511] | Into another intensity |
| [12:35.091] | For a further union, a deeper communion |
| [12:38.869] | Through the dark cold and the empty desolation, |
| [12:42.103] | The wave cry, the wind cry, the vast waters |
| [12:47.614] | Of the petrel and the porpoise. |
| [12:50.015] | In my end is my beginning. |
| [00:00.000] | zuò qǔ : Eliot |
| [00:02.375] | East Coker |
| [00:04.983] | In my beginning is my end. |
| [00:08.237] | In succession, houses rise and fall, crumble, are extended, |
| [00:12.425] | Are removed, destroyed, restored, or in their place |
| [00:16.692] | Is an open field, or a factory, or a bypass. |
| [00:20.047] | Old stone to new building, old timber to new fires, |
| [00:24.405] | Old fires to ashes, and ashes to the earth |
| [00:28.640] | Which is already flesh, fur and faeces, |
| [00:32.779] | Bone of man and beast, cornstalk and leaf. |
| [00:36.080] | Houses live and die: there is a time for building |
| [00:41.094] | And a time for living and for generation |
| [00:43.562] | And a time for the wind to break the loosened pane |
| [00:47.187] | And to shake the wainscot where the fieldmouse trots |
| [00:50.952] | And to shake the tattered arras woven with a silent motto. |
| [00:56.732] | In my beginning is my end. |
| [01:00.581] | Now the light falls |
| [01:02.141] | Across the open field, leaving the deep lane |
| [01:04.936] | Shuttered with branches, dark in the afternoon, |
| [01:08.157] | Where you lean against a bank while a van passes, |
| [01:11.350] | And the deep lane insists on the direction |
| [01:14.156] | Into the village, in the electric heat |
| [01:17.041] | Hypnotised. |
| [01:18.928] | In a warm haze the sultry light |
| [01:21.399] | Is absorbed, not refracted, by grey stone. |
| [01:25.194] | The dahlias sleep in the empty silence. |
| [01:28.400] | Wait for the early owl. |
| [01:32.612] | In that open field |
| [01:34.778] | If you do not come too close, |
| [01:36.429] | If you do not come too close, |
| [01:38.199] | On a summer midnight, |
| [01:39.859] | you can hear the music of the weak pipe and the little drum |
| [01:43.111] | And see them dancing around the bonfire |
| [01:45.339] | The association of man and woman |
| [01:48.361] | In daunsinge, signifying matrimonie |
| [01:51.554] | A dignified and commodiois sacrament. |
| [01:54.229] | Two and two, necessarye coniunction, |
| [01:57.494] | Holding eche other by the hand or the arm |
| [02:00.072] | Whiche betokeneth concorde. |
| [02:02.054] | Round and round the fire |
| [02:04.607] | Leaping through the flames, or joined in circles, |
| [02:07.231] | Rustically solemn or in rustic laughter |
| [02:10.084] | Lifting heavy feet in clumsy shoes, |
| [02:13.241] | Earth feet, loam feet, lifted in country mirth |
| [02:17.346] | Mirth of those long since under earth |
| [02:20.209] | Nourishing the corn. |
| [02:22.132] | Keeping time, |
| [02:24.116] | Keeping the rhythm in their dancing |
| [02:26.241] | As in their living in the living seasons |
| [02:28.847] | The time of the seasons and the constellations |
| [02:32.040] | The time of milking and the time of harvest |
| [02:34.744] | The time of the coupling of man and woman |
| [02:37.453] | And that of beasts. |
| [02:39.963] | Feet rising and falling. |
| [02:42.521] | Eating and drinking. |
| [02:43.980] | Dung and death. |
| [02:48.307] | Dawn points, and another day |
| [02:51.811] | Prepares for heat and silence. |
| [02:54.573] | Out at sea the dawn wind |
| [02:57.592] | Wrinkles and slides. |
| [03:00.409] | I am here, or there, or elsewhere. |
| [03:04.200] | In my beginning. |
| [03:06.812] | What is the late November doing with the disturbance of the spring |
| [03:15.802] | And creatures of the summer heat, |
| [03:17.600] | And snowdrops writhing under feet |
| [03:19.908] | And hollyhocks that aim too high |
| [03:21.803] | Red into grey and tumble down |
| [03:24.134] | Late roses filled with early snow? |
| [03:27.691] | Thunder rolled by the rolling stars |
| [03:30.111] | Simulates triumphal cars |
| [03:32.253] | Deployed in constellated wars |
| [03:34.401] | Scorpion fights against the Sun |
| [03:36.899] | Until the Sun and Moon go down |
| [03:38.589] | Comets weep and Leonids fly |
| [03:41.030] | Hunt the heavens and the plains |
| [03:43.136] | Whirled in a vortex that shall bring |
| [03:45.434] | The world to that destructive fire |
| [03:47.728] | Which burns before the icecap reigns. |
| [03:51.848] | That was a way of putting it not very satisfactory: |
| [03:55.118] | A periphrastic study in a wornout poetical fashion, |
| [03:59.668] | Leaving one still with the intolerable wrestle |
| [04:01.937] | With words and meanings. |
| [04:03.745] | The poetry does not matter. |
| [04:05.510] | It was not to start again what one had expected. |
| [04:08.735] | What was to be the value of the long looked forward to, |
| [04:12.386] | Long hoped for calm, the autumnal serenity |
| [04:16.060] | And the wisdom of age? |
| [04:17.730] | Had they deceived us |
| [04:19.849] | Or deceived themselves, the quietvoiced elders, |
| [04:22.851] | Bequeathing us merely a receipt for deceit? |
| [04:26.352] | The serenity only a deliberate hebetude, |
| [04:29.715] | The wisdom only the knowledge of dead secrets |
| [04:32.871] | Useless in the darkness into which they peered |
| [04:35.246] | Or from which they turned their eyes. |
| [04:38.371] | There is, it seems to us, |
| [04:40.542] | At best, only a limited value |
| [04:42.467] | In the knowledge derived from experience. |
| [04:44.356] | The knowledge imposes a pattern, and falsifies, |
| [04:48.240] | For the pattern is new in every moment |
| [04:51.040] | And every moment is a new and shocking valuation of all we have been. |
| [04:55.948] | We are only undeceived |
| [04:57.908] | Of that which, deceiving, could no longer harm. |
| [05:01.400] | In the middle, not only in the middle of the way |
| [05:04.348] | But all the way, in a dark wood, in a bramble, |
| [05:07.232] | On the edge of a grimpen, where is no secure foothold, |
| [05:11.327] | And menaced by monsters, fancy lights, |
| [05:13.820] | Risking enchantment. |
| [05:15.582] | Do not let me hear |
| [05:17.949] | Of the wisdom of old men, but rather of their folly, |
| [05:21.325] | Their fear of fear and frenzy, their fear of possession, |
| [05:26.416] | Of belonging to another, or to others, or to God. |
| [05:31.070] | The only wisdom we can hope to acquire |
| [05:34.257] | Is the wisdom of humility: humility is endless. |
| [05:38.883] | The houses are all gone under the sea. |
| [05:43.558] | The dancers are all gone under the hill. |
| [05:47.182] | O dark dark dark. |
| [05:54.390] | They all go into the dark, |
| [05:56.313] | The vacant interstellar spaces, the vacant into the vacant, |
| [06:00.268] | The captains, merchant bankers, eminent men of letters, |
| [06:03.930] | The generous patrons of art, the statesmen and the rulers, |
| [06:07.236] | Distinguished civil servants, chairmen of many committees, |
| [06:10.165] | Industrial lords and petty contractors, |
| [06:12.996] | All go into the dark, |
| [06:15.413] | And dark the Sun and Moon, and the Almanach de Gotha |
| [06:19.820] | And the Stock Exchange Gazette, the Directory of Directors, |
| [06:23.134] | And cold the sense and lost the motive of action. |
| [06:27.508] | And we all go with them, into the silent funeral, |
| [06:31.554] | Nobody' s funeral, for there is no one to bury. |
| [06:35.198] | I said to my soul, be still, and let the dark come upon you |
| [06:41.649] | Which shall be the darkness of God. |
| [06:43.727] | As, in a theatre, |
| [06:45.647] | The lights are extinguished, for the scene to be changed |
| [06:47.730] | With a hollow rumble of wings, |
| [06:49.603] | With a movement of darkness on darkness, |
| [06:52.752] | And we know that the hills and the trees, the distant panorama |
| [06:57.213] | And the bold imposing facade are all being rolled away |
| [07:00.765] | Or as, when an underground train, |
| [07:03.756] | In the tube, |
| [07:04.945] | Stops too long between stations |
| [07:07.447] | And the conversation rises and slowly fades into silence |
| [07:11.429] | And you see behind every face the mental emptiness deepen |
| [07:15.662] | Leaving only the growing terror of nothing to think about |
| [07:19.350] | Or when, under ether, the mind is conscious but conscious of nothing |
| [07:25.417] | I said to my soul, be still, |
| [07:29.026] | And wait without hope |
| [07:31.634] | For hope would be hope for the wrong thing |
| [07:34.444] | Wait without love, |
| [07:36.727] | For love would be love of the wrong thing |
| [07:39.496] | There is yet faith |
| [07:41.505] | But the faith and the love and the hope are all in the waiting. |
| [07:46.388] | Wait without thought, for you are not ready for thought: |
| [07:50.677] | So the darkness shall be the light, |
| [07:53.208] | And the stillness the dancing. |
| [07:56.002] | Whisper of running streams, and winter lightning. |
| [08:00.207] | The wild thyme unseen and the wild strawberry, |
| [08:03.665] | The laughter in the garden, echoed ecstasy |
| [08:06.945] | Not lost, but requiring, pointing to the agony |
| [08:11.857] | Of death and birth. |
| [08:14.572] | You say I am repeating |
| [08:17.105] | Something I have said before. |
| [08:18.604] | I shall say it again. |
| [08:20.352] | Shall I say it again? |
| [08:23.184] | In order to arrive there, |
| [08:25.905] | To arrive where you are, to get from where you are not, |
| [08:29.592] | You must go by a way wherein there is no ecstasy. |
| [08:33.555] | In order to arrive at what you do not know |
| [08:37.047] | You must go by a way which is the way of ignorance. |
| [08:40.936] | In order to possess what you do not possess |
| [08:44.196] | You must go by the way of dispossession. |
| [08:47.200] | In order to arrive at what you are not |
| [08:49.618] | You must go through the way in which you are not. |
| [08:53.510] | And what you do not know is the only thing you know |
| [08:57.422] | And what you own is what you do not own |
| [09:00.868] | And where you are is where you are not. |
| [09:04.602] | The wounded surgeon plies the steel |
| [09:12.388] | That questions the distempered part |
| [09:14.447] | Beneath the bleeding hands we feel |
| [09:17.133] | The sharp compassion of the healer' s art |
| [09:19.449] | Resolving the enigma of the fever chart. |
| [09:22.259] | Our only health is the disease |
| [09:25.070] | If we obey the dying nurse |
| [09:27.141] | Whose constant care is not to please |
| [09:29.969] | But to remind of our, and Adam' s curse, |
| [09:33.325] | And that, to be restored, our sickness must grow worse. |
| [09:37.105] | The whole earth is our hospital |
| [09:40.634] | Endowed by the ruined millionaire, |
| [09:43.032] | Wherein, if we do well, we shall |
| [09:45.919] | Die of the absolute paternal care |
| [09:48.541] | That will not leave us, but prevents us everywhere. |
| [09:52.358] | The chill ascends from feet to knees, |
| [09:55.852] | The fever sings in mental wires. |
| [09:58.825] | If to be warmed, then I must freeze |
| [10:02.011] | And quake in frigid purgatorial fires |
| [10:04.563] | Of which the flame is roses, and the smoke is briars. |
| [10:09.920] | The dripping blood our only drink, |
| [10:13.310] | The bloody flesh our only food: |
| [10:16.473] | In spite of which we like to think |
| [10:19.059] | That we are sound, substantial flesh and blood |
| [10:21.901] | Again, in spite of that, we call this Friday good. |
| [10:28.478] | So here I am, in the middle way, having had twenty years |
| [10:38.762] | Twenty years largely wasted, the years of l' entre deux guerres |
| [10:44.008] | Trying to use words, |
| [10:45.638] | And every attempt is a wholly new start, |
| [10:48.386] | And a different kind of failure |
| [10:51.153] | Because one has only learnt to get the better of words |
| [10:53.669] | For the thing one no longer has to say, |
| [10:56.094] | Or the way in which one is no longer disposed to say it. |
| [10:59.697] | And so each venture is a new beginning, |
| [11:02.979] | A raid on the inarticulate with shabby equipment always deteriorating |
| [11:07.572] | In the general mess of imprecision of feeling, |
| [11:10.739] | Undisciplined squads of emotion. |
| [11:13.560] | And what there is to conquer |
| [11:15.761] | By strength and submission, has already been discovered |
| [11:19.201] | Once or twice, or several times, |
| [11:21.541] | By men whom one cannot hope to emulate |
| [11:24.683] | But there is no competition |
| [11:26.283] | There is only the fight to recover what has been lost |
| [11:30.320] | And found and lost again and again: and now, under conditions |
| [11:35.886] | That seem unpropitious. |
| [11:37.862] | But perhaps neither gain nor loss. |
| [11:41.165] | For us, there is only the trying. |
| [11:44.210] | The rest is not our business. |
| [11:47.653] | Home is where one starts from. |
| [11:50.917] | As we grow older |
| [11:52.997] | The world becomes stranger, |
| [11:54.778] | The pattern more complicated of dead and living. |
| [11:57.512] | Not the intense moment isolated, |
| [12:00.211] | With no before and after, |
| [12:01.945] | But a lifetime burning in every moment |
| [12:04.936] | And not the lifetime of one man only |
| [12:07.281] | But of old stones that cannot be deciphered. |
| [12:10.323] | There is a time for the evening under starlight, |
| [12:14.213] | A time for the evening under lamplight |
| [12:16.686] | The evening with the photograph album |
| [12:18.950] | Love is most nearly itself |
| [12:22.038] | When here and now cease to matter. |
| [12:24.227] | Old men ought to be explorers |
| [12:27.041] | Here or there does not matter |
| [12:30.465] | We must be still and still moving |
| [12:33.511] | Into another intensity |
| [12:35.091] | For a further union, a deeper communion |
| [12:38.869] | Through the dark cold and the empty desolation, |
| [12:42.103] | The wave cry, the wind cry, the vast waters |
| [12:47.614] | Of the petrel and the porpoise. |
| [12:50.015] | In my end is my beginning. |