| Song | Baby\'s First Coffin |
| Artist | Dillinger Escape Plan |
| Album | Underworld |
| Download | Image LRC TXT |
| Dear God Protect | |
| Us Come on | |
| Laugh this time | |
| She stares. | |
| Forever and then some never again | |
| Polished, | |
| Barbwire Smile. | |
| Tricks and trade | |
| She done. | |
| So cut her again, gut her again | |
| Dear God Protect us | |
| Come on Laugh this... | |
| Silence tells us we're damned. | |
| Silence tells us we're damned. | |
| Jesus we've gone and done it again. | |
| Jimmy’s got a new gun in his hand | |
| Jesus we've gone and done it again. | |
| Jimmy’s got a new gun in his hand | |
| You’re being a liar. | |
| You’re being a liar. | |
| You’re being a liar. | |
| You’re being a liar. | |
| How could you doubt? | |
| He would never find out | |
| You’re being a liar. | |
| Let’s start the show. | |
| You’re being a liar. | |
| I’m ready to go. | |
| You’re being a liar. | |
| You’re being a liar. | |
| You’re being a liar. | |
| You’re being a liar. | |
| How could you doubt? | |
| He would never find out | |
| You’re being a liar. | |
| Let’s start the show. | |
| You’re being a liar. | |
| I’m ready to go. | |
| The emperor is dead. | |
| The emperor is dead. | |
| Goodbye. Don’t cry. | |
| Die. So long. | |
| Revenge. Defend. | |
| You know we brought the crowd to us | |
| Staking time into the gust of wind to the face. | |
| Never returning, favors take the prison to the man. | |
| I could promise the world if we could travel through time. | |
| Don’t back out here. | |
| Now relax and remember the promise of the sign. | |
| I wish you could see yourself now...you look at me like a child... | |
| The way you glide across the room, it’s drama of seduction. | |
| Let go of it, | |
| Rapunzal. | |
| Let it down. | |
| Aim for the signal then bring it down with a smile....now... | |
| Become the conductor... | |
| The way you slide across the room...how wonderful. | |
| A connection and the last cut still bleeds as good as the first one does. | |
| It’s just the opening seed of a new flame. | |
| I look at you like a child but not at all like you looked at me... | |
| Grace is already dead. | |
| Now is the time to go back. | |
| Face what you’ve done | |
| You should never said “ | |
| Yes”. Grace is already dead. | |
| Now is the time to go back. | |
| Face what you’ve done | |
| Grace is already dead. | |
| Grace is already dead. | |
| Face the master. | |
| You should never have said “ | |
| Yes” when you really mean “ | |
| No.” |
| Dear God Protect | |
| Us Come on | |
| Laugh this time | |
| She stares. | |
| Forever and then some never again | |
| Polished, | |
| Barbwire Smile. | |
| Tricks and trade | |
| She done. | |
| So cut her again, gut her again | |
| Dear God Protect us | |
| Come on Laugh this... | |
| Silence tells us we' re damned. | |
| Silence tells us we' re damned. | |
| Jesus we' ve gone and done it again. | |
| Jimmy' s got a new gun in his hand | |
| Jesus we' ve gone and done it again. | |
| Jimmy' s got a new gun in his hand | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| How could you doubt? | |
| He would never find out | |
| You' re being a liar. | |
| Let' s start the show. | |
| You' re being a liar. | |
| I' m ready to go. | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| How could you doubt? | |
| He would never find out | |
| You' re being a liar. | |
| Let' s start the show. | |
| You' re being a liar. | |
| I' m ready to go. | |
| The emperor is dead. | |
| The emperor is dead. | |
| Goodbye. Don' t cry. | |
| Die. So long. | |
| Revenge. Defend. | |
| You know we brought the crowd to us | |
| Staking time into the gust of wind to the face. | |
| Never returning, favors take the prison to the man. | |
| I could promise the world if we could travel through time. | |
| Don' t back out here. | |
| Now relax and remember the promise of the sign. | |
| I wish you could see yourself now... you look at me like a child... | |
| The way you glide across the room, it' s drama of seduction. | |
| Let go of it, | |
| Rapunzal. | |
| Let it down. | |
| Aim for the signal then bring it down with a smile.... now... | |
| Become the conductor... | |
| The way you slide across the room... how wonderful. | |
| A connection and the last cut still bleeds as good as the first one does. | |
| It' s just the opening seed of a new flame. | |
| I look at you like a child but not at all like you looked at me... | |
| Grace is already dead. | |
| Now is the time to go back. | |
| Face what you' ve done | |
| You should never said " | |
| Yes". Grace is already dead. | |
| Now is the time to go back. | |
| Face what you' ve done | |
| Grace is already dead. | |
| Grace is already dead. | |
| Face the master. | |
| You should never have said " | |
| Yes" when you really mean " | |
| No." |
| Dear God Protect | |
| Us Come on | |
| Laugh this time | |
| She stares. | |
| Forever and then some never again | |
| Polished, | |
| Barbwire Smile. | |
| Tricks and trade | |
| She done. | |
| So cut her again, gut her again | |
| Dear God Protect us | |
| Come on Laugh this... | |
| Silence tells us we' re damned. | |
| Silence tells us we' re damned. | |
| Jesus we' ve gone and done it again. | |
| Jimmy' s got a new gun in his hand | |
| Jesus we' ve gone and done it again. | |
| Jimmy' s got a new gun in his hand | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| How could you doubt? | |
| He would never find out | |
| You' re being a liar. | |
| Let' s start the show. | |
| You' re being a liar. | |
| I' m ready to go. | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| You' re being a liar. | |
| How could you doubt? | |
| He would never find out | |
| You' re being a liar. | |
| Let' s start the show. | |
| You' re being a liar. | |
| I' m ready to go. | |
| The emperor is dead. | |
| The emperor is dead. | |
| Goodbye. Don' t cry. | |
| Die. So long. | |
| Revenge. Defend. | |
| You know we brought the crowd to us | |
| Staking time into the gust of wind to the face. | |
| Never returning, favors take the prison to the man. | |
| I could promise the world if we could travel through time. | |
| Don' t back out here. | |
| Now relax and remember the promise of the sign. | |
| I wish you could see yourself now... you look at me like a child... | |
| The way you glide across the room, it' s drama of seduction. | |
| Let go of it, | |
| Rapunzal. | |
| Let it down. | |
| Aim for the signal then bring it down with a smile.... now... | |
| Become the conductor... | |
| The way you slide across the room... how wonderful. | |
| A connection and the last cut still bleeds as good as the first one does. | |
| It' s just the opening seed of a new flame. | |
| I look at you like a child but not at all like you looked at me... | |
| Grace is already dead. | |
| Now is the time to go back. | |
| Face what you' ve done | |
| You should never said " | |
| Yes". Grace is already dead. | |
| Now is the time to go back. | |
| Face what you' ve done | |
| Grace is already dead. | |
| Grace is already dead. | |
| Face the master. | |
| You should never have said " | |
| Yes" when you really mean " | |
| No." |