| [00:14.83] |
Out of the doorway, into the morning |
| [00:16.50] |
Wish I was a bird that was migratory |
| [00:18.15] |
Spoken half in jest, catch the bird that's in my nest |
| [00:21.49] |
|
| [00:21.78] |
Out of the doorway, into the morning |
| [00:23.51] |
All of them seem to be selling something |
| [00:25.20] |
Illegal substances, or an hour with no kisses |
| [00:28.52] |
|
| [00:28.76] |
Though I am tempted, they are pre-empted |
| [00:30.48] |
You and your rosary are exempted |
| [00:32.02] |
From criminality, still there is a duality |
| [00:35.31] |
You'll never know it, I'll never show it |
| [00:37.40] |
Only I hear it, only I know that |
| [00:38.89] |
What's apropos for me, may for thee be blasphemy |
| [00:42.31] |
|
| [00:42.57] |
And the hills are alive with the sound of music |
| [00:48.35] |
|
| [00:49.13] |
When I kiss you, when I kiss you |
| [00:52.08] |
I hear Charlie Parker playing |
| [00:55.79] |
Will I miss you, will I miss you |
| [00:59.11] |
When the playing ends one night |
| [01:02.66] |
When I kiss you, when I kiss you |
| [01:05.98] |
I hear Charlie Parker playing |
| [01:09.64] |
Will I miss you, will I miss you |
| [01:12.93] |
When I finally see the light |
| [01:16.32] |
|
| [01:24.06] |
Where are they going, what are they doing |
| [01:25.83] |
Who are they chasing, who are they suing |
| [01:27.53] |
It all ends up OK in this Tennessee Williams play |
| [01:30.87] |
|
| [01:31.11] |
What are they facing, who are they casing |
| [01:32.73] |
When you're attacked, tell me, who are you macing |
| [01:34.56] |
For me it's all just fine, 'cause she's a Frank Lloyd Wright design |
| [01:37.80] |
|
| [01:38.03] |
The finest of material |
| [01:39.47] |
A little asymmetrical |
| [01:41.09] |
But that's the way it goes, my love for her just grows and grows |
| [01:44.67] |
It's bigger than Fuji, bigger than Fuji |
| [01:46.39] |
Sometimes she's a little screwy |
| [01:48.04] |
But all that is offset when we dispense with etiquette |
| [01:51.41] |
|
| [01:51.64] |
And the hills are alive with the sound of music |
| [01:57.42] |
|
| [01:58.04] |
When I kiss you, when I kiss you |
| [02:01.39] |
I hear Charlie Parker playing |
| [02:04.96] |
Will I miss you, will I miss you |
| [02:08.44] |
When the playing ends one night |
| [02:11.89] |
When I kiss you, when I kiss you |
| [02:15.34] |
I hear Charlie Parker playing |
| [02:18.94] |
Will I miss you, will I miss you |
| [02:22.15] |
When I finally see the light |
| [02:25.65] |
|
| [02:33.20] |
Out of the doorway, into the morning |
| [02:34.98] |
Wish I was a bird that was predatory |
| [02:36.60] |
Spoken half in jest, catch the bird that's in my nest |
| [02:40.00] |
There's rebel advances, labor disputes |
| [02:41.90] |
Somebody's shot and somebody shoots |
| [02:43.47] |
And hits the bullseye bang - captured on a portacam |
| [02:46.79] |
|
| [02:47.13] |
And the hills are alive with the sound of music |
| [02:53.21] |
|
| [02:53.63] |
When I kiss you, when I kiss you |
| [02:56.92] |
I hear Charlie Parker playing |
| [03:00.32] |
Will I miss you, will I miss you |
| [03:03.71] |
When the playing ends one night |
| [03:07.29] |
When I kiss you, when I kiss you |
| [03:10.66] |
I hear Charlie Parker playing |
| [03:14.22] |
Will I miss you, will I miss you |
| [03:17.61] |
When I finally see the light |
