| Song | Strictly Incognito |
| Artist | Tony Banks |
| Album | Strictly Inc. |
| Download | Image LRC TXT |
| 作曲 : Banks | |
| I want to tell you all about a young man | |
| He'll be known as dan | |
| Then he was living down in san diego | |
| Drove an ice-cream van | |
| One night he met a girl in club alamo | |
| But she was strictly incognito | |
| They had a drink and when he asked her name | |
| She told him jennifer | |
| But what he didn't realize as he was | |
| Dancing close to her | |
| He held the body of a waitress called kaye | |
| Who used to live in sacramento | |
| They danced right through the night and into the day | |
| Remaining strictly incognito | |
| He drove her home in the sunlight of morning | |
| He held her close in the car | |
| But fourteen year old sara lee was watching | |
| She knew he'd gone much too far | |
| Poor dan a simple man he just failed to see | |
| It wasn't jennifer who kissed him | |
| Cos when dan took her hand he held sara lee | |
| She knew that she could convict him | |
| So dan got ten years to dream in state detention | |
| And lost the use of his car | |
| And all because his waitress kaye forgot to mention | |
| It's not always clear who we are | |
| Now she's waiting tables in paloma | |
| Near the four-o-five | |
| And there's another twenty-eight personas | |
| Keeping her alive | |
| Next time your waitress looks you right in the eye | |
| You'd better exercise your veto | |
| And keep your mind right on that blueberry pie | |
| Remaining strictly incognito |
| zuo qu : Banks | |
| I want to tell you all about a young man | |
| He' ll be known as dan | |
| Then he was living down in san diego | |
| Drove an icecream van | |
| One night he met a girl in club alamo | |
| But she was strictly incognito | |
| They had a drink and when he asked her name | |
| She told him jennifer | |
| But what he didn' t realize as he was | |
| Dancing close to her | |
| He held the body of a waitress called kaye | |
| Who used to live in sacramento | |
| They danced right through the night and into the day | |
| Remaining strictly incognito | |
| He drove her home in the sunlight of morning | |
| He held her close in the car | |
| But fourteen year old sara lee was watching | |
| She knew he' d gone much too far | |
| Poor dan a simple man he just failed to see | |
| It wasn' t jennifer who kissed him | |
| Cos when dan took her hand he held sara lee | |
| She knew that she could convict him | |
| So dan got ten years to dream in state detention | |
| And lost the use of his car | |
| And all because his waitress kaye forgot to mention | |
| It' s not always clear who we are | |
| Now she' s waiting tables in paloma | |
| Near the fourofive | |
| And there' s another twentyeight personas | |
| Keeping her alive | |
| Next time your waitress looks you right in the eye | |
| You' d better exercise your veto | |
| And keep your mind right on that blueberry pie | |
| Remaining strictly incognito |
| zuò qǔ : Banks | |
| I want to tell you all about a young man | |
| He' ll be known as dan | |
| Then he was living down in san diego | |
| Drove an icecream van | |
| One night he met a girl in club alamo | |
| But she was strictly incognito | |
| They had a drink and when he asked her name | |
| She told him jennifer | |
| But what he didn' t realize as he was | |
| Dancing close to her | |
| He held the body of a waitress called kaye | |
| Who used to live in sacramento | |
| They danced right through the night and into the day | |
| Remaining strictly incognito | |
| He drove her home in the sunlight of morning | |
| He held her close in the car | |
| But fourteen year old sara lee was watching | |
| She knew he' d gone much too far | |
| Poor dan a simple man he just failed to see | |
| It wasn' t jennifer who kissed him | |
| Cos when dan took her hand he held sara lee | |
| She knew that she could convict him | |
| So dan got ten years to dream in state detention | |
| And lost the use of his car | |
| And all because his waitress kaye forgot to mention | |
| It' s not always clear who we are | |
| Now she' s waiting tables in paloma | |
| Near the fourofive | |
| And there' s another twentyeight personas | |
| Keeping her alive | |
| Next time your waitress looks you right in the eye | |
| You' d better exercise your veto | |
| And keep your mind right on that blueberry pie | |
| Remaining strictly incognito |