| Song | The Great Elsewhere (Son Lux Remix) |
| Artist | Owen Pallett |
| Album | A Swedish Love Story |
| Download | Image LRC TXT |
| 作曲 : Owen Pallett | |
| 作词 : Owen Pallett | |
| Talking, what's it good for? | |
| Absolutely nothing. | |
| Wrestle, let's wrestle. | |
| You can pin me to anything. | |
| Thought I saw you in my tea leaves. | |
| Thought I saw you in a forest flame. | |
| I'll fill up the silence with the sound of your holy name. | |
| Knowledge of the sea-ways, knowledge of how the water flows. | |
| Whoever coined the phrase has never had to brave the snow. | |
| I climbed the shroud to the top-sail and I peeked through the glass. | |
| The curvature bisected by the wintry mizzen mast. | |
| The scar upon my stomach, I call it my Flying V. | |
| And every time I show it, I can feel your eyes on me. | |
| How many islands will surrender to the blunderbuss? | |
| And, how long must we sail before you show your face to us? | |
| Followed him out to the end of the pier. | |
| "Don't come any closer," he cried, "I am afraid | |
| Of the man I'll become if I lay my | |
| Life down for a people that I don't even care for." | |
| Face to his face, I put my | |
| Hand into his and I tried to tell him, "No, | |
| I've seen his work upon the panes of cathedrals, | |
| In the sweat of the workers and the flight of the seagulls." | |
| My words were drowned out by the sound | |
| Of the motors and rowers, the ship as it ran aground | |
| And from the trees came a thousand soldiers. | |
| I went down on my knees with a spear in my shoulder. | |
| About face, about face, I swam back | |
| To the Victoria. I shiver with the | |
| Memory, memory of the island dwellers | |
| And the indifferences of the Storyteller. |
| zuo qu : Owen Pallett | |
| zuo ci : Owen Pallett | |
| Talking, what' s it good for? | |
| Absolutely nothing. | |
| Wrestle, let' s wrestle. | |
| You can pin me to anything. | |
| Thought I saw you in my tea leaves. | |
| Thought I saw you in a forest flame. | |
| I' ll fill up the silence with the sound of your holy name. | |
| Knowledge of the seaways, knowledge of how the water flows. | |
| Whoever coined the phrase has never had to brave the snow. | |
| I climbed the shroud to the topsail and I peeked through the glass. | |
| The curvature bisected by the wintry mizzen mast. | |
| The scar upon my stomach, I call it my Flying V. | |
| And every time I show it, I can feel your eyes on me. | |
| How many islands will surrender to the blunderbuss? | |
| And, how long must we sail before you show your face to us? | |
| Followed him out to the end of the pier. | |
| " Don' t come any closer," he cried, " I am afraid | |
| Of the man I' ll become if I lay my | |
| Life down for a people that I don' t even care for." | |
| Face to his face, I put my | |
| Hand into his and I tried to tell him, " No, | |
| I' ve seen his work upon the panes of cathedrals, | |
| In the sweat of the workers and the flight of the seagulls." | |
| My words were drowned out by the sound | |
| Of the motors and rowers, the ship as it ran aground | |
| And from the trees came a thousand soldiers. | |
| I went down on my knees with a spear in my shoulder. | |
| About face, about face, I swam back | |
| To the Victoria. I shiver with the | |
| Memory, memory of the island dwellers | |
| And the indifferences of the Storyteller. |
| zuò qǔ : Owen Pallett | |
| zuò cí : Owen Pallett | |
| Talking, what' s it good for? | |
| Absolutely nothing. | |
| Wrestle, let' s wrestle. | |
| You can pin me to anything. | |
| Thought I saw you in my tea leaves. | |
| Thought I saw you in a forest flame. | |
| I' ll fill up the silence with the sound of your holy name. | |
| Knowledge of the seaways, knowledge of how the water flows. | |
| Whoever coined the phrase has never had to brave the snow. | |
| I climbed the shroud to the topsail and I peeked through the glass. | |
| The curvature bisected by the wintry mizzen mast. | |
| The scar upon my stomach, I call it my Flying V. | |
| And every time I show it, I can feel your eyes on me. | |
| How many islands will surrender to the blunderbuss? | |
| And, how long must we sail before you show your face to us? | |
| Followed him out to the end of the pier. | |
| " Don' t come any closer," he cried, " I am afraid | |
| Of the man I' ll become if I lay my | |
| Life down for a people that I don' t even care for." | |
| Face to his face, I put my | |
| Hand into his and I tried to tell him, " No, | |
| I' ve seen his work upon the panes of cathedrals, | |
| In the sweat of the workers and the flight of the seagulls." | |
| My words were drowned out by the sound | |
| Of the motors and rowers, the ship as it ran aground | |
| And from the trees came a thousand soldiers. | |
| I went down on my knees with a spear in my shoulder. | |
| About face, about face, I swam back | |
| To the Victoria. I shiver with the | |
| Memory, memory of the island dwellers | |
| And the indifferences of the Storyteller. |