| Song | I'll Believe in You (Or I'll Be Leaving You Tonight) |
| Artist | The Tragically Hip |
| Album | Up to Here |
| Download | Image LRC TXT |
| 作词 : Tragically Hip | |
| Well, it's seven a.m. and she awoke by the radio | |
| Yeah, she rolled on over, said, "Where did my man go?" | |
| She's been a gunslinger's wife all her life, now she fights when she's able | |
| For the sake of the kids when the knife's at their necks in the cradle | |
| She screams | |
| I'll believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| Well, she's got all the kids and she's got all their uses | |
| But she loves them the same for neglect and abuses | |
| Well, she got a warm spot where they fought and they made up last evening | |
| He said, "Don't read too much into the fact that I'm leaving" | |
| She screams | |
| I'll believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| How do I explain this | |
| I mean how do I put it into words | |
| It's one thing or another | |
| But it's neither this nor that | |
| Actually it's a collection of things | |
| She said, "That's it, that's it, get out" | |
| Well, her mother said, "Kill him slow at your leisure" | |
| Ah but desperate times call for desperate measures | |
| So she went to the closet and she pulled the old gun down | |
| "I'll put a bullet through his heart if he ain't home by sundown" | |
| Yeah, five fifty five he comes walking in the front door smiling | |
| He said, "Don't read too much into what I ain't denying" | |
| She screams | |
| I'll believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| I will believe in you or I'll be leaving you tonight | |
| Well, I believe in you | |
| Well, I believe, I believe, I believe, I believe, I believe in you |
| zuo ci : Tragically Hip | |
| Well, it' s seven a. m. and she awoke by the radio | |
| Yeah, she rolled on over, said, " Where did my man go?" | |
| She' s been a gunslinger' s wife all her life, now she fights when she' s able | |
| For the sake of the kids when the knife' s at their necks in the cradle | |
| She screams | |
| I' ll believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| Well, she' s got all the kids and she' s got all their uses | |
| But she loves them the same for neglect and abuses | |
| Well, she got a warm spot where they fought and they made up last evening | |
| He said, " Don' t read too much into the fact that I' m leaving" | |
| She screams | |
| I' ll believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| How do I explain this | |
| I mean how do I put it into words | |
| It' s one thing or another | |
| But it' s neither this nor that | |
| Actually it' s a collection of things | |
| She said, " That' s it, that' s it, get out" | |
| Well, her mother said, " Kill him slow at your leisure" | |
| Ah but desperate times call for desperate measures | |
| So she went to the closet and she pulled the old gun down | |
| " I' ll put a bullet through his heart if he ain' t home by sundown" | |
| Yeah, five fifty five he comes walking in the front door smiling | |
| He said, " Don' t read too much into what I ain' t denying" | |
| She screams | |
| I' ll believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| Well, I believe in you | |
| Well, I believe, I believe, I believe, I believe, I believe in you |
| zuò cí : Tragically Hip | |
| Well, it' s seven a. m. and she awoke by the radio | |
| Yeah, she rolled on over, said, " Where did my man go?" | |
| She' s been a gunslinger' s wife all her life, now she fights when she' s able | |
| For the sake of the kids when the knife' s at their necks in the cradle | |
| She screams | |
| I' ll believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| Well, she' s got all the kids and she' s got all their uses | |
| But she loves them the same for neglect and abuses | |
| Well, she got a warm spot where they fought and they made up last evening | |
| He said, " Don' t read too much into the fact that I' m leaving" | |
| She screams | |
| I' ll believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| How do I explain this | |
| I mean how do I put it into words | |
| It' s one thing or another | |
| But it' s neither this nor that | |
| Actually it' s a collection of things | |
| She said, " That' s it, that' s it, get out" | |
| Well, her mother said, " Kill him slow at your leisure" | |
| Ah but desperate times call for desperate measures | |
| So she went to the closet and she pulled the old gun down | |
| " I' ll put a bullet through his heart if he ain' t home by sundown" | |
| Yeah, five fifty five he comes walking in the front door smiling | |
| He said, " Don' t read too much into what I ain' t denying" | |
| She screams | |
| I' ll believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| I will believe in you or I' ll be leaving you tonight | |
| Well, I believe in you | |
| Well, I believe, I believe, I believe, I believe, I believe in you |