| 作曲 : Reveille | |
| Rape me of my innocence | |
| Admist these cold and rainy days | |
| There's so much hate beneath this sky | |
| My inspirations all washed away | |
| So tie me down and cut me up | |
| And pour my blood upon the earth | |
| No helpful hands to hold me up | |
| And I could give a fuck for all that it's worth | |
| Breath in, breath out, but take a closer look | |
| Because your life is laced and now you're hooked | |
| The hunter's become the hunted, when it rains, it pours | |
| And instictive push- you better lock your doors | |
| Take a look around-tell me what you see | |
| It's upside down, skewed permanently | |
| Take a look around- tell me what you find | |
| Just an empty search through a foreign kind | |
| I'm sickend by this odious scent | |
| Gently drifting on the breeze | |
| So much at risk, so much at stake | |
| And now we all fall to our knees | |
| So cut me down, and turn me loose | |
| And spill my thoughts upon the page | |
| A hopeless attempt to redefine | |
| Between our skyline and the seventh stage (chorus) | |
| Tell me what you see? | |
| Tell me what you find? | |
| Tell me what you feel? | |
| Take a look around-line 'em up | |
| It's permanent | |
| So you better check ya source | |
| You better lock your doors | |
| And take a closer look | |
| Because the choice is yours | |
| So get on or get off, give up or give in | |
| Get on or get off, take a closer look |
| zuo qu : Reveille | |
| Rape me of my innocence | |
| Admist these cold and rainy days | |
| There' s so much hate beneath this sky | |
| My inspirations all washed away | |
| So tie me down and cut me up | |
| And pour my blood upon the earth | |
| No helpful hands to hold me up | |
| And I could give a fuck for all that it' s worth | |
| Breath in, breath out, but take a closer look | |
| Because your life is laced and now you' re hooked | |
| The hunter' s become the hunted, when it rains, it pours | |
| And instictive push you better lock your doors | |
| Take a look aroundtell me what you see | |
| It' s upside down, skewed permanently | |
| Take a look around tell me what you find | |
| Just an empty search through a foreign kind | |
| I' m sickend by this odious scent | |
| Gently drifting on the breeze | |
| So much at risk, so much at stake | |
| And now we all fall to our knees | |
| So cut me down, and turn me loose | |
| And spill my thoughts upon the page | |
| A hopeless attempt to redefine | |
| Between our skyline and the seventh stage chorus | |
| Tell me what you see? | |
| Tell me what you find? | |
| Tell me what you feel? | |
| Take a look aroundline ' em up | |
| It' s permanent | |
| So you better check ya source | |
| You better lock your doors | |
| And take a closer look | |
| Because the choice is yours | |
| So get on or get off, give up or give in | |
| Get on or get off, take a closer look |
| zuò qǔ : Reveille | |
| Rape me of my innocence | |
| Admist these cold and rainy days | |
| There' s so much hate beneath this sky | |
| My inspirations all washed away | |
| So tie me down and cut me up | |
| And pour my blood upon the earth | |
| No helpful hands to hold me up | |
| And I could give a fuck for all that it' s worth | |
| Breath in, breath out, but take a closer look | |
| Because your life is laced and now you' re hooked | |
| The hunter' s become the hunted, when it rains, it pours | |
| And instictive push you better lock your doors | |
| Take a look aroundtell me what you see | |
| It' s upside down, skewed permanently | |
| Take a look around tell me what you find | |
| Just an empty search through a foreign kind | |
| I' m sickend by this odious scent | |
| Gently drifting on the breeze | |
| So much at risk, so much at stake | |
| And now we all fall to our knees | |
| So cut me down, and turn me loose | |
| And spill my thoughts upon the page | |
| A hopeless attempt to redefine | |
| Between our skyline and the seventh stage chorus | |
| Tell me what you see? | |
| Tell me what you find? | |
| Tell me what you feel? | |
| Take a look aroundline ' em up | |
| It' s permanent | |
| So you better check ya source | |
| You better lock your doors | |
| And take a closer look | |
| Because the choice is yours | |
| So get on or get off, give up or give in | |
| Get on or get off, take a closer look |
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