| Song | Operating Theatre |
| Artist | Impaled |
| Album | Mondo Medicale |
| Download | Image LRC TXT |
| 作曲 : McGrath, Sewage | |
| Baiting the vain and aesthetically challenged | |
| To my office of promise and false hope | |
| Demarcating lines of incision for corporeal revision | |
| The foundation laid for a malpractical joke | |
| Tranquilized and secured on a gurney | |
| Associates throng for the spectacle on which they thrive | |
| Unconsciousness no escape as you lay wide awake | |
| Our peers observe as your placed under knife | |
| We'd like to welcome you to the operating theatre | |
| My scalpel marks perforations on your countenance | |
| Volsella securely fastened as | |
| I pull As ligature is excised with no anasthesia | |
| I'm sure you'll find this process quite painful | |
| Fourteen bones degloved as periosteum is exposed | |
| Bereft of palpebra, eyes starve for moisture | |
| The nasal conchae and zygoma | |
| Under chisel and mallet shall fissure | |
| A jovial soirée for which our comrades have gathered | |
| Relinquished admission and collude in our laughter | |
| They applaud the disfiguring with needless suffering | |
| From this mutilation there will be no recovering | |
| An abscinded face we'll replace with your posterior | |
| Gaze through a brown-eye as your shit-faced in the mirror | |
| Your visage is your end, the lips a sphincter instead | |
| In our surgical troupe you're cast as the shit-head | |
| Piercing adipose tissue | |
| With rusted hooks and screws | |
| To keep the crowd amused | |
| You'll break a leg or two | |
| With needle and ink | |
| I stain Your skin, with text profane | |
| No part is left unmaimed | |
| This show's rather insane | |
| We'll knock 'em dead in the operating theatre | |
| The show must gore on in the operating theatre | |
| As the curtain falls on another corpus-plasty | |
| Chains jangle when the flesh they're sewn in twitches | |
| You shant miss your cue as your body we abuse | |
| It's not the audience, but you we've left in stitches [solo: "Le Grand Guignol" by S.C. McGrath] | |
| The operating theatre |
| zuo qu : McGrath, Sewage | |
| Baiting the vain and aesthetically challenged | |
| To my office of promise and false hope | |
| Demarcating lines of incision for corporeal revision | |
| The foundation laid for a malpractical joke | |
| Tranquilized and secured on a gurney | |
| Associates throng for the spectacle on which they thrive | |
| Unconsciousness no escape as you lay wide awake | |
| Our peers observe as your placed under knife | |
| We' d like to welcome you to the operating theatre | |
| My scalpel marks perforations on your countenance | |
| Volsella securely fastened as | |
| I pull As ligature is excised with no anasthesia | |
| I' m sure you' ll find this process quite painful | |
| Fourteen bones degloved as periosteum is exposed | |
| Bereft of palpebra, eyes starve for moisture | |
| The nasal conchae and zygoma | |
| Under chisel and mallet shall fissure | |
| A jovial soire e for which our comrades have gathered | |
| Relinquished admission and collude in our laughter | |
| They applaud the disfiguring with needless suffering | |
| From this mutilation there will be no recovering | |
| An abscinded face we' ll replace with your posterior | |
| Gaze through a browneye as your shitfaced in the mirror | |
| Your visage is your end, the lips a sphincter instead | |
| In our surgical troupe you' re cast as the shithead | |
| Piercing adipose tissue | |
| With rusted hooks and screws | |
| To keep the crowd amused | |
| You' ll break a leg or two | |
| With needle and ink | |
| I stain Your skin, with text profane | |
| No part is left unmaimed | |
| This show' s rather insane | |
| We' ll knock ' em dead in the operating theatre | |
| The show must gore on in the operating theatre | |
| As the curtain falls on another corpusplasty | |
| Chains jangle when the flesh they' re sewn in twitches | |
| You shant miss your cue as your body we abuse | |
| It' s not the audience, but you we' ve left in stitches solo: " Le Grand Guignol" by S. C. McGrath | |
| The operating theatre |
| zuò qǔ : McGrath, Sewage | |
| Baiting the vain and aesthetically challenged | |
| To my office of promise and false hope | |
| Demarcating lines of incision for corporeal revision | |
| The foundation laid for a malpractical joke | |
| Tranquilized and secured on a gurney | |
| Associates throng for the spectacle on which they thrive | |
| Unconsciousness no escape as you lay wide awake | |
| Our peers observe as your placed under knife | |
| We' d like to welcome you to the operating theatre | |
| My scalpel marks perforations on your countenance | |
| Volsella securely fastened as | |
| I pull As ligature is excised with no anasthesia | |
| I' m sure you' ll find this process quite painful | |
| Fourteen bones degloved as periosteum is exposed | |
| Bereft of palpebra, eyes starve for moisture | |
| The nasal conchae and zygoma | |
| Under chisel and mallet shall fissure | |
| A jovial soiré e for which our comrades have gathered | |
| Relinquished admission and collude in our laughter | |
| They applaud the disfiguring with needless suffering | |
| From this mutilation there will be no recovering | |
| An abscinded face we' ll replace with your posterior | |
| Gaze through a browneye as your shitfaced in the mirror | |
| Your visage is your end, the lips a sphincter instead | |
| In our surgical troupe you' re cast as the shithead | |
| Piercing adipose tissue | |
| With rusted hooks and screws | |
| To keep the crowd amused | |
| You' ll break a leg or two | |
| With needle and ink | |
| I stain Your skin, with text profane | |
| No part is left unmaimed | |
| This show' s rather insane | |
| We' ll knock ' em dead in the operating theatre | |
| The show must gore on in the operating theatre | |
| As the curtain falls on another corpusplasty | |
| Chains jangle when the flesh they' re sewn in twitches | |
| You shant miss your cue as your body we abuse | |
| It' s not the audience, but you we' ve left in stitches solo: " Le Grand Guignol" by S. C. McGrath | |
| The operating theatre |