| Song | Plastic Pattern People |
| Artist | Gil Scott-Heron |
| Album | Small Talk at 125th and Lenox |
| 作词 : Scott-Heron | |
| Glad to get high and see the slow motion world. | |
| Just to reach, and touch, the half notes floating. | |
| Worlds spinning orbit quicker than 9/8ths | |
| Dave Brubeck | |
| . | |
| We come now, frantically searching for Thomas Moore, rainbow villages. | |
| Up on suddenly, | |
| Charlie Mingus | |
| and our man | |
| Abdul Malik | |
| , | |
| to add bass, to a bottomless pit of insecurity. | |
| You may be plastic because you never meditate, | |
| about the bottom of glasses, The third side of your universe. | |
| Add on | |
| Alice Coltrane | |
| and her cosmic strains. | |
| Still no vocal on blue black horizons. | |
| Your plasticity is tested by a formless assault. | |
| The sun can answer questions in tune, to all your sacrifices. | |
| But why would our new jazz age give us no more mind expanding puzzles? | |
| Enter | |
| John | |
| . | |
| Blow from under, always, and never, so that the morning, the sun, | |
| may scream of brain bending saxophones. | |
| The third world arrives, with | |
| Yusef Lateef | |
| , and | |
| Pharaoh Saunders | |
| . | |
| With oboes straining to touch the core of your unknown soul. | |
| Ravi Shankar | |
| comes, with strings attached, prepared to stabilize your seventh sense, | |
| Your black rhythm. | |
| Up and down a silly ladder run the notes, without the words. | |
| Words are important for the mind, but the notes are for the soul. | |
| Miles Davis | |
| , So what? | |
| Cannonball | |
| , | |
| Fiddler | |
| , Mercy. | |
| Dexter Gordon | |
| , One Flight Up. | |
| Donald Byrd | |
| , playing Cristo, but what about words? | |
| Would you like to survive on sadness? Call on | |
| Ella | |
| and Jose Happiness. | |
| Drift with | |
| Smokey | |
| , Bill Medley, | |
| Bobby Taylor | |
| , and | |
| Otis Redding | |
| . | |
| Soul music where frustrations are washed by drums, | |
| Nina | |
| and | |
| Miriam | |
| . | |
| Congo, Mongo, Beat me, senseless, bongo, Tonto. | |
| Flash through dream worlds of STP and LSD. | |
| Speed kills and sometimes musics call, is frustrated. | |
| And the black man is confused. | |
| Our speed is our life pace, much too fast, not good. | |
| I beg you to escape, and live, and hear all of the real. | |
| Until a call comes for you to cry elsewhere. | |
| We must all cry, but tell me. | |
| Must our tears be white? |
| zuò cí : ScottHeron | |
| Glad to get high and see the slow motion world. | |
| Just to reach, and touch, the half notes floating. | |
| Worlds spinning orbit quicker than 9 8ths | |
| Dave Brubeck | |
| . | |
| We come now, frantically searching for Thomas Moore, rainbow villages. | |
| Up on suddenly, | |
| Charlie Mingus | |
| and our man | |
| Abdul Malik | |
| , | |
| to add bass, to a bottomless pit of insecurity. | |
| You may be plastic because you never meditate, | |
| about the bottom of glasses, The third side of your universe. | |
| Add on | |
| Alice Coltrane | |
| and her cosmic strains. | |
| Still no vocal on blue black horizons. | |
| Your plasticity is tested by a formless assault. | |
| The sun can answer questions in tune, to all your sacrifices. | |
| But why would our new jazz age give us no more mind expanding puzzles? | |
| Enter | |
| John | |
| . | |
| Blow from under, always, and never, so that the morning, the sun, | |
| may scream of brain bending saxophones. | |
| The third world arrives, with | |
| Yusef Lateef | |
| , and | |
| Pharaoh Saunders | |
| . | |
| With oboes straining to touch the core of your unknown soul. | |
| Ravi Shankar | |
| comes, with strings attached, prepared to stabilize your seventh sense, | |
| Your black rhythm. | |
| Up and down a silly ladder run the notes, without the words. | |
| Words are important for the mind, but the notes are for the soul. | |
| Miles Davis | |
| , So what? | |
| Cannonball | |
| , | |
| Fiddler | |
| , Mercy. | |
| Dexter Gordon | |
| , One Flight Up. | |
| Donald Byrd | |
| , playing Cristo, but what about words? | |
| Would you like to survive on sadness? Call on | |
| Ella | |
| and Jose Happiness. | |
| Drift with | |
| Smokey | |
| , Bill Medley, | |
| Bobby Taylor | |
| , and | |
| Otis Redding | |
| . | |
| Soul music where frustrations are washed by drums, | |
| Nina | |
| and | |
| Miriam | |
| . | |
| Congo, Mongo, Beat me, senseless, bongo, Tonto. | |
| Flash through dream worlds of STP and LSD. | |
| Speed kills and sometimes musics call, is frustrated. | |
| And the black man is confused. | |
| Our speed is our life pace, much too fast, not good. | |
| I beg you to escape, and live, and hear all of the real. | |
| Until a call comes for you to cry elsewhere. | |
| We must all cry, but tell me. | |
| Must our tears be white? |