| Song | Lots of Love for Logan |
| Artist | The Speed of Sound in Seawater |
| Album | First Contact |
| Download | Image LRC TXT |
| Act natural | |
| Be interesting | |
| Don’t overthink | |
| The night inside a box | |
| The actors vignetted, the camera zooms in on her every time that she talks | |
| depth of field shrinks | |
| With each additional drink | |
| So cinematic | |
| The sets look fantastic | |
| The script is dramatic | |
| anticlimactic | |
| Now the second act | |
| A shot reverse shot shows two characters talking | |
| The second one is trapped | |
| framed in profile | |
| She wears a forced smile | |
| So stylistic | |
| This shot’s so artistic | |
| The script is realistic | |
| so pessimistic |
| Act natural | |
| Be interesting | |
| Don' t overthink | |
| The night inside a box | |
| The actors vignetted, the camera zooms in on her every time that she talks | |
| depth of field shrinks | |
| With each additional drink | |
| So cinematic | |
| The sets look fantastic | |
| The script is dramatic | |
| anticlimactic | |
| Now the second act | |
| A shot reverse shot shows two characters talking | |
| The second one is trapped | |
| framed in profile | |
| She wears a forced smile | |
| So stylistic | |
| This shot' s so artistic | |
| The script is realistic | |
| so pessimistic |
| Act natural | |
| Be interesting | |
| Don' t overthink | |
| The night inside a box | |
| The actors vignetted, the camera zooms in on her every time that she talks | |
| depth of field shrinks | |
| With each additional drink | |
| So cinematic | |
| The sets look fantastic | |
| The script is dramatic | |
| anticlimactic | |
| Now the second act | |
| A shot reverse shot shows two characters talking | |
| The second one is trapped | |
| framed in profile | |
| She wears a forced smile | |
| So stylistic | |
| This shot' s so artistic | |
| The script is realistic | |
| so pessimistic |