| Song | Touch Sensitive - Peel Session 3/3/98 |
| Artist | The Fall |
| Album | The Complete Peel Sessions 1978-2004 |
| Download | Image LRC TXT |
| 作词 : Hitchcock, Nagle, Smith | |
| Heeeey! hey! hey! hey! | |
| Well everyone you meet, | |
| In the pubs and on the street | |
| Is touch sensitive. | |
| Don't frown and you're a creep | |
| If you smile you're a liar | |
| If you don't say it's bitter cold | |
| You're drunken, too. | |
| {hey! hey! hey! hey! .... hey! hey! hey! hey!} | |
| They say what about the money? | |
| But I think that I'm industry [in the street? ] | |
| I think they've got a bloody cheeck. | |
| I'm livin' in a pawnshop weekly | |
| [in delia's] | |
| What don't want a little kip | |
| Yeah! | |
| {they're touch sensitive.} | |
| {hey! hey! hey! hey!) | |
| Touch sensitive | |
| Old people worry about the milk | |
| But in the street they call you filth. | |
| Houses line up | |
| Volume tremors | |
| Pass down your barber till your carrot speaks | |
| Stand back and laugh. | |
| You are burstin' for a pee | |
| So you go behind a tree | |
| Two coppers followed safe | |
| That as will be the end | |
| The best thing is to stay home | |
| And have a wank. |
| zuo ci : Hitchcock, Nagle, Smith | |
| Heeeey! hey! hey! hey! | |
| Well everyone you meet, | |
| In the pubs and on the street | |
| Is touch sensitive. | |
| Don' t frown and you' re a creep | |
| If you smile you' re a liar | |
| If you don' t say it' s bitter cold | |
| You' re drunken, too. | |
| hey! hey! hey! hey! .... hey! hey! hey! hey! | |
| They say what about the money? | |
| But I think that I' m industry in the street? | |
| I think they' ve got a bloody cheeck. | |
| I' m livin' in a pawnshop weekly | |
| in delia' s | |
| What don' t want a little kip | |
| Yeah! | |
| they' re touch sensitive. | |
| hey! hey! hey! hey! | |
| Touch sensitive | |
| Old people worry about the milk | |
| But in the street they call you filth. | |
| Houses line up | |
| Volume tremors | |
| Pass down your barber till your carrot speaks | |
| Stand back and laugh. | |
| You are burstin' for a pee | |
| So you go behind a tree | |
| Two coppers followed safe | |
| That as will be the end | |
| The best thing is to stay home | |
| And have a wank. |
| zuò cí : Hitchcock, Nagle, Smith | |
| Heeeey! hey! hey! hey! | |
| Well everyone you meet, | |
| In the pubs and on the street | |
| Is touch sensitive. | |
| Don' t frown and you' re a creep | |
| If you smile you' re a liar | |
| If you don' t say it' s bitter cold | |
| You' re drunken, too. | |
| hey! hey! hey! hey! .... hey! hey! hey! hey! | |
| They say what about the money? | |
| But I think that I' m industry in the street? | |
| I think they' ve got a bloody cheeck. | |
| I' m livin' in a pawnshop weekly | |
| in delia' s | |
| What don' t want a little kip | |
| Yeah! | |
| they' re touch sensitive. | |
| hey! hey! hey! hey! | |
| Touch sensitive | |
| Old people worry about the milk | |
| But in the street they call you filth. | |
| Houses line up | |
| Volume tremors | |
| Pass down your barber till your carrot speaks | |
| Stand back and laugh. | |
| You are burstin' for a pee | |
| So you go behind a tree | |
| Two coppers followed safe | |
| That as will be the end | |
| The best thing is to stay home | |
| And have a wank. |