| Song | Shell |
| Artist | Peter Hammill |
| Album | The Calm (After The Storm) |
| Turn a card, turn a page, | |
| the action sure to start, | |
| second-stage reaction | |
| to illogical thoughts on random lines – | |
| in a Borges dream we move toward | |
| the writing of lives. | |
| Leave it out, leave it in, no edits – | |
| with a shout, with a grin I said | |
| it was a certainty that I'd arrive | |
| in an Escher sketch | |
| we walk around the drawing of lines. | |
| The character uncertainty | |
| as he contemplates his lot | |
| and tries to move with urgency | |
| though he's rooted to the spot. | |
| On the brink, on the edge, | |
| but lately what I think, | |
| what I said escapes me | |
| in a flash, a tiger burning bright – | |
| does the visionary trance obscure | |
| the burgeoning night? | |
| And she said "What are you doing?" | |
| And he said "What do you think?" | |
| Oh, no, what on earth are we doing? | |
| The characters procrastinate | |
| on the threshold of the door; | |
| there's something here that fascinates, | |
| though the meaning's still unsure | |
| and the plot so thick. | |
| Is it some kind of history? | |
| Sketch the thumbnail to the quick. | |
| Oh, even though it's full of contradiction, | |
| though it's flawed in the design | |
| this is no fiction, | |
| it's a lifeline. | |
| Here we are, there we went, full circle, | |
| shooting stars, heaven-sent, | |
| turned turtle on the beach | |
| our shells are left behind | |
| life a library, like a memory | |
| of our ghost-written lives. |
| Turn a card, turn a page, | |
| the action sure to start, | |
| secondstage reaction | |
| to illogical thoughts on random lines | |
| in a Borges dream we move toward | |
| the writing of lives. | |
| Leave it out, leave it in, no edits | |
| with a shout, with a grin I said | |
| it was a certainty that I' d arrive | |
| in an Escher sketch | |
| we walk around the drawing of lines. | |
| The character uncertainty | |
| as he contemplates his lot | |
| and tries to move with urgency | |
| though he' s rooted to the spot. | |
| On the brink, on the edge, | |
| but lately what I think, | |
| what I said escapes me | |
| in a flash, a tiger burning bright | |
| does the visionary trance obscure | |
| the burgeoning night? | |
| And she said " What are you doing?" | |
| And he said " What do you think?" | |
| Oh, no, what on earth are we doing? | |
| The characters procrastinate | |
| on the threshold of the door | |
| there' s something here that fascinates, | |
| though the meaning' s still unsure | |
| and the plot so thick. | |
| Is it some kind of history? | |
| Sketch the thumbnail to the quick. | |
| Oh, even though it' s full of contradiction, | |
| though it' s flawed in the design | |
| this is no fiction, | |
| it' s a lifeline. | |
| Here we are, there we went, full circle, | |
| shooting stars, heavensent, | |
| turned turtle on the beach | |
| our shells are left behind | |
| life a library, like a memory | |
| of our ghostwritten lives. |