What You Don't Know Lyrics
| Song | What You Don't Know |
| Artist | John Farnham |
| Album | Then Again ... |
| Download | Image LRC TXT |
| Written：John Farnham/Phil Buckle/Ross Fraser | |
| Manufacture of consent | |
| Turn your fiction into fact | |
| The story's more important than the truth | |
| Selective information sold | |
| Won't tell us what we should know | |
| The printed word is set with biased hands | |
| There it is in black and white | |
| What you can't see, and don't hear | |
| What you don't know hurts you | |
| What is not said, but instead | |
| What you don't know hurts you | |
| And war look like a TV game | |
| Entertaining frame by frame | |
| But do we ever really know the score | |
| Cover up and change the view | |
| Suggest the side that we should choose | |
| On the air, your own official truth | |
| There it is on satellite | |
| What you can't see, and don't hear | |
| What you don't know hurts you | |
| What is not said, but instead | |
| What you don't know hurts you | |
| What you're not told, but are sold | |
| What you don't know hurts you | |
| What is not shown, won't be known | |
| What you don't know hurts you | |
| What you see, what you hear | |
| What you read | |
| What you don't know hurts | |
| The safety of complacency | |
| Imagination, scarcity | |
| The camera is asleep on my TV | |
| Opinions formed from what I'm fed | |
| From subtitles that I've read | |
| I read the words | |
| But not between the lines | |
| I heard it on the air tonight | |
| What you can't see, and don't hear | |
| What you don't know hurts you | |
| What is not said, but instead | |
| What you don't know hurts you | |
| What you can't see, and don't hear | |
| What you don't know hurts you | |
| What is not said, but instead | |
| What you don't know hurts you |
| Written: John Farnham Phil Buckle Ross Fraser | |
| Manufacture of consent | |
| Turn your fiction into fact | |
| The story' s more important than the truth | |
| Selective information sold | |
| Won' t tell us what we should know | |
| The printed word is set with biased hands | |
| There it is in black and white | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you | |
| And war look like a TV game | |
| Entertaining frame by frame | |
| But do we ever really know the score | |
| Cover up and change the view | |
| Suggest the side that we should choose | |
| On the air, your own official truth | |
| There it is on satellite | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you | |
| What you' re not told, but are sold | |
| What you don' t know hurts you | |
| What is not shown, won' t be known | |
| What you don' t know hurts you | |
| What you see, what you hear | |
| What you read | |
| What you don' t know hurts | |
| The safety of complacency | |
| Imagination, scarcity | |
| The camera is asleep on my TV | |
| Opinions formed from what I' m fed | |
| From subtitles that I' ve read | |
| I read the words | |
| But not between the lines | |
| I heard it on the air tonight | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you |
| Written: John Farnham Phil Buckle Ross Fraser | |
| Manufacture of consent | |
| Turn your fiction into fact | |
| The story' s more important than the truth | |
| Selective information sold | |
| Won' t tell us what we should know | |
| The printed word is set with biased hands | |
| There it is in black and white | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you | |
| And war look like a TV game | |
| Entertaining frame by frame | |
| But do we ever really know the score | |
| Cover up and change the view | |
| Suggest the side that we should choose | |
| On the air, your own official truth | |
| There it is on satellite | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you | |
| What you' re not told, but are sold | |
| What you don' t know hurts you | |
| What is not shown, won' t be known | |
| What you don' t know hurts you | |
| What you see, what you hear | |
| What you read | |
| What you don' t know hurts | |
| The safety of complacency | |
| Imagination, scarcity | |
| The camera is asleep on my TV | |
| Opinions formed from what I' m fed | |
| From subtitles that I' ve read | |
| I read the words | |
| But not between the lines | |
| I heard it on the air tonight | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you | |
| What you can' t see, and don' t hear | |
| What you don' t know hurts you | |
| What is not said, but instead | |
| What you don' t know hurts you |
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