| Song | Unity Concepts |
| Artist | Mouse on Mars |
| Album | Idiology |
| 作词 : Nkishi, St Werner, Toma | |
| One takes, yeah, If one takes another three as a preposition... | |
| Which qualities does the one have? | |
| One, the one. | |
| The one that is itself and remains | |
| The one that is different from all others and remains | |
| The one | |
| The one that if it is seen with others, it is in the position to become more, than one | |
| Yet remains, one | |
| With such simple songs... | |
| With such simple songs... | |
| It's like | |
| One plus one plus one never ending | |
| The connection loses itself where it cannot exist without a representation to the production and maintenance of its own wholeness | |
| And it maintains itself only by recurring on that border, or extremity that is the extremity, or border, of its own dissapearance |
| zuò cí : Nkishi, St Werner, Toma | |
| One takes, yeah, If one takes another three as a preposition... | |
| Which qualities does the one have? | |
| One, the one. | |
| The one that is itself and remains | |
| The one that is different from all others and remains | |
| The one | |
| The one that if it is seen with others, it is in the position to become more, than one | |
| Yet remains, one | |
| With such simple songs... | |
| With such simple songs... | |
| It' s like | |
| One plus one plus one never ending | |
| The connection loses itself where it cannot exist without a representation to the production and maintenance of its own wholeness | |
| And it maintains itself only by recurring on that border, or extremity that is the extremity, or border, of its own dissapearance |