| Song | The Gatecrasher |
| Artist | Momus |
| Album | Slender Sherbet |
| 作词 : Momus | |
| He shows up at the party in a pair of dark glasses | |
| His grandfather wore in the war | |
| Saying nothing to no-one, just drinks as if that's | |
| What God gave him his ugly mouth for | |
| And he doesn't make passes at the girls in the corner | |
| In their Bolshevik glasses and black | |
| When they giggle a little and look at him funny | |
| The gatecrasher only looks back | |
| He takes in the faces, never quite placing them | |
| Squinting his short-sighted eyes | |
| And each one reminds him of someone he's known | |
| Or someone he faintly dislikes | |
| And he can't understand the naive curiosity | |
| Forcing two strangers to talk | |
| When language is always and everywhere language | |
| And people are like cheese and chalk | |
| So he lifts himself out of his squatting position | |
| And gets up for something to eat | |
| But the ham is too pink and the turkey is cardboard | |
| And the plate is as floppy as meat | |
| So he fills up his glass with a bottle of vodka | |
| Snatched from some new arrivals who stare | |
| As he tips back his head like a man seized with laughter | |
| And spits the drink into the fire | |
| And he looks so appealing with eyes like a bloodhound | |
| And hair like the 'Quatre Cent Coups' | |
| With the holes in his trousers designed to arouse us | |
| He looks like he'd know what to do | |
| On the rims of his eyes there's a trace of infection | |
| Or maybe the mark of a tear | |
| And is it mascara or is it bacteria, there where the white, where the white disappears? | |
| And which of those girls isn't scared of him | |
| And which of us isn't the same | |
| And maybe that's why, of the four of them | |
| No one remembers the gatecrasher's name | |
| Absentmindedly licking the tip of a finger | |
| He's just used for scratching his ear | |
| He wrinkles his nose at the taste of the wax | |
| Which, like him, is acidic and sour | |
| And just for a second something comes back to him | |
| Something so real and remote | |
| That he tips back his vodka to blank out the thought | |
| And he grins as it scorches his throat | |
| Maybe he thought of his mother, how she kicked out his father | |
| When he'd pushed her around once too much | |
| And how he'd pretended to sleep as she hugged him | |
| And how he'd been calmed by her touch | |
| Or he's sad with nostalgia for a little Italian | |
| He met in a bar in Milan | |
| While they swept up the glass on Piazza Fontana | |
| He knew she'd be thinking of him | |
| She'd be thinking of him | |
| Or he wonders why Hitler liked lemon verbena | |
| And whether he loved Eva Braun | |
| Or maybe he thinks of his cheap bed and breakfast | |
| On the far side of town |
| zuò cí : Momus | |
| He shows up at the party in a pair of dark glasses | |
| His grandfather wore in the war | |
| Saying nothing to noone, just drinks as if that' s | |
| What God gave him his ugly mouth for | |
| And he doesn' t make passes at the girls in the corner | |
| In their Bolshevik glasses and black | |
| When they giggle a little and look at him funny | |
| The gatecrasher only looks back | |
| He takes in the faces, never quite placing them | |
| Squinting his shortsighted eyes | |
| And each one reminds him of someone he' s known | |
| Or someone he faintly dislikes | |
| And he can' t understand the naive curiosity | |
| Forcing two strangers to talk | |
| When language is always and everywhere language | |
| And people are like cheese and chalk | |
| So he lifts himself out of his squatting position | |
| And gets up for something to eat | |
| But the ham is too pink and the turkey is cardboard | |
| And the plate is as floppy as meat | |
| So he fills up his glass with a bottle of vodka | |
| Snatched from some new arrivals who stare | |
| As he tips back his head like a man seized with laughter | |
| And spits the drink into the fire | |
| And he looks so appealing with eyes like a bloodhound | |
| And hair like the ' Quatre Cent Coups' | |
| With the holes in his trousers designed to arouse us | |
| He looks like he' d know what to do | |
| On the rims of his eyes there' s a trace of infection | |
| Or maybe the mark of a tear | |
| And is it mascara or is it bacteria, there where the white, where the white disappears? | |
| And which of those girls isn' t scared of him | |
| And which of us isn' t the same | |
| And maybe that' s why, of the four of them | |
| No one remembers the gatecrasher' s name | |
| Absentmindedly licking the tip of a finger | |
| He' s just used for scratching his ear | |
| He wrinkles his nose at the taste of the wax | |
| Which, like him, is acidic and sour | |
| And just for a second something comes back to him | |
| Something so real and remote | |
| That he tips back his vodka to blank out the thought | |
| And he grins as it scorches his throat | |
| Maybe he thought of his mother, how she kicked out his father | |
| When he' d pushed her around once too much | |
| And how he' d pretended to sleep as she hugged him | |
| And how he' d been calmed by her touch | |
| Or he' s sad with nostalgia for a little Italian | |
| He met in a bar in Milan | |
| While they swept up the glass on Piazza Fontana | |
| He knew she' d be thinking of him | |
| She' d be thinking of him | |
| Or he wonders why Hitler liked lemon verbena | |
| And whether he loved Eva Braun | |
| Or maybe he thinks of his cheap bed and breakfast | |
| On the far side of town |