| Song | Tightrope Walking |
| Artist | Claire days |
| Album | She Changed Her Mind |
| 作词 : Claire Moreau | |
| 作曲 : Claire Moreau | |
| Between the skin and the flesh, there’s some space left | |
| Some very soft pieces of meat | |
| Between the panes of my windows and the noise of the town | |
| There’s a voice, humming around, urging me to escape soon | |
| You’ve got to pick that other road, design it, shape it, build it gracefully | |
| And ultimately let the sun in | |
| Between the floorboards and the crust, there’s a heart beating for more | |
| Sometimes I really have to lend an ear | |
| Sometimes I swear I can’t hear my heart beat | |
| Those days I have to walk more, talk more | |
| Make peace with yourself first | |
| Walk more, talk more, make peace with yourself at last | |
| But you end it before it starts | |
| And there’ll be no line-crossing, | |
| No tightrope walking | |
| In the first chapter and in the following pages | |
| The man that is a lonesome wolf he doesn’t play it safe | |
| He’s a gambler | |
| Now he’s got an issue he should make his point home | |
| Now he’s got to make his point home | |
| I’m 48 now, I’ve been dating a woman | |
| She’s got the style, the grace and the crown | |
| And now she’s got an issue she should bring it | |
| Bring it home | |
| At night I see a train, and it’s taking me | |
| From the window to the ground and I jump | |
| Cause I want to wake up | |
| I’m 48 now, I’ve been dating a woman | |
| She’s got the style, the grace and the crown | |
| And now she’s got an issue she should bring it | |
| Bring it home | |
| But she ends it before it starts | |
| And there’ll be no line-crossing, | |
| No tightrope walking |
| zuò cí : Claire Moreau | |
| zuò qǔ : Claire Moreau | |
| Between the skin and the flesh, there' s some space left | |
| Some very soft pieces of meat | |
| Between the panes of my windows and the noise of the town | |
| There' s a voice, humming around, urging me to escape soon | |
| You' ve got to pick that other road, design it, shape it, build it gracefully | |
| And ultimately let the sun in | |
| Between the floorboards and the crust, there' s a heart beating for more | |
| Sometimes I really have to lend an ear | |
| Sometimes I swear I can' t hear my heart beat | |
| Those days I have to walk more, talk more | |
| Make peace with yourself first | |
| Walk more, talk more, make peace with yourself at last | |
| But you end it before it starts | |
| And there' ll be no linecrossing, | |
| No tightrope walking | |
| In the first chapter and in the following pages | |
| The man that is a lonesome wolf he doesn' t play it safe | |
| He' s a gambler | |
| Now he' s got an issue he should make his point home | |
| Now he' s got to make his point home | |
| I' m 48 now, I' ve been dating a woman | |
| She' s got the style, the grace and the crown | |
| And now she' s got an issue she should bring it | |
| Bring it home | |
| At night I see a train, and it' s taking me | |
| From the window to the ground and I jump | |
| Cause I want to wake up | |
| I' m 48 now, I' ve been dating a woman | |
| She' s got the style, the grace and the crown | |
| And now she' s got an issue she should bring it | |
| Bring it home | |
| But she ends it before it starts | |
| And there' ll be no linecrossing, | |
| No tightrope walking |