| Song | Everything Becomes Mechanical |
| Artist | Blackout Balter |
| Album | Twist and Bend |
| Download | Image LRC TXT |
| [00:00.000] | 作词 : Philip Cohen |
| [00:01.000] | 作曲 : Philip Cohen |
| [00:19.571] | Everything becomes mechanical. |
| [00:22.605] | Another gear up on the vertical. |
| [00:25.862] | Another way to make you stay within your place and wonder why should you move. |
| [00:32.661] | Surrendering to the Common Man. |
| [00:35.539] | A sudden detour from a common plan. |
| [00:38.798] | The animal had gone away and now you wonder how to walk in his shoes. |
| [00:45.325] | But how could you tell about the water in the well? |
| [00:51.897] | You went away and thought the water would have stayed without your care. |
| [00:58.166] | And how could you know how much to barter and sow? |
| [01:04.686] | Without an eye on the water well you pushed the other way... |
| [01:14.502] | Girl, you’re dragging this out. |
| [01:19.599] | No need to wait for the morning sun. |
| [01:23.107] | No need to wait for the others to come. |
| [01:28.164] | Girl, you’re battered and bruised. |
| [01:33.519] | No need to wait for the morning sun. |
| [01:36.526] | No need to wait for the others to come. |
| [01:42.303] | Everything becomes mechanical. |
| [01:45.338] | Another pleasure turning miserable. |
| [01:48.596] | Another stand to settle down and find another place to stay with your mood. |
| [01:55.360] | But how did you find all of the water now wine? |
| [02:01.373] | Without the time you couldn’tt make the others find out where to go. |
| [02:11.397] | Girl, you’re dragging this out. |
| [02:16.433] | No need to wait for the morning sun. |
| [02:19.442] | No need to wait for the others to come. |
| [02:24.957] | Girl, you’re battered and bruised. |
| [02:30.222] | No need to wait for the morning sun. |
| [02:33.264] | No need to wait for the others to come. |
| [02:39.305] | But you come a running, with those thorns in your head. |
| [02:46.567] | Three other times, three other crimes. |
| [02:54.135] | You come a running, with all those thorns in your hair. |
| [03:01.979] | Three other times, three other lies. |
| [03:14.012] | Girl, you’re dragging this out. |
| [03:19.027] | No need to wait for the morning sun. |
| [03:22.795] | No need to wait for the others to come. |
| [03:27.558] | Girl, you’re battered and bruised. |
| [03:32.937] | No need to wait for the morning sun. |
| [03:36.196] | No need to wait for the others to come. |
| [00:00.000] | zuo ci : Philip Cohen |
| [00:01.000] | zuo qu : Philip Cohen |
| [00:19.571] | Everything becomes mechanical. |
| [00:22.605] | Another gear up on the vertical. |
| [00:25.862] | Another way to make you stay within your place and wonder why should you move. |
| [00:32.661] | Surrendering to the Common Man. |
| [00:35.539] | A sudden detour from a common plan. |
| [00:38.798] | The animal had gone away and now you wonder how to walk in his shoes. |
| [00:45.325] | But how could you tell about the water in the well? |
| [00:51.897] | You went away and thought the water would have stayed without your care. |
| [00:58.166] | And how could you know how much to barter and sow? |
| [01:04.686] | Without an eye on the water well you pushed the other way... |
| [01:14.502] | Girl, you' re dragging this out. |
| [01:19.599] | No need to wait for the morning sun. |
| [01:23.107] | No need to wait for the others to come. |
| [01:28.164] | Girl, you' re battered and bruised. |
| [01:33.519] | No need to wait for the morning sun. |
| [01:36.526] | No need to wait for the others to come. |
| [01:42.303] | Everything becomes mechanical. |
| [01:45.338] | Another pleasure turning miserable. |
| [01:48.596] | Another stand to settle down and find another place to stay with your mood. |
| [01:55.360] | But how did you find all of the water now wine? |
| [02:01.373] | Without the time you couldn' tt make the others find out where to go. |
| [02:11.397] | Girl, you' re dragging this out. |
| [02:16.433] | No need to wait for the morning sun. |
| [02:19.442] | No need to wait for the others to come. |
| [02:24.957] | Girl, you' re battered and bruised. |
| [02:30.222] | No need to wait for the morning sun. |
| [02:33.264] | No need to wait for the others to come. |
| [02:39.305] | But you come a running, with those thorns in your head. |
| [02:46.567] | Three other times, three other crimes. |
| [02:54.135] | You come a running, with all those thorns in your hair. |
| [03:01.979] | Three other times, three other lies. |
| [03:14.012] | Girl, you' re dragging this out. |
| [03:19.027] | No need to wait for the morning sun. |
| [03:22.795] | No need to wait for the others to come. |
| [03:27.558] | Girl, you' re battered and bruised. |
| [03:32.937] | No need to wait for the morning sun. |
| [03:36.196] | No need to wait for the others to come. |
| [00:00.000] | zuò cí : Philip Cohen |
| [00:01.000] | zuò qǔ : Philip Cohen |
| [00:19.571] | Everything becomes mechanical. |
| [00:22.605] | Another gear up on the vertical. |
| [00:25.862] | Another way to make you stay within your place and wonder why should you move. |
| [00:32.661] | Surrendering to the Common Man. |
| [00:35.539] | A sudden detour from a common plan. |
| [00:38.798] | The animal had gone away and now you wonder how to walk in his shoes. |
| [00:45.325] | But how could you tell about the water in the well? |
| [00:51.897] | You went away and thought the water would have stayed without your care. |
| [00:58.166] | And how could you know how much to barter and sow? |
| [01:04.686] | Without an eye on the water well you pushed the other way... |
| [01:14.502] | Girl, you' re dragging this out. |
| [01:19.599] | No need to wait for the morning sun. |
| [01:23.107] | No need to wait for the others to come. |
| [01:28.164] | Girl, you' re battered and bruised. |
| [01:33.519] | No need to wait for the morning sun. |
| [01:36.526] | No need to wait for the others to come. |
| [01:42.303] | Everything becomes mechanical. |
| [01:45.338] | Another pleasure turning miserable. |
| [01:48.596] | Another stand to settle down and find another place to stay with your mood. |
| [01:55.360] | But how did you find all of the water now wine? |
| [02:01.373] | Without the time you couldn' tt make the others find out where to go. |
| [02:11.397] | Girl, you' re dragging this out. |
| [02:16.433] | No need to wait for the morning sun. |
| [02:19.442] | No need to wait for the others to come. |
| [02:24.957] | Girl, you' re battered and bruised. |
| [02:30.222] | No need to wait for the morning sun. |
| [02:33.264] | No need to wait for the others to come. |
| [02:39.305] | But you come a running, with those thorns in your head. |
| [02:46.567] | Three other times, three other crimes. |
| [02:54.135] | You come a running, with all those thorns in your hair. |
| [03:01.979] | Three other times, three other lies. |
| [03:14.012] | Girl, you' re dragging this out. |
| [03:19.027] | No need to wait for the morning sun. |
| [03:22.795] | No need to wait for the others to come. |
| [03:27.558] | Girl, you' re battered and bruised. |
| [03:32.937] | No need to wait for the morning sun. |
| [03:36.196] | No need to wait for the others to come. |