| Song | Woman In A Bar |
| Artist | Lloyd Cole |
| Album | Antidepressant |
| 作词 : Cole | |
| Cole | |
| Idealised vision of a woman through a smokefilled | |
| twentieth century screenplay | |
| Advancing | |
| Towards protagonist with paperback and beer | |
| Manifestly failing to disappear | |
| Now that the children are asleep | |
| You want to play | |
| But you’re so lazy | |
| She walks into the bar | |
| And there you are | |
| Still life watercolour Woman In A Window | |
| Considers role of kitchen sink drama queen | |
| Stage left - protagonist with cigarette and pen | |
| Considers form of racehorses, IBM | |
| Declining issues led advancing two to one | |
| In slow trading | |
| She walks into the bar | |
| And there you are | |
| No longer angry | |
| No longer young | |
| No longer driven to distraction | |
| Not even by Scarlett Johansson | |
| A few moving parts | |
| Need to be replaced | |
| The engine starts | |
| But only on Tuesdays | |
| but look at it this way - | |
| Now that the children are asleep | |
| You want to play | |
| But you’re so lazy | |
| She walks into the bar | |
| And there you are | |
| Idealised vision of a woman through a smokefilled | |
| twentieth century screenplay | |
| Advancing | |
| Towards protagonist with paperback and beer | |
| Manifestly failing to disappear.. |
| zuò cí : Cole | |
| Cole | |
| Idealised vision of a woman through a smokefilled | |
| twentieth century screenplay | |
| Advancing | |
| Towards protagonist with paperback and beer | |
| Manifestly failing to disappear | |
| Now that the children are asleep | |
| You want to play | |
| But you' re so lazy | |
| She walks into the bar | |
| And there you are | |
| Still life watercolour Woman In A Window | |
| Considers role of kitchen sink drama queen | |
| Stage left protagonist with cigarette and pen | |
| Considers form of racehorses, IBM | |
| Declining issues led advancing two to one | |
| In slow trading | |
| She walks into the bar | |
| And there you are | |
| No longer angry | |
| No longer young | |
| No longer driven to distraction | |
| Not even by Scarlett Johansson | |
| A few moving parts | |
| Need to be replaced | |
| The engine starts | |
| But only on Tuesdays | |
| but look at it this way | |
| Now that the children are asleep | |
| You want to play | |
| But you' re so lazy | |
| She walks into the bar | |
| And there you are | |
| Idealised vision of a woman through a smokefilled | |
| twentieth century screenplay | |
| Advancing | |
| Towards protagonist with paperback and beer | |
| Manifestly failing to disappear.. |