| Song | Undercover |
| Artist | Joey DeLuxe |
| Album | Godzilla (The Album) |
| [00:15.130] | You take two steps forward, |
| [00:18.090] | smile and turn on the lights |
| [00:22.720] | Just like a scene from a movie that you feel like you own the rights |
| [00:30.610] | A bit of sweet talk and magic, |
| [00:33.200] | a laugh and a little affection |
| [00:38.550] | Some alcoholic persuasion, and you're groovin' in the proper direction |
| [00:46.960] | A secret agent man is always a mystery lover |
| [00:54.540] | One smooth operator, |
| [00:56.860] | working undercover |
| [01:02.130] | Undercover |
| [01:07.570] | Chemistry is crucial when the op is in the search for perfection |
| [01:14.120] | But keep your eyes wide open, |
| [01:19.200] | surveillance is the key to detection |
| [01:22.190] | Infiltrate, |
| [01:24.510] | investigate, interrogate 'til you get a clue |
| [01:29.920] | (???), inebriate, infatuate your next ingénue |
| [01:37.740] | 'Til she's nude at the loins and she longin' like a long lost lover |
| [01:45.700] | That's when you know that you're workin' undercover |
| [01:53.340] | Undercover |
| [02:13.570] | You're movin' outside the law, |
| [02:16.000] | you better watch your back |
| [02:20.880] | She could be a double agent, |
| [02:23.100] | Matahari may be on your track |
| [02:28.770] | You better give her the slip, |
| [02:31.020] | slip her shadow, baby, shake her tail |
| [02:36.620] | Yes, it's one false move and you're dead, |
| [02:39.640] | you've got to know when to bail |
| [02:44.540] | Sam Spade, |
| [02:46.710] | James Bond, |
| [02:47.900] | Philip Marlow, secret agent lover |
| [02:53.410] | Now, |
| [02:54.000] | you're Mickey Spillane and you're goin' undercover |
| [03:00.910] | Undercover |
| [03:05.530] | It's a covert operation and there nothin' to get yourself out of there |
| [03:12.850] | You can get bugged, |
| [03:14.210] | tapped, wired, and then you're caught in her snare |
| [03:21.250] | Few are those who can resist the lure of wealth and sex |
| [03:28.300] | So wrap it up in your trench coat, |
| [03:31.580] | baby, and pray it protects |
| [03:36.730] | A secret agent man is always a mystery lover |
| [03:44.060] | One smooth operator, |
| [03:46.850] | working undercover |
| [03:51.150] | Oh, undercover |
| [03:55.290] | Undercover |
| [03:58.210] | Yeah, undercover |
| [04:02.270] | Oooh, undercover |
| [04:06.560] | Undercover |
| [04:09.550] | Oooh, undercover |
| [04:13.020] | Alright, alright, undercover |
| [04:17.370] | Oh, undercover |
| [04:22.160] | Undercover |
| [04:25.040] | Oooh, undercover |
| [04:29.140] | Oh, undercover |
| [04:33.340] | Huh! |
| [04:34.820] | Undercover, cover |
| [00:15.130] | You take two steps forward, |
| [00:18.090] | smile and turn on the lights |
| [00:22.720] | Just like a scene from a movie that you feel like you own the rights |
| [00:30.610] | A bit of sweet talk and magic, |
| [00:33.200] | a laugh and a little affection |
| [00:38.550] | Some alcoholic persuasion, and you' re groovin' in the proper direction |
| [00:46.960] | A secret agent man is always a mystery lover |
| [00:54.540] | One smooth operator, |
| [00:56.860] | working undercover |
| [01:02.130] | Undercover |
| [01:07.570] | Chemistry is crucial when the op is in the search for perfection |
| [01:14.120] | But keep your eyes wide open, |
| [01:19.200] | surveillance is the key to detection |
| [01:22.190] | Infiltrate, |
| [01:24.510] | investigate, interrogate ' til you get a clue |
| [01:29.920] | ???, inebriate, infatuate your next ingé nue |
| [01:37.740] | ' Til she' s nude at the loins and she longin' like a long lost lover |
| [01:45.700] | That' s when you know that you' re workin' undercover |
| [01:53.340] | Undercover |
| [02:13.570] | You' re movin' outside the law, |
| [02:16.000] | you better watch your back |
| [02:20.880] | She could be a double agent, |
| [02:23.100] | Matahari may be on your track |
| [02:28.770] | You better give her the slip, |
| [02:31.020] | slip her shadow, baby, shake her tail |
| [02:36.620] | Yes, it' s one false move and you' re dead, |
| [02:39.640] | you' ve got to know when to bail |
| [02:44.540] | Sam Spade, |
| [02:46.710] | James Bond, |
| [02:47.900] | Philip Marlow, secret agent lover |
| [02:53.410] | Now, |
| [02:54.000] | you' re Mickey Spillane and you' re goin' undercover |
| [03:00.910] | Undercover |
| [03:05.530] | It' s a covert operation and there nothin' to get yourself out of there |
| [03:12.850] | You can get bugged, |
| [03:14.210] | tapped, wired, and then you' re caught in her snare |
| [03:21.250] | Few are those who can resist the lure of wealth and sex |
| [03:28.300] | So wrap it up in your trench coat, |
| [03:31.580] | baby, and pray it protects |
| [03:36.730] | A secret agent man is always a mystery lover |
| [03:44.060] | One smooth operator, |
| [03:46.850] | working undercover |
| [03:51.150] | Oh, undercover |
| [03:55.290] | Undercover |
| [03:58.210] | Yeah, undercover |
| [04:02.270] | Oooh, undercover |
| [04:06.560] | Undercover |
| [04:09.550] | Oooh, undercover |
| [04:13.020] | Alright, alright, undercover |
| [04:17.370] | Oh, undercover |
| [04:22.160] | Undercover |
| [04:25.040] | Oooh, undercover |
| [04:29.140] | Oh, undercover |
| [04:33.340] | Huh! |
| [04:34.820] | Undercover, cover |